The famous black contralto singer Marian Anderson performed at the Lincoln Memorial in 1939, after being denied the ability to perform down the street at Constitution Hall. And when she did, she transformed the monument into something more than a stone temple to Abraham Lincoln. She ushered in its new life as an active place for generations of Americans to continue the work to“bind up the nation’s wounds.” Hosted by Washington Post journalist Lillian Cunningham, the podcast episode features experts Molefi Kete Asante, head of the African American Studies Department at Temple University; Doris Kearns Goodwin, author of “Team of Rivals: The Political Genius of Abraham Lincoln”; and Post architecture critic Philip Kennicott.