Follows one single drug and homicide investigation throughout the length of an entire season. Centered on the drug culture of inner-city Baltimore, the series' storyline unfolds from the points of view of both the criminals lording the streets and the police officers determined to bring them down.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | August 2006 | October 2014 | 26 |
| Season 1 | June 2002 | September 2002 | 13 |
| Season 2 | June 2003 | August 2003 | 12 |
| Season 3 | September 2004 | December 2004 | 12 |
| Season 4 | September 2006 | December 2006 | 13 |
| Season 5 | January 2008 | March 2008 | 10 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| Unassigned Episodes | 86 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | June 2002 | March 2008 | 60 |
| Unassigned Episodes | 26 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| David Simon | 31 | 06/02/2002 - 03/09/2008 | |
| Ed Burns | 19 | 06/02/2002 - 03/09/2008 | |
| George Pelecanos | 7 | 09/01/2002 - 03/02/2008 | |
| Richard Price | 5 | 09/26/2004 - 02/17/2008 | |
| William F. Zorzi | 5 | 10/29/2006 - 01/13/2008 | |
| Dennis Lehane | 4 | 10/03/2004 - 02/24/2008 | |
| Joy Lusco | 3 | 08/18/2002 - 11/07/2004 | |
| Rafael Alvarez | 3 | 07/21/2002 - 10/31/2004 | |
| Eric Ellis Overmyer | 2 | 10/15/2006 - 11/19/2006 | |
| Kia Corthron | 1 | 11/12/2006 | |
| David Mills | 1 | 09/17/2006 | |
| Shamit Choksey | 1 | 08/04/2002 | |
| Chris Collins | 1 | 01/20/2008 | |
| David H. Melnick | 1 | 08/04/2002 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Ernest R. Dickerson | 6 | 08/17/2003 - 01/13/2008 | |
| Joe Chappelle | 6 | 07/21/2002 - 03/02/2008 | |
| Agnieszka Holland | 4 | 11/14/2004 - 02/03/2008 | |
| Clark Johnson | 4 | 06/02/2002 - 03/09/2008 | |
| Ed Bianchi | 4 | 07/07/2002 - 09/19/2004 | |
| Robert F. Colesberry | 4 | 08/24/2003 | |
| Daniel Attias | 4 | 07/27/2003 - 01/27/2008 | |
| Steve Shill | 4 | 08/18/2002 - 09/26/2004 | |
| Timothy Van Patten | 3 | 09/08/2002 - 11/07/2004 | |
| Dominic West | 2 | 02/17/2008 | |
| Elodie Keene | 2 | 06/15/2003 - 06/22/2003 | |
| Christine Moore | 2 | 11/28/2004 - 09/17/2006 | |
| Brad Anderson | 2 | 08/11/2002 - 11/26/2006 | |
| Clement Virgo | 2 | 06/23/2002 - 09/01/2002 | |
| Anthony Hemingway | 2 | 10/29/2006 - 02/24/2008 | |
| Alex Zakrzewski | 2 | 11/21/2004 - 11/12/2006 | |
| Seith Mann | 2 | 09/24/2006 - 02/10/2008 | |
| Rob Bailey | 2 | 08/10/2003 - 10/03/2004 | |
| Milcho Manchevski | 1 | 08/04/2002 | |
| Scott Kecken | 1 | 01/20/2008 | |
| David Platt | 1 | 10/08/2006 | |
| Thomas J. Wright | 1 | 07/13/2003 | |
| Gloria Muzio | 1 | 07/28/2002 | |
| Jim McKay (II) | 1 | 10/01/2006 | |
| Leslie Libman | 1 | 10/31/2004 | |
| Joy Kecken | 1 | 01/20/2008 | |
| Peter Medak | 1 | 06/16/2002 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Charlie Brooker | 1 | 07/17/2007 |
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A comprehensive list of all TV series seen and experienced throughout my life from early childhood to the present day. Usually full completion including all seasons, but at least a mandatory minimum of one full season. Will include live action and Western animation/cartoons, but exclude anime, which is on a separate list.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
Tv shows I've watched even if it is for a few episodes (with minimum 3 episodes)
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
IGN and some of our friends have decided the best in the world of TV.
So many golden ages, so much brilliance from which to choose. In culling from the "60 Greatest" lists we've compiled during our 60th-anniversary year, we shook things up, blending drama, comedy and other genres to salute the shows with the biggest cultural impact and most enduring influence. What will the next 60 years bring? We can't wait to find out.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
https://tvline.com/lists/best-tv-series-finales/ Starting with no 30: Person of Interest to 1: Six Feet Under
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
The best shows are the ones that take advantage of the length that movies don't have and use the imagery that novels can't conjure. They can captivate big audiences and change their lives forever.
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