DCI Marsden addresses a group of journalists outside the Vic as she appeals for anyone with any information about the murder to come forward. Zainab is flustered about the Mehndi (a pre-wedding ceremony) taking place that evening so Syed helps her arrange things. At the Masala unit, Syed explains the situation between himself and Christian to Lucy and she expresses her anger at Syed’s behaviour. Jane enters and tells Lucy that although the situation is not ideal they need to keep it quiet in order to maintain a healthy working relationship with the Masood family. Syed bumps into an upset Amira, who, when probed, confides that her father cannot be prosecuted for his crimes as his solicitor found a loophole in the legal system. He is therefore to be set free. Syed is pleased, realising Qadim can be present at the wedding. Amira confesses he did not give the wedding his blessing and explains her worries about her father asking for his money back. Later, the Masood house is full of guests dressed in colourful attire. Bushra enters with her girls plus cousin Afia and the two families joyfully catch up. Soon after, with everyone in high spirits, a procession forms to follow the drummers to the club house. Once there residents of the square join the procession. Masood greets guests before Amira arrives, looking beautiful. As Tamwar takes her arm and walks her past the guests, Amira beams. Afterwards, Jane approaches the stage to feed Amira and Syed metai. Amira asks after Christian but Jane says that he’s in Barcelona. Tamwar chats to Zulekha but she is not keen to stick around. Cousin Afia laughs at him. Masood introduces the dancers and the crowd roar in appreciation. Syed joins the dancers, does some astonishing moves, and Amira cheers, proud of her husband. As the dance ends, Syed encourages a dance competition between the men and the women. Tamwar dances in front of Zulekha to impress her but she laughs in his face… before writing her mobile number on his h
Name | Type | Role | |
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Jake Riddel | Writer | ||
Michael Owen Morris | Director |