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Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
Starting Out: The Making of Jerzy Skolimowski's Deep End
Aldrich Over Munich: The Making of 'Twilight's Last Gleaming'
Dalton Trumbo: Rebel in Hollywood
'Deep End': Remembering the Deleted Scenes
Les Mystères de Paris: 'Out 1' de Jacques Rivette revisité
Contract Kid: William Reynolds on Douglas Sirk
Return to Beethoven Street: Sam Fuller in Germany
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Working with François Truffaut: Nestor Almendros, Director of Photography
Crazy Love: Janet Bergstrom on Josef von Sternberg's Morocco
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Requiem for a Killer: The Making of 'Blast of Silence'
Kino der Zeichen: Claude Chabrol über Alfred Hitchcock
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Painting with Light: Nicholas von Sternberg on Josef von Sternberg