Bandes dessinées (singular bande dessinée; literally 'drawn strips'), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in French and created for readership in France and Belgium. These countries have a long tradition in comics, separate from that of English-language comics. Belgium is a mostly bilingual country, and comics originally in Dutch (stripverhalen, literally "strip stories", or simply "strips") are culturally a part of the world of bandes dessinées; these are translated to French and concurrently sold to the French-reading audience and vice versa. Among the most popular bandes dessinées are The Adventures of Tintin (by Hergé), Gaston Lagaffe (Franquin), Asterix (Goscinny & Uderzo), Lucky Luke (Morris & Goscinny), The Smurfs (Peyo) and Spike and Suzy (Willy Vandersteen). Some highly-regarded realistically drawn and plotted bandes dessinées include Blueberry (Charlier & Giraud, aka "Moebius"), Thorgal (van Hamme & Rosiński), XIII (van Hamme & Vance), and the creations of Hermann.
Frederick Bean "Tex" Avery (February 26, 1908 – August 26, 1980) was an American animator, cartoonist, director, and voice actor. He was known for directing and producing animated cartoons during the golden age of American animation. His most significant work was for the Warner Bros. and Metro-Goldwyn-Mayer studios, where he was crucial in the creation and evolution of famous animated characters such as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Droopy, Screwy Squirrel, The Wolf, Red Hot Riding Hood, and George and Junior. He gained influence for his technical innovation, directorial style and brand of humor. Avery's attitude toward animation was opposite that of Walt Disney and other conventional family cartoons at the time. Avery's cartoons were known for their sarcastic, ironic, absurdist, irreverent, and sometimes sexual tone in nature. Avery's cartoon focused on sight gags, surrealist humor, rapid pacing, racial stereotypes, and violent humor, with wacky characters that broke the fourth wall.
All entries, revivals, and spin-offs that are part of the Family Feud game show franchise in New Zealand.
Buddha (Japanese: ブッダ, Hepburn: Budda) is a manga drawn by Osamu Tezuka and is Tezuka's unique interpretation of the life of Gautama Buddha, the founder of Buddhism. The critically acclaimed series is often referred to as a visually explicit yet humorous and thought-provoking portrayal of the Buddha's life; the series itself has become a staple text in Buddhist temples for young adults and teens to learn about the Buddha's life. The series began in September 1972 and ended in December 1983, as one of Tezuka's last epic manga works.
List of Argentinian film "Corazón de León" and its international remakes.
American animated streaming television series based on Chris Gall's series of books by the same name.
Is there any need to wait 10 years to see if the love between Sarawat and Tine lasts? In these special episodes we will see their relationship and more of how Sarawat chased after Tine, even when it was only fake. At least until it became real, and Sarawat could be with the one he had been in love with for years, while Tine was still unaware of this connection. We look into their lives in the future after they both have their first long term relationships, and the love they still share after all these years. Finally we can see the lives of the other couples as they continue to love and care for each other. Man and Type, Phukong and Mil, Green and Dim, how are their relationships lasting after all this time?
Also referred to as the Dark Age, the Bronze Age of Disney Animation was largely a result of Walt Disney’s passing. Left without a sense of direction or strong leadership, the company entered an era of hits and misses. They seemed to largely fall short of the ‘magic’ that most people associated with Disney. Most of the films in this era, while fondly remembered today, struggled to reach an audience, critical or otherwise. The films in this era did explore some unique and fascinating ideas, but were far less capable of executing them than previous generations. Animation was at a low point, with a focus on films that were cheaper and faster to make, as well as the company shifting its attention to live-action films and theme-parks. during this era they underestimated the vast potential that animated films could have on an audience…That was, until a surprise Box Office hit paved the way for something new…
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