(NOTE: For televised repeats, this episode was known as "Manhattan Manhunt, Part 2"). McCloud, whose new-found celebrity (thanks to an article by Chris Coughlin in the Chronicle) vexes the Department, is assigned to protect a British theatrical maven who has received letters assailing his ""filthy, obscene"" productions and threatening his life.
A tailor wins big on the numbers, but gang wars interfere with the payout. Sgt. Broadhurst is badly wounded and numbers money is planted on him, causing him to be investigated by Internal Affairs. The tailor becomes a witness in the wars, but heads off to Miami Beach with his winnings and his shiksa fiancée, followed by two hit men and McCloud.
On the graveyard shift one lengthy night, Chief Clifford and much of the staff are out with the flu, the American Brotherhood Movement is blowing up buildings, Chris Coughlin is writing a story with a feminist angle on the NYPD, a robbery suspect's brother (an addict) tries to break him out (and both are sons of an Albany bigwig) by kidnapping the Acting Watch Commander (Sgt. Broadhurst), McCloud pulls in New York's top drug dealers in a citywide search for a junkie whose addicted newborn infant needs urgent treatment, and Sgt. Phyllis Norton is the Acting Deputy Watch Commander in charge.
The Chief (Clifford) is running a weekly bull session, that is, the detectives squawk and he gives them a talk. McCloud notices smoke signals coming from a nearby roof. The Chief (Stillwater) is seeking his grandson Johnny, who has followed a gang of thieves to New York. Johnny's father is in jail back home in Phoenix, framed by the gang.
During a New York City snowstorm, a union lawyer is placed in protective custody as a witness to graft, a working girl is slipping out-of-towners a mickey and painting them blue, a Federal Inspector is auditing the Department books, the mob plans an invasion of headquarters, and patrolmen have a strike meeting.
After an attempt to rescue a New York damsel in distress results in a dangerous shoot-out, Police Chief Clifford sends McCloud back to Taos — only to call on his skills when the Chief's own life is in danger. [NOTE: This telemovie was re-edited for syndication from two season 1 episodes: "Who Says You Can't Make Friends in New York City" and "Our Man in Paris." Some material was cut and some linking voice-overs were added.]
The stage is set for murder when a controversial theater producer receives death threats. McCloud must turn away from the dazzling lights of the stage when an expert marksman superficially wounds him during a chase. [NOTE: This telemovie was re-edited for syndication from two season 1 episodes: "Horse Stealing on Fifth Avenue" and "The Stage is All the World." Some material was cut and some linking voice-overs were added.]
McCloud is the perfect man for the job of supervising cowboys at a visiting rodeo. When one of his friends is murdered, McCloud is ready to lay down some western-style justice to find the killer. [NOTE: This telemovie was re-edited for syndication from two season 1 episodes: "The Concrete Corral" and "Walk in the Dark." Some material was cut and some linking voice-overs were added.]
An interview with Glen A Larsen on the McCloud series.