The finalists, along with their assistant designers, proceeded to The Fabric Warehouse in Quezon City to purchase materials for their 13th outfit. They then went to SoFA and began creating their garments, which was filled with candid conversations and singing. Their models visited the workroom for fitting. After finishing their men's wear, the finalists continued adding finishing touches to their collections.
A day later, the finalists were brought to SMX Convention Center for the Final Runway presentation. The chaos of backstage was shown from putting make-up on the models to readjusting the garments to fit the models. Lloren was also backstage for moral support, as well as helping out with removing lint on some of the garments.
Herrera welcomed the audience for the Final Runway and introduced the guest judges. Tampus presented his collection first, which featured crocheted garments from resort wear to evening dresses. Floresca's collection was next, which consisted of monochromatic dresses using neutral tones. Lagat was last to present his collection, which was highlighted with a 1950s-inspired dress that was taken apart by two models and then converted into three separate dresses. After the show, the members of the audience and eliminated designers concluded that the competition was a toss-up between Tampus and Lagat.
At the judging, Laurel baptized Tampus as "The Romantic Designer" as the judges praised his youthful use of crochet. Floresca, meanwhile, was christened by Laurel as "The Modernist" as the judges lauded the practicality of his designs considering the conservative fashion market in the Philippines. Lagat was then labeled as "The Technician" by Laurel and was complimented his complicated designs that did not appear busy. During the deliberations, the judges criticized some of Tampus' overworked garments, Floresca's fabric choices, and Lagat's final dress which they claimed as off from the rest of the garments.
The designers were brought ba
