Ennio Morricone is perhaps the preeminent film composer of the last half century, an enormously influential artist whose iconic melodies and imaginative orchestrations grace some of the greatest films ever made. In this edition of Observations on Film Art, Professor Jeff Smith analyzes Morricone’s masterful score for Gillo Pontecorvo’s revolutionary bombshell THE BATTLE OF ALGIERS, an explosive portrait of the Algerian struggle for independence from France. Exploring Morricone’s use of two distinct themes—one representing the French fighters, the other the Algerian resistance—Smith illuminates how the latter’s perpetually unresolved harmonics come to mirror the unending nature of the war itself.