Blaž Živković zvani Živac na rubu je živaca. Kao lučki kapetan i samohrani otac ne miri se s novonastalom situacijom, ali kako vratiti dite materi ako je mater u programu zaštite svjedoka? Kao i uvijek, Špiro ima teoriju, koja - kao i uvijek - "šteka" u praksi. Može li rješenje ponuditi baka Bjanka, dite cvića? Ili dražesna blagajnica Ankica? Zašto USKOK traži ocvalog splitskog kantautora? Jesu li Majine diplomatske vještine dovoljne da Darijin incident bude pometen pod tepih, a ona vraćena u studentski dom?
Blaž Živković, known as Živac, is on edge. As a harbor captain and single father, he is not coming to terms with the new situation, but how can he return the child to his mother if the mother is in the witness protection program? As always, Špiro has a theory, which - as always - "squeaks" in practice. Can grandma Bjanka, the child of Cvič, offer a solution? Or the lovely cashier Ankica? Why is USKOK looking for a swashbuckling singer-songwriter from Split? Are Maja's diplomatic skills enough to sweep Daria's incident under the rug and return her to the student dormitory?