It shouldn't be a surprise to learn that the origins of the mystery genre are, themselves, shrouded in mystery. Delve into the controversial viewpoints on what the first true mystery novel was, study important components of early mysteries and writers, including Poe, Doyle, and Christie and why their work continues to influence modern day stories. Then, examine the different types of stories that fall under the mystery and suspense label.
Usually flawed, quite often brilliant, and sometimes not even aware of their role, the dectective is a staple of the genre. Scrutinize the many ways the detective has been portrayed across stories and series over time and reveal similarities between a variety of characters that make even the most unique detectives oddly familiar.
On the other end of the spectrum from the detective, we find the criminal. Equally important to the success of the story, explore a fascinating cast of notorious characters who have survived through the annals of time. Look at the cat-and-mouse games that law enforcement and criminals play as you learn just how vital getting this balance right is to the success of the story.
Where would a Sherlock be without a Watson? The story of the sidekick isn’t required in a successful mystery but they remain pivotal and entertaining characters who deserve their own deep dive. Follow the diverse cast that fulfilled the many roles sidekicks play, from the straight man in what could be a very long joke to the secret brilliant mind behind every solved case.
The clue is so imperative to the successful mystery story that there are few elements more subject to rules and regulations. Yet for all the requirements around how, when, and why to present clues, this narrative element is highly subjective. Learn how clues are used to help, hinder, mislead, and solve mysteries, for both the characters and the audience.
Once you have perfected the components already reviewed - a detective, a criminal, clues, and potentially a sidekick - all that remains is solving the mystery. But as you’ll see, it’s never that simple. Learn what makes for the perfect “big reveal” and why you don’t necessarily need one. See how open-ended mysteries walk the line between frustrating and compelling.
Having reviewed the essential components of a successful mystery, Professor Schmid moves to the various subgenres of mystery and suspense, starting with the locked-room stories popular during the Victorian age. Look at how these puzzle-like stories are often dismissed due to formulaic scenarios that have to abide by a certain set of conventions, but still remain popular today.
The “dime novels” of the 19th century are often considered cheap, serialized pulp fiction, but proved to be a turning point in the history of suspense fiction. Take a new look at a variety of dime novel publications and delve into how an important characteristic of mystery and suspense fiction originated with these throw-away stories.
As society changed, and the grim story lines of mystery and suspense more often reflected harsh reality, a new type of novel emerged to keep the audience shaken. Authors began springing shocking situations in what were typically considered "safe" environments: dinner parties, countryside estates, utopian suburban neighborhoods.
Revisit the role of the detective through the lens of the Golden Age of fiction, including the hard-boiled crime fiction of the early 20th century. Examine how social influences such as prohibition and the mafia impacted this subgenre. Explore how the element of theater and empowering the audience to solve the mysteries made a lasting mark on the role of the protagonist in crime novels.
Professor Schmid reveals how the city is often portrayed as more than merely a backdrop, but rather as a character, as much so as the detective, sidekick, or criminal. Chaos, noise, pollution, crowds, danger, traffic - each of these traits associated with urban areas do more than set a scene: they can have an impact on getting the information vital to solving the case.
Often confused with “the detective,” the private eye is different from the classical version of the detective in terms of motivation, methods, lifestyle, and beliefs, and is the major contribution of American hard-boiled fiction. Comparing a vast selection of stories across history, you’ll isolate the differences between the two crime-solvers and understand the different impacts each had.
Professor Schmid challenges the stereotypical lack of diversity in most mystery and suspense fiction by presenting the contribution that writers from other races and ethnicities have made to the genre. By investigating both black writers and black characters, you'll see how black mystery fiction views crime not just in terms of challenges and solutions, but also in terms of justice.
One of the most iconic characters in mystery is that of the femme fatale. Uncover the many iterations of this definitive character and the different approaches writers have used to present the femme fatale, while always staying true to the basic essence of the character. Understand why this role is key and how it has become symbolic of noir and hard boiled classics.
As the mystery genre adapted to social transformations, the characters themselves evolved. Professor Schmid examines traditional examples of the private eye and compares them to a modern take as illustrated by Lisbeth Salander. Classic private eye characters often have distinct character flaws. Larsson updates this notion with a vengeance, giving Lisbeth almost no likeable qualities.
Stepping back to once again take a multicultural look at mystery and suspense, Professor Schmid examines the world of Hispanic writers and characters. Examine over a century of work and authors including Rolando Hinojosa and Héctor Tobar in order to recognize common suspense story elements, and identify various interpretations of mystery subgenres including American hard-boiled crime fiction.
From complicated clients to lusty love interests, from sprightly sidekick to detail-oriented detectives, women have always played a role in mystery and suspense fiction. Professor Schmid introduces you to female detectives in literature through time and examines how even at the earliest stages, the figure of the female detective assumed a wide variety of types to appeal to different audiences.
Much like the setting and the character, the use or lack of violence, and the amount and intensity depicted, can provide more clarity into the mystery you’re trying to solve. And, much like the guidelines about using clues in suspense writing, there are so many exceptions to the rules of using violence that the rules themselves may need to be called into question.
Building upon the insights revealed previously, you’ll examine mysteries that don’t use any violence and compare them to stories that are borderline gratuitous in the depiction or details of violent acts. You’ll also explore the rise of violence in mysteries, starting with a peak period in the wartime 1940s through to the present and discuss the reasons why.
In the last century, with the increased interest and research into how our minds work, the concept of “whydunit” became just as intriguing as the concept of “whodunit.” Once authors began to reverse the traditional methods of mystery by revealing the killer in the early parts of the story, they had to explore new ways to motivate readers to continue to the end.
Sometimes cast as helpful, sometimes as a hindrance, the police are typically prominent players in mysteries and suspense novels. Professor Schmid reviews stories where the police are at odds with the protagonist; stories where the detective is ambivalent; stories where the detective and police work together affably; and stories where the detective is (or was) on the actual police force.
The shift of the role of police from a passive, outside observer to an active participant and even protagonists, came about with the emergence of the police procedural. Journeying from Maigret to Dragnet, and exploring authors such as Georges Simenon and Chester Himes, you’ll see how the police procedural started as an attempt to introduce realism and resulted in redefining the genre.
Professor Schmid uncovers the understudied world of Native American writers and characters. He reveals how the context of Native American settings has changed many of the classic elements you find in a traditional whodunit. You’ll learn why tribal police, jurisdictional limitations, and cultural conflicts all add new levels of complexity and suspense to the standard mystery story.
Inheriting the legacy of mystery and suspense from American writers, Europe took the genre far more seriously. Travel through France, Germany, Italy, and Spain to see how the genre manages to address location-specific issues and cultures, while maintaining the core elements of a successful mystery and suspense story.
The last decade has seen Nordic noir-dark mysteries written by Nordic writers and set in Scandinavian countries-enter the American mainstream, though they have been popular in their homeland for half a century. Professor Schmid takes you through this progressive form of mystery and suspense fiction, showing how many examples of Nordic noir not only showcased mystery, but also provided a socially conscious look at powerful themes such as complicity with the Nazis, prejudice and racism, misogyny, corruption, and class.
Take an international journey starting in early 20th century Japan with Taro Hirai to modern Japanese suspense writers such as Natsuo Kirino. Then, travel to Africa and discover the lesser-known Darko Dawson series. In Latin America, you’ll look in depth at two influential contributors: Leonardo Padura Fuentes and Paco Ignacio Taibo II.
Professor Schmid moves away from fiction to look at the novelization of true crime stories. Although considered a modern phenomenon, he traces examples back to 16th century America, where they rose to prominence through sensationalist news stories, which opened the door to true crime novels and demonstrated how mystery and suspense fiction and real-life stories have always influenced each other.
Spend some time focusing on the modern forms of true crime, which Professor Schmid notes are integrally related to mystery and suspense fiction as the genre draws upon both fiction and nonfiction techniques to achieve its effects. He also demonstrates how true crime stories were disparaged as trivial and damaging yet overcame unscrupulous reputations to become mainstream successes.
Explore how many writers take the foundational elements of mystery and suspense and move them to earlier periods of history, often mixing true events and historical facts with fictional characters or situations. Professor Schmid introduces you to two types of historical mysteries and showcases a number of examples to understand why historical mysteries are so popular among their legions of fans.
Start this section by comparing and contrasting mystery and suspense genres through the lens of realism and how spy and conspiracy suspense novels often take realism one step further by incorporating real world geopolitical and global concerns to enhance verisimilitude. You’ll explore the most famous spy and conspiracy novels, examining the real-life political circumstances of each period.
Here, women step out of the three traditional roles they are typically reduced to in the mystery and suspense genre: victim, femme fatale, or detective. By examining a variety of books over the last century, Professor Schmid looks at both the good and the bad roles of women in the genre and how these stories have elevated female characters to more complex and nuanced roles.
Often a staple in mysteries, poetic justice is frequently used to help the reader feel a sense of satisfaction in the ending, especially in a genre where many mystery and suspense tales are simply uninterested in legal proceedings and aftermath. Professor Schmid defines poetic justice, discusses why there is so much of it in the genre, and outlines the many reasons why we find it satisfying.
A majority of mysteries conclude as soon as the crime is solved; once a criminal was apprehended, there was no motivation to read further. Professor Schmid discusses how the genre moved beyond this and court procedurals became not just a component of mysteries, but in some cases, the setting or secondary plot point of a story.
Examine the reasons for the popularity of gay and lesbian mystery and suspense fiction, focusing in particular on how these narratives both draw upon and selectively reinterpret elements of the tradition from which they emerge. You’ll learn how the traditional components of mystery novels were reinvigorated by the emergence of gay and lesbian characters.
The most famous characters in mystery and suspense are often revisited again and again in many forms. Professor Schmid takes you through a number of variations of Sherlock Holmes, from versions that perfectly represented the original intent of Sir Arthur Conan Doyle to depictions of Watson being the brains behind the duo, while Holmes is more of a bumbling buffoon.
Professor Schmid concludes by speculating on modern changes such as mash-ups with other literary genres, twist endings, and lack of resolution. You’ll wrap up with a review of the evolution of the mystery and suspense books, and why this is a golden age for fans as the genre continues to grow in popularity.
