Turner is summoned to investigate the disappearance of a small child. The parents are grief-stricken when they have to identify the body of a small boy which appears to be their child. Through a bizarre turn of events, it turns out that the government has been conducting cloning experiments for years. Genetic material is being altered and fertilized eggs are being used to create children. The final scene of the pilot is wonderfully shot. With only existing light from a streetlamp, we get a tight shot of Turner on the floor of a telephone booth prepping himself for an injection. Sydney is standing over him, watching and waiting.
Turner discovers that the Japanese Woman's superiors are using a pregnant girl (Monet Mazur), in Sydney's care, as a pawn in a bizarre case of surrogacy.
Turner assists the Baltimore PD in tracking down a couple (Robert Knepper, Missy Crider) who get their thrills from brain tissue stolen from corpses.
Turner uncovers a secret hidden behind the mass suicide of a reclusive community -- and tests the loyalty of the Japanese Woman at the same time.
Turner's investigation of a possible viral outbreak leads him to a reunion with a former mentor whose antagonism of the Army matches Turner's own.
When Sydney is blamed for the death of a patient, she takes it upon herself to discover the real cause of his death and winds up stumbling onto a secret experiment instead.
Reese (Turner's boss) assigns Turner his first case when a prominent pianist's death is linked to a mysterious implant in his brain.
A series of unmotivated road rage incidents convinces Turner that some external force is causing the seemingly irrational violence.
When a Gulf War vet asks Turner's help in clearing his name, Turner flexes USAMRIID's muscle to stop an insidious cover-up at a nuclear plant.
A series of apparent I-War attacks hit Washington, D.C., prompting Turner to join a Department of Defense team in tracking down the source of the attacks.
An ancient Native American ritual, a rare blood disease and an undiscovered species all come into play when Turner investigates a series of deaths in a Seattle high rise.
Turner's vacation turns into work when a man's death is linked to his genetically engineered crop.
The mysterious Japanese Woman calls on Paul one more time to investigate the abduction, six years ago, of a ""wunderkind"" named Adam Wasserman.