Recent law school graduate (Robert Reed) joins his father (E.G. Marshall) as the pair tackle challenging legal cases, often involving issues which were highly touchy for the times (abortion, euthanasia, "un-American" activities, movie censorship). In most, the freshly minted lawyer has much to learn from his father's extensive legal experience.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | 4 | ||
| Season 1 | September 1961 | May 1962 | 32 |
| Season 2 | September 1962 | May 1963 | 34 |
| Season 3 | September 1963 | June 1964 | 36 |
| Season 4 | September 1964 | May 1965 | 30 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| Unassigned Episodes | 136 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | 0 | ||
| Unassigned Episodes | 136 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Paul Bogart | 3 | 12/21/1963 - 06/06/1964 | |
| Buzz Kulik | 2 | 10/14/1961 - 02/03/1962 | |
| David Greene (I) | 2 | 03/09/1963 - 02/18/1965 | |
| David Greene | 2 | 02/16/1963 - 04/25/1964 | |
| Elliot Silverstein | 1 | 12/22/1962 | |
| William Ball | 1 | 01/07/1965 | |
| Alexander Mackendrick | 1 | 03/28/1964 | |
| Gerald Mayer | 1 | 02/01/1964 | |
| John Newland | 1 | 11/24/1962 | |
| Franklin J. Schaffner | 1 | 09/23/1961 | |
| Stuart Rosenberg | 1 | 01/18/1964 | |
| Philip Leacock | 1 | 10/22/1964 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Alvin Boretz | 3 | 10/28/1961 - 05/06/1965 | |
| John Vlahos | 2 | 09/23/1961 - 10/14/1961 | |
| David Karp | 2 | 12/22/1962 - 03/21/1964 | |
| Ernest Kinoy | 2 | 01/18/1964 - 06/06/1964 | |
| William Woolfolk | 2 | 11/24/1962 - 03/09/1963 | |
| Robert Van Scoyk | 1 | 12/21/1963 | |
| William Woolfold | 1 | 02/01/1964 | |
| Edward DeBlasio | 1 | 01/07/1965 | |
| Joel Carpenter | 1 | 02/18/1965 | |
| Larry Cohen | 1 | 02/16/1963 | |
| Mann Rubin | 1 | 02/03/1962 | |
| Ellen Violett | 1 | 10/22/1964 |
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TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
Mike Wallace and a vampire slayer? Letterman and Oprah? Andy Griffith and the Sopranos? On one list? What were we thinking? Simply put, the best of the best, from Day 1 to last night: quality, innovation and the ability to stay in our lives year after year after year. A touch of sentiment? Sure, but nostalgia alone couldn’t make the cut (sorry, Beav). And TV-movies, miniseries and specials will have to wait. These are the series we watched regularly — and will watch again. And again.
A legal drama is a genre of film and television that generally focuses on narratives regarding legal practice and the justice system. The American Film Institute (AFI) defines "courtroom drama" as a genre of film in which a system of justice plays a critical role in the film's narrative. Legal dramas have also followed the lives of the fictional attorneys, defendants, plaintiffs, or other persons related to the practice of law present in television show or film. Legal drama is distinct from police crime drama or detective fiction, which typically focus on police officers or detectives investigating and solving crimes. The focal point of legal dramas, more often, are events occurring within a courtroom, but may include any phases of legal procedure, such as jury deliberations or work done at law firms. Some legal dramas fictionalize real cases that have been litigated, such as the play-turned-movie, Inherit the Wind, which fictionalized the Scopes Monkey Trial. As a genre, the term "legal drama" is typically applied to television shows and films, whereas legal thrillers typically refer to novels and plays.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
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