Sex (49 mins) focuses on the numerous women in Picasso’s life (although they weren’t exactly scarce in the first part). Again, this episode is very well constructed and thematically strong, full of intriguing links between Picasso’s life and loves and the powerful influence the various women had on his work. This part looks at Picasso’s work with Jean Cocteau on a cubist ballet, his marriage to ballet dancer Olga Koklova, their visit to Pompeii and its influence on his fascinating Neo-Classical Period, leading to the brief refinement of his Duchess Period. It’s not easy to keep up with the numerous affairs he conducted while married to Olga, but Marie-Thérèse Walther and Dora Maar are singled out for particular attention, the programme examining the various depictions of women and sex in Picasso’s work, finding them not erotic or salacious, but deeply powerful, matching the tone of the content to the intensity and the secrecy of those relationships. It briefly tackles more recent charges of misogyny, but quickly dismisses them as being culturally endemic in Picasso’s Andalusian make-up, seeing women in the dual aspect of Madonna and whore. This part ends with a fascinating new look at the masterpiece “Guernica”, interpreting it as the war in Picasso’s own life between his various mistresses, which is something I hadn’t heard before and it makes the case very well.