Sam, a former pitcher for the Boston Red Sox, owns and runs Cheers, a cozy bar in Boston. Somewhat snobby, beautiful and intelligent Diane -- forced to become a waitress when her fiance jilts her -- constantly bickers with Sam. Eventually, they fall in love. Several wacky characters make the bar their home-away-from-home, including sarcastic waitress Carla, beer-loving Norm and Boston letter carrier Cliff.
Season | From | To | Episodes |
---|---|---|---|
All Seasons | |||
Specials | January 1983 | May 2013 | 5 |
Season 1 | September 1982 | March 1983 | 22 |
Season 2 | September 1983 | May 1984 | 22 |
Season 3 | September 1984 | May 1985 | 25 |
Season 4 | September 1985 | May 1986 | 26 |
Season 5 | September 1986 | May 1987 | 26 |
Season 6 | September 1987 | May 1988 | 25 |
Season 7 | October 1988 | May 1989 | 22 |
Season 8 | September 1989 | May 1990 | 26 |
Season 9 | September 1990 | May 1991 | 25 |
Season 10 | September 1991 | May 1992 | 26 |
Season 11 | September 1992 | May 1993 | 28 |
Unassigned Episodes | 0 |
Season | From | To | Episodes |
---|---|---|---|
All Seasons | |||
Specials | 0 | ||
Season 1 | September 1982 | March 1983 | 22 |
Season 2 | September 1983 | May 1984 | 22 |
Season 3 | September 1984 | May 1985 | 25 |
Season 4 | September 1985 | May 1986 | 26 |
Season 5 | September 1986 | May 1987 | 26 |
Season 6 | September 1987 | May 1988 | 25 |
Season 7 | October 1988 | May 1989 | 22 |
Season 8 | September 1989 | May 1990 | 26 |
Season 9 | September 1990 | May 1991 | 26 |
Season 10 | September 1991 | May 1992 | 26 |
Season 11 | September 1992 | May 1993 | 28 |
Unassigned Episodes | 4 |
Season | From | To | Episodes |
---|---|---|---|
Season 1 | September 1982 | January 1991 | 6 |
Unassigned Episodes | 272 |
Name | Number of Episodes | Dates | |
---|---|---|---|
James Burrows | 243 | 09/30/1982 - 05/20/1993 | |
Bill Steinkellner | 24 | 11/07/1985 - 01/30/1992 | |
Andy Ackerman | 17 | 03/10/1988 - 04/25/1991 | |
John Ratzenberger | 6 | 01/14/1988 - 01/14/1993 | |
Thomas Lofaro | 4 | 02/06/1986 - 02/04/1988 | |
George Wendt | 4 | 02/25/1988 | |
Rick Beren | 3 | 02/16/1989 - 12/03/1992 | |
Tim Berry | 3 | 04/02/1987 - 03/03/1988 | |
Michael Zinberg | 1 | 01/21/1988 | |
Keith Boynton | 1 | 05/11/2013 | |
Tom Moore | 1 | 10/10/1991 | |
Ellen Brown | 1 | 05/20/1993 |
Name | Number of Episodes | Dates | |
---|---|---|---|
Ken Levine | 37 | 11/04/1982 - 03/18/1993 | |
David Isaacs | 37 | 11/04/1982 - 03/18/1993 | |
David Lloyd | 26 | 12/16/1982 - 05/06/1993 | |
Cheri Steinkellner | 24 | 11/07/1985 - 01/30/1992 | |
Phoef Sutton | 21 | 12/12/1985 - 12/12/1991 | |
David Angell | 18 | 02/24/1983 - 05/13/1993 | |
Dan O'Shannon | 18 | 04/13/1989 - 04/22/1993 | |
Tom Anderson | 17 | 04/13/1989 - 04/22/1993 | |
Heide Perlman | 17 | 01/13/1983 - 04/29/1993 | |
Rob Long | 15 | 04/12/1990 - 04/22/1993 | |
Dan Staley | 15 | 04/12/1990 - 04/22/1993 | |
Les Charles | 13 | 09/30/1982 - 05/20/1993 | |
Glen Charles | 13 | 09/30/1982 - 05/20/1993 | |
David L. | 11 | 10/18/1984 - 05/13/1993 | |
Peter Casey | 11 | 10/18/1984 - 05/13/1993 | |
Brian Pollack | 9 | 02/02/1989 - 01/24/1991 | |
Mert Rich | 9 | 02/02/1989 - 01/24/1991 | |
Tom Reeder | 7 | 10/14/1982 - 11/03/1988 | |
Kathy Ann Stumpe | 6 | 01/02/1992 - 02/18/1993 | |
Sam Simon | 5 | 12/02/1982 - 04/18/1985 | |
Ken Estin | 5 | 10/28/1982 - 05/09/1985 | |
Earl Pomerantz | 4 | 10/07/1982 - 12/08/1983 | |
Sue Herring | 4 | 03/10/1988 - 10/22/1992 | |
Jonathan Stark | 4 | 10/17/1991 - 04/23/1992 | |
Andy Cowan | 3 | 12/05/1985 - 03/26/1987 | |
Rebecca Parr | 3 | 12/10/1992 - 04/01/1993 | |
Tracy Newman | 3 | 10/17/1991 - 04/23/1992 | |
Fred Graver | 3 | 11/19/1992 - 02/25/1993 | |
David S. Williger | 3 | 12/05/1985 - 03/26/1987 | |
Larry Balmagia | 2 | 09/27/1990 - 02/14/1991 | |
Kimberly Hill | 2 | 03/20/1986 - 01/22/1987 | |
Tom Leopold | 2 | 10/01/1992 - 01/14/1993 | |
Janet Leahy | 2 | 10/09/1986 - 10/16/1986 | |
Jeff Abugov | 2 | 11/20/1986 - 12/18/1986 | |
Jimmy Brogan | 1 | 05/20/1993 | |
Norm Gunzenhauser | 1 | 10/17/1985 | |
Jon Macks | 1 | 05/20/1993 | |
Eugene B. Stein | 1 | 10/26/1989 | |
Cecile Alch | 1 | 01/19/1989 | |
Joe Medeiros | 1 | 05/20/1993 | |
Joanne Pagliaro | 1 | 02/19/1987 | |
Patricia Niedzialek | 1 | 01/19/1989 | |
Max Tash | 1 | 01/12/1984 | |
Rod Burton | 1 | 02/16/1989 | |
Jeffrey Duteil | 1 | 01/14/1988 | |
David Pollock | 1 | 11/16/1989 | |
Steven Alan Green | 1 | 05/20/1993 | |
Wayne Kline | 1 | 05/20/1993 | |
Nick Arnold | 1 | 12/22/1983 | |
Katherine Green | 1 | 12/09/1982 | |
Chris Cluess | 1 | 03/19/1987 | |
Lissa Levin | 1 | 02/23/1984 | |
Susan Seeger | 1 | 01/23/1986 | |
Tom Seeley | 1 | 10/17/1985 | |
Elias Davis | 1 | 11/16/1989 | |
Miriam Trogdon | 1 | 03/27/1986 | |
Marvin Silbermintz | 1 | 05/20/1993 | |
John Romeo | 1 | 05/20/1993 | |
Jim Parker | 1 | 02/14/1985 | |
Ralph Phillips | 1 | 01/01/1983 | |
Stuart Kreisman | 1 | 03/19/1987 | |
Peter Sears | 1 | 05/20/1993 | |
Daniel Palladino | 1 | 02/20/1992 | |
Michael J. Weithorn | 1 | 11/03/1983 | |
Elliot Shoenman | 1 | 01/24/1985 |
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
https://tvline.com/lists/best-tv-series-finales/ Starting with no 30: Person of Interest to 1: Six Feet Under
So many golden ages, so much brilliance from which to choose. In culling from the "60 Greatest" lists we've compiled during our 60th-anniversary year, we shook things up, blending drama, comedy and other genres to salute the shows with the biggest cultural impact and most enduring influence. What will the next 60 years bring? We can't wait to find out.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
IGN and some of our friends have decided the best in the world of TV.
We are what we watch-and over the last half century, we've watched some pretty fabulous TV. From Mary to Jerry, from Tonight to Today, from the sublime (Prime Suspect) to the ridiculous (Gilligan's Island), EW recalls everything you need to know about 100 shows that tell us who we are.
Mike Wallace and a vampire slayer? Letterman and Oprah? Andy Griffith and the Sopranos? On one list? What were we thinking? Simply put, the best of the best, from Day 1 to last night: quality, innovation and the ability to stay in our lives year after year after year. A touch of sentiment? Sure, but nostalgia alone couldn’t make the cut (sorry, Beav). And TV-movies, miniseries and specials will have to wait. These are the series we watched regularly — and will watch again. And again.
The best shows are the ones that take advantage of the length that movies don't have and use the imagery that novels can't conjure. They can captivate big audiences and change their lives forever.
A comprehensive list of all TV series seen and experienced throughout my life from early childhood to the present day. Usually full completion including all seasons, but at least a mandatory minimum of one full season. Will include live action and Western animation/cartoons, but exclude anime, which is on a separate list.
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
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