All Seasons

Season 1

• S01E01 Definitions and Distinctions

  • The Great Courses

• S01E02 The “Englishness” of the English Novel

  • The Great Courses

• S01E03 Historical Context of Early English Fiction

  • The Great Courses

• S01E04 The Rise of the Novel—Richardson and Fielding

  • The Great Courses

• S01E05 After 1750—Sterne, Burney, and Radcliffe

  • The Great Courses

• S01E06 Scott and the Historical Novel

  • The Great Courses

• S01E07 Austen and the Comedic Tradition

  • The Great Courses

• S01E08 Austen and the History of Consciousness

  • The Great Courses

• S01E09 Dickens—Early Works

  • The Great Courses

• S01E10 Novelists of the 1840s—Thackeray

  • The Great Courses

• S01E11 Novelists of the 1840s—The Brontës

  • The Great Courses

• S01E12 Dickens—Later Works

  • The Great Courses

• S01E13 After 1870—Review and Preview

  • The Great Courses

• S01E14 Eliot and the Multiplot Novel

  • The Great Courses

• S01E15 Eliot and the Unfolding of Character

  • The Great Courses

• S01E16 Hardy and the Natural World

  • The Great Courses

• S01E17 James and the Art of Fiction

  • The Great Courses

• S01E18 Conrad and the “Scramble for Africa”

  • The Great Courses

• S01E19 Ford and Forster—Transition to Modernism

  • The Great Courses

• S01E20 Lawrence and the “Bright Book of Life”

  • The Great Courses

• S01E21 Joyce—Dublin and Dubliners

  • The Great Courses

• S01E22 Joyce—Realism and Anti-Realism

  • The Great Courses

• S01E23 Woolf and the Poetic Novel

  • The Great Courses

• S01E24 The Impact of the Novel

  • The Great Courses