Set during the Cold War period in the 1980s, The Americans is the story of Elizabeth and Philip Jennings, two Soviet KGB officers posing as an American married couple in the suburbs of Washington D.C. and their neighbor, Stan Beeman, an FBI Counterintelligence agent.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | January 2013 | March 2016 | 4 |
| Season 1 | January 2013 | May 2013 | 13 |
| Season 2 | February 2014 | May 2014 | 13 |
| Season 3 | January 2015 | April 2015 | 13 |
| Season 4 | March 2016 | June 2016 | 13 |
| Season 5 | March 2017 | May 2017 | 13 |
| Season 6 | March 2018 | May 2018 | 10 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Season 1 | January 2013 | May 2013 | 13 |
| Season 2 | February 2014 | May 2014 | 13 |
| Season 3 | January 2015 | April 2015 | 13 |
| Season 4 | March 2016 | June 2016 | 13 |
| Season 5 | March 2017 | May 2017 | 13 |
| Season 6 | March 2018 | May 2018 | 10 |
| Unassigned Episodes | 4 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | January 2013 | May 2018 | 75 |
| Unassigned Episodes | 4 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Joe Weisberg | 25 | 01/30/2013 - 05/30/2018 | |
| Joel Fields | 24 | 02/13/2013 - 05/30/2018 | |
| Joshua Brand | 13 | 03/13/2013 - 05/16/2018 | |
| Stephen Schiff | 9 | 03/19/2014 - 05/02/2018 | |
| Tracey Scott Wilson | 8 | 04/23/2014 - 04/11/2018 | |
| Peter Ackerman | 8 | 04/16/2014 - 04/18/2018 | |
| Melissa James Gibson | 4 | 02/27/2013 - 04/02/2014 | |
| Stuart Zicherman | 4 | 03/12/2014 - 04/15/2015 | |
| Hilary Bettis | 2 | 04/18/2017 - 04/25/2018 | |
| Bradford Winters | 1 | 04/10/2013 | |
| Justin Weinberger | 1 | 05/02/2018 | |
| Sneha Koorse | 1 | 03/06/2013 | |
| Lara Shapiro | 1 | 03/11/2015 | |
| Oliver North | 1 | 04/23/2014 | |
| Tanya Barfield | 1 | 04/27/2016 | |
| Sarah Nolen | 1 | 05/09/2018 | |
| Angelina Burnett | 1 | 03/26/2014 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Chris Long | 9 | 03/23/2016 - 05/30/2018 | |
| Daniel Sackheim | 7 | 03/06/2013 - 05/11/2016 | |
| Thomas Schlamme | 6 | 02/13/2013 - 04/25/2018 | |
| Daniel Attias | 5 | 03/26/2014 - 04/11/2018 | |
| Kevin Dowling | 4 | 04/09/2014 - 03/30/2016 | |
| Matthew Rhys | 4 | 05/04/2016 - 04/04/2018 | |
| Noah Emmerich | 4 | 03/11/2015 - 04/04/2017 | |
| Adam Arkin | 3 | 02/06/2013 - 05/01/2013 | |
| Stefan Schwartz | 3 | 04/30/2014 - 05/09/2018 | |
| Nicole Kassell | 3 | 04/17/2013 - 05/23/2017 | |
| John Dahl | 2 | 04/24/2013 - 04/16/2014 | |
| Kevin Bray | 2 | 04/25/2017 - 05/02/2018 | |
| Sylvain White | 2 | 05/09/2017 - 05/16/2018 | |
| Roxann Dawson | 2 | 04/11/2017 - 04/18/2018 | |
| Steph Green | 2 | 05/18/2016 - 05/16/2017 | |
| Andrew Bernstein | 2 | 05/14/2014 - 04/08/2015 | |
| Alex Chapple | 1 | 03/13/2013 | |
| Lodge Kerrigan | 1 | 03/19/2014 | |
| Stephen Schwartz | 1 | 04/06/2016 | |
| Christopher Misiano | 1 | 04/15/2015 | |
| Alik Sakharov | 1 | 04/23/2014 | |
| Gwyneth Horder-Payton | 1 | 03/28/2017 | |
| Jean de Segonzac | 1 | 02/20/2013 | |
| Kari Skogland | 1 | 04/20/2016 | |
| Charlotte Sieling | 1 | 04/02/2014 | |
| Bill Johnson | 1 | 03/20/2013 | |
| Jim McKay (II) | 1 | 04/03/2013 | |
| Constantine Makris | 1 | 03/12/2014 | |
| Holly Dale | 1 | 02/27/2013 | |
| Gavin O'Connor | 1 | 01/30/2013 | |
| Stephen Williams | 1 | 03/25/2015 | |
| Larysa Kondracki | 1 | 04/01/2015 | |
| Gregory Hoblit | 1 | 05/07/2014 |
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A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
Time jumps are quite the common TV trope: they can help revitalize an aging series by allowing it to explore new storylines, and for teenage/high school shows, they open up new creative avenues while also aging the characters to more closely match their portrayers. Let’s take a look at some of the shows that have skipped ahead a few years into the future.
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
Best TV Series with multiple seasons that have great writting, casting and production quality.
https://tvline.com/lists/best-tv-series-finales/ Starting with no 30: Person of Interest to 1: Six Feet Under
IGN and some of our friends have decided the best in the world of TV.
From iconic British sitcoms to epic American sagas, inventive animations and daring anthologies, these are the shows worth getting lost in, that have proved instrumental in evolving a storytelling form that continues to offer deeper and more complex narratives
The best shows are the ones that take advantage of the length that movies don't have and use the imagery that novels can't conjure. They can captivate big audiences and change their lives forever.
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