Norman Stanley Fletcher, a career criminal, and his escorts – soft-hearted Mr Barrowclough and authoritarian Mr Mackay – make the journey on New Years Eve from London up to Slade Prison in Cumberland. One of seven different sitcom pilots commissioned by the BBC in 1973 ("Seven of One") starring Ronnie Barker. The plan was that the most successful would then be made into a full series. One of the episodes, "Prisoner and Escort", written by Dick Clement and Ian La Frenais, is this. Despite Barker's initial preference for another of the pilots, a sitcom about a Welsh gambling addict, "Prisoner and Escort" was selected. It was renamed Porridge, a slang term for prison; Barker and Clement and La Frenais actually came up with the same title independently of each other.
Godber takes up boxing and wins a place in the prison championship, so Fletcher sees a chance for a bit of a flutter. Then Harry Grout takes an interest and insists that the fight is 'fixed'. When one of Grout's rivals takes a similar interest in Godber's opponent, it looks as if nobody can win. Fletcher, however, has other ideas.
In his innocence, Godber is looking forward to Christmas, but Fletch just wants a quiet sojourn in the prison hospital. As he says: "there's one big event round here, it's not the coming of the Lord - it's the tunnelling of Tommy Slocombe". Just as Fletcher's 'old knee injury' wins him a trip to the local civilian hospital for a full check up and x-ray, genial Harry Grout decides to call in a favour.
Christmas behind bars might not be so bad. Fletcher and Godber have spent months fermenting their illicit cell-brew liquor "Chateau Slade" and it is ready for tasting. But things are about to take a turn for the worse - Mackay has discovered the brew and then they find themselves caught up in psychotic Reg Unwin's attempt to take Mr Barraowclough hostage. Will Fletch be the hero of the day - even if it means helping out a 'screw'?
Old Blanco is doing time for the murder of his wife. He still swears he wasn't guilty. Now he's up before the Parole Board and it looks as if he's sure to be released. Blanco surprises everyone by turning down parole when it's offered to him. He explains that, if he accepts parole, he'll also be admitting that he was guilty of a crime for which he was wrongly convicted. He insists that he'll only leave prison if he's offered a full pardon. Fletcher comes up with a plan to help him.
This prison comedy is based on the popular British televison series of the same name. Long time Slade prison inmate Fletcher (Ronnie Barker) is ordered by Grouty (Peter Vaughan) to arrange a football match between the prisoners and an all-star celebrity team. Fletcher is unaware that the match is only a diversion so that an escape can take place. When Fletcher and his cell mate Lennie (Richard Beckinsale) stumble on the escape, they are taken along, and find themselves having to break back into prison to avoid getting into trouble.
Fletch visits his probation officer and reveals that his wife, Isobel, has left him for someone called Reg Jessop who owns a cardboard box factory. Fletch doesn't seem too concerned about getting a job and the reason is a legacy from a previous crime which he attempts to dig up by stealing Godber's lorry and driving off to the site where the loot was buried. He is out of luck, however, when he discovers a housing development has been built on the field.
Fifty years on from when the prison doors first slammed shut on Norman Stanley Fletcher, Dick Clement and Ian La Frenais look back at a landmark British comedy. Dick and Ian explain the origins, how they nearly wrote a series about a gambling-mad Welsh family instead, and talk of the magical chemistry of the cast and the particularly close bond between Ronnie Barker and Richard Beckinsale. They also tell us the tricks they used to get round the obligatory bad language in prison and how the claustrophobic setting at first intimidated and then inspired them. With references to their favourite characters and scenes, enjoy the freedom as you revel in tales of one of television history’s best-loved comedies.
Johnny Vaughan argues the case for Porridge in BBC Britian's Best Sitcom: "'Porridge' is set in the grimmest place imaginable - a prison. And yet still manages to be both gritty and witty". "Why? The scripts of course… and it doesn't hurt that Fletcher - the most brilliant sitcom creation of all time - is played by the comedy guvnor himself Ronnie Barker". "Fletch laid down the template for comedy rogues which Del Boy and 'Fools and Horses' followed shamelessly. David Jason even studied Ronnie Barker on the set of 'Porridge'". "And who could be a better comedy foil for Barker than doe-eyed innocent Richard Beckinsale. The pair made episode 'A Night In' the best ever two-hander to ever appear in a British sitcom". "'Porridge' is rich, satisfying, and packed with goodness. Never past its sell-by date, and guaranteed no artificial additives like labyrinthine plots, rubbish title music and stereotypical nagging wives."
Forty years on from the original series, Dick Clement and Ian La Frenais present a brand new half hour episode of the classic sitcom Porridge. Kevin Bishop plays Fletch, grandson of Ronnie Barker's iconic character, who is in prison for cyber crimes and getting himself into more trouble while he is in there.
Life moves by at HM Slade Prison on a day-to-day basis, with the usual antics of the various inmates becoming usual form. The newly-arrived and violent armed robbery, Oakes (Barrie Rutter) approaches the Slade Prison's Mr. Big, Harry Grout (Peter Vaughan), and using a cut from his last job before being caught, asks for his escape to be arranged. Grouty sets the price, then begins making arrangements.