Compilation of BBC performances featuring some of the best axe men and women in rock 'n' roll, from Hendrix to the Kinks, Cream to AC/DC, the Smiths to Rage Against the Machine and Radiohead to Foo Fighters. Whether it's the Shadows playing FBI on Crackerjack, Jeff Beck with the Yardbirds, the Jimi Hendrix Experience, Cream's Sunshine of Your Love from their final gig, Pixies on the Late Show, AC/DC on Top of the Pops or Fools Gold from the Stone Roses, this compilation is a celebration of rock 'n' roll guitar complete with riffs, fingerstylin', wah-wah pedals and Marshall amps
The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat. Through vivid first-hand accounts and rare archive footage, this film charts northern soul's dramatic rise, fall and re-birth. It reveals the scene's roots in the mod culture of the 1960s and how key clubs like Manchester's Twisted Wheel and Sheffield's Mojo helped create the prototype that would blossom in the next decade. By the early 1970s a new generation of youngsters in the north were transforming the old ballrooms and dancehalls of their parents' generation into citadels of the northern soul experience, creating a genuine alternative to mainstream British pop culture. This was decades before the internet, when people had to travel great distances to enjoy the music they felt so passionate about. Set against a rich cultural and social backdrop, the film shows how the euphoria and release that northern soul gave these clubbers provided an escape from the bleak reality of their daily lives during the turbulent 1970s. After thriving in almost total isolation from the rest of the UK, northern soul was commercialized and broke nationwide in the second half of the 70s. But just as this happened, the once-healthy rivalry between the clubs in the north fell apart amidst bitter in-fighting over the direction the scene should go. Today, northern soul is more popular than ever, but it was back in the 1970s that one of the most fascinating and unique British club cultures rose to glory. Contributors include key northern soul DJs like Richard Searling, Ian Levine, Colin Curtis, Kev Roberts, alongside Lisa Stansfield, No
To mark the 50-year anniversary of Motown in 2009, a compilation of some of the iconic record label's greatest names filmed live in the BBC studios. Visitors from Hitsville USA over the years have included Smokey Robinson and the Miracles, Diana Ross and the Supremes, the Temptations, Stevie Wonder, the Four Tops and the Jackson 5.
A selection of Dusty Springfield's performances at the BBC from 1961 to 1995. Dusty was one of Britain's great pop divas, guaranteed to give us a big melody in songs soaring with drama and yearning. The clips show Dusty's versatility as an artist and performer and include songs from her folk beginnings with the Springfields; the melodrama of You Don't Have to Say You Love Me, Dusty's homage to Motown with Heatwave and Nowhere to Run, the Jacques Brel song If You Go Away, the Bacharach and David tune The Look of Love and Dusty's collaboration with the Pet Shop Boys in the late 1980s. There are also some great duets from Dusty's career with Tom Jones, Mel Torme and even Alf Garnett.
They say that blood is thicker than water and this documentary puts that to the test by examining the brothers who have formed and fronted rock bands. From the Everlys to the Gallaghers via the Kinks and Spandau Ballet, it tells the stories of the bands of brothers who went from their bedrooms to become household names - often with a price to pay. With contributions from Martin Kemp, Matt Goss, Dave Davies, Phil Everly, David Knopfler and the Campbell brothers of UB40.
This historical biography of the city that is the glittering hub of country music reveals the dynamic relationship between commerce and art, music and the market, that has defined Nashville since 1925. It explores the conflicts and demons that have confronted Nashville's artists and music industry down the years, such as the creative pressures of the 'Nashville Sound', the devastating impact of Elvis and then Bob Dylan, the rise and fall of the urban cowboys and the struggle of several Nashville legends to confront their inner demons. The story unfolds through the testimony of musicians, producers, broadcasters and rare archive of the country legends. These include Dolly Parton, Charley Pride, Willie Nelson, Ricky Skaggs, Steve Earle, Kris Kristofferson and several hitmaking contemporary stars, Kasey Musgraves, Brad Paisley and Jason Aldean. This cast reveal the unique power of country music to hold up a mirror to its fans and create a music that has - for decades - touched the hearts of the South and of working people. Kristofferson calls it the 'white man's soul music'. Also featured are extensive musical performances by Nashville's greatest, from Johnny Cash to Loretta Lynn and George Jones to Garth Brooks. Several of Nashville's younger stars describe their ongoing journey from their hometowns in the South to the streets of this city, from the first studio demos and the sawdust of the Broadway bars to the stadiums and promo videos that now define country stardom.
Documentary exploring Elton John's childhood, apprenticeship in the British music business, sudden stardom in the US at the dawn of the 70s and his musical heyday. Plus the backstory to the album reuniting him with Leon Russell, his American mentor. Features extensive exclusive interviews with Elton, plus colleagues and collaborators including Bernie Taupin, Leon Russell and others.
Classic female country stars in action on a variety of BBC studio shows and featuring Bobbie Gentry, Anne Murray, Emmylou Harris, Tammy Wynette, Billie Jo Spears, Crystal Gayle, Taylor Swift, Lucinda Williams with Mary Chapin Carpenter and more. A chronological celebration of country queens at the BBC whether on Top of the Pops, OGWT, Later with Jools Holland, Parkinson or their own entertainment specials.
A journey through some of the finest moments of acoustic guitar performances from the BBC archives, from Jimmy Page's television debut in 1958 to Oasis and Biffy Clyro. Other highlights include Neil Young's Heart of Gold, David Bowie's Starman, Donovan's Mellow Yellow, Joan Armatrading's Woncha Come on Home, Bert Jansch, Johnny Marr and Bernard Butler, and Joni Mitchell's Chelsea Morning.
From My Little Stick of Blackpool Rock to God Save the Queen, this is the story of ten records from the 1930s to the present day that have been banned by the BBC. The reasons why these songs were censored reveals the changing controversies around youth culture over the last 75 years, with Bing Crosby and the Munchkins among the unlikely names to have met the wrath of the BBC. With contributions from: Carrie Grant, Paul Morley, Stuart Maconie, Glen Matlock, Mike Read and Jon Robb.
Documentary chronicling our ever-changing love affair with the British singles chart on the occasion of its 60th anniversary. From the first NME chart in 1952, via Pick and Top of the Pops to home-taping the Radio One chart show and beyond, we have measured out our lives to a wonderful churn of pop driven, unbeknownst to us, by a clandestine world of music biz hustle. Featuring contributions by 60 years of BBC chart custodians from David Jacobs to Reggie Yates, chart fans Grace Dent and Pete Paphides and music biz veterans Jon Webster and Rob Dickins.
China is the fastest growing nation in history, an economic superpower, but it has cultural ambitions too and nowhere is this clearer than in its embrace of Western classical music. Huge sums of government money have been poured into concert halls across the country and millions of young musicians, many of whom were inspired by the success of concert pianist Lang Lang, are now competing to help fill them. But how does a society that traditionally celebrates discipline and conformity adapt to the individualism and artistic freedom demanded by the music of Beethoven? Contributors include Lang Lang, Daniel Barenboim, conductor of the West-Eastern Divan Orchestra, Chinese musicians from Shanghai's Symphony Orchestra and Conservatory as well as a new generation of aspiring classical musicians.
John Edginton's documentary explores the making of Pink Floyd's ninth studio album, Wish You Were Here, which was released in September 1975 and went to top the album charts both in the UK and the US. Featuring new interviews with band members Roger Waters, David Gilmour and Nick Mason alongside contributions from the likes of sleeve designer Storm Thorgerson and photographer Jill Furmanovsky, the film is a forensic study of the making of the follow-up to 1973's Dark Side of the Moon, which was another conceptual piece driven by Roger Waters. The album wrestles with the legacy of the band's first leader Syd Barrett, who had dropped out of the band in 1968 and is eulogised in the album's centrepiece, Shine On You Crazy Diamond. Pink Floyd had become one of the biggest bands in the world, but the 60s were over and the band were struggling both to find their purpose and the old camaraderie.
Compilation of Rod Stewart's finest performances at the BBC. We revisit the early 70s with the Faces performing Stay With Me and Three Button Hand Me Down on Sounds for Saturday. The BBC charted Rod's solo success over the years and there are classic performances and interviews that will make you dance, sing and pull on your heartstrings. Songs include Sailing, You're in My Heart, I Don't Want to Talk About It and Do Ya Think I'm Sexy? We also have Rod's performance from Glastonbury 2002 of the classic Handbags and Gladrags, and we dip into the Great American Songbook with his version of the Dorothy Fields classic I'm In The Mood For Love. Finally, rounding off over five decades in music is a performance from Rod's Radio 2 concert from May 2013.
Between 1978 and 1994 Kate Bush appeared on a variety of BBC programmes including Saturday Night at the Mill, Ask Aspel, the Leo Sayer show and Wogan, as well as Top of the Pops. This compilation showcases her performances of hit songs such as Wuthering Heights, Babooshka, Running up That Hill and Hounds of Love alongside other intriguing and lesser known material in the BBC studios.
This documentary explores Kate Bush's career and music, from January 1978's Wuthering Heights to her 2011 album 50 Words for Snow, through the testimony of some of her key collaborators and those she has inspired. Contributors include the guitarist who discovered her (Pink Floyd's David Gilmour), the choreographer who taught her to dance (Lindsay Kemp) and the musician who she said 'opened her doors' (Peter Gabriel), as well as her engineer and ex-partner (Del Palmer) and several other collaborators (Elton John, Stephen Fry and Nigel Kennedy). Also exploring their abiding fascination with Kate are some of the musicians who have been influenced by her (John Lydon, St Vincent's Annie Clark, Natasha Khan of Bat for Lashes, Tori Amos, Outkast's Big Boi, Guy Garvey and Tricky) and some writers and comedians who admire her (Jo Brand, Steve Coogan and Neil Gaiman).
Documentary which looks at how rock 'n' roll has had to deal with the unthinkable - namely growing up and growing old, from its roots in the 50s as a music made by young people for young people to the 21st century phenomena of the revival and the comeback. Despite the mantra of 'live fast, die young', Britain's first rock 'n' roll generations are now enjoying old age. What was once about youth and taking risks is now about longevity, survival, nostalgia and refusing to grow up, give up or shut up. But what happens when the music refuses to die and its performers refuse to leave the stage? What happens when rock's youthful rebelliousness is delivered wrapped in wrinkles? Featuring contributions from musicians Lemmy, Iggy Pop, Peter Noone, Rick Wakeman, Paul Jones, Richard Thompson, Suggs, Eric Burdon, Bruce Welch, Robert Wyatt, Gary Brooker, Joe Brown, Chris Dreja of the Yardbirds, Alison Moyet, Robyn Hitchcock, writers Rosie Boycott and Nick Kent and producer Joe Boyd.
A spectacular concert film from Pink Floyd's A Momentary Lapse of Reason tour. Filmed at New York's Nassau Coliseum in 1989 using 27 cameras, it sees David Gilmour, Rick Wright and Nick Mason on fine form, performing classic after classic including Shine On You Crazy Diamond, Time, Comfortably Numb and Wish You Were Here.
It is the sound of the heartland, of the midwest and the industrial cities, born in the early 70s by kids who had grown up in the 60s and were now ready to make their own noise, to come of age in the bars, arenas and stadiums of the US of A. Out of blues and prog and glam and early metal a distinct American rock hybrid started to emerge across the country courtesy of Alice Cooper, Grand Funk Railroad et al, and at its very heart is the Great American Rock Anthem. At the dawn of the 70s American rock stopped looking for a revolution and started looking for a good time - enter the classic American rock anthem with big drums, a soaring guitar, a huge chorus and screaming solos. This film celebrates the evolution of the American rock anthem during its glory years between 1970 and 1990, as it became a staple of the emerging stadium rock and AOR radio and then MTV. From Schools Out to Smells Like Teen Spirit, these are the songs that were the soundtrack to teenage lives in the US and around the world, anthems that had people singing out loud with arms and lighters aloft. To track the emergence of this distinct American rock of the 70s and 80s, Huey Morgan narrates the story of some of the greatest American rock anthems including Schools Out, We're an American Band, Don't Fear the Reaper, Paradise by the Dashboard Light, Don't Stop Believin', I Love Rock n Roll, Eye of the Tiger, I Want to Know What Love Is, Livin' on a Prayer and Smells Like Teen Spirit. Contributors include: Alice Cooper, Dave Grohl, Butch Vig, Meat Loaf, Todd Rundgren, Richie Sambora, Blue Oyster Cult, Journey, Survivor, Toto and Foreigner.
From the streets of New York City to the studios of the BBC comes the cream of the New York rock scene, including classic archive performances from the Ramones, New York Dolls, Television, Blondie, Lou Reed and many more.
Collection of performances by British and American blues artists on BBC programmes such as The Beat Room, A Whole Scene Going, The Old Grey Whistle Test and The Late Show. Includes the seminal slide guitar of Son House, the British R&B of the Kinks, the unmistakable electric sound of BB King and Buddy Guy, Eric Clapton and John Lee Hooker, as well as less-familiar material from the likes of Delaney and Bonnie, Freddie King and Long John Baldry.
Affectionate but honest portrait of Thin Lizzy, arguably the best hard rock band to come out of Ireland. Starting with the remix of the classic album Jailbreak by Scott Gorham and Brian Downey, the film takes us through the rollercoaster ride that is the story of Thin Lizzy. From early footage of singer Phil Lynott in Ireland in his pre-Lizzy bands the Black Eagles and Orphanage, it follows his progress as he, guitarist Eric Bell and drummer Brian Downey form the basic three-piece that was to become Thin Lizzy - a name taken from the Beano. Using original interviews with Bell, Downey, the man who signed them and their first manager, it traces the early years leading to the recruitment of guitarists Brian 'Robbo' Robertson and Scott Gorham - the classic line-up. The film uses a number of stills, some seen on TV for the first time, archive from contemporary TV shows and a range of tracks both well known and not so famous. There are hilarious self-deprecating anecdotes, from the stories behind the making of the Boys are Back in Town to the hiring of Midge Ure. We hear about the 'revolving door' as guitarist after guitarist was fired and hired, and the recording of Bad Reputation and Live and Dangerous - where producer Tony Visconti pulls no punches in talking about how he recorded the latter - putting the controversy to bed for the final time. Except that Downey and Robertson still disagree with him. Finally we hear how drugs and alcohol impacted on the band and how the music suffered, how one member later substituted golf for heroin and how addiction and the related lifestyle led to the death of Phil Lynott. Contributors include Brian Downey, Scott Gorham, Eric Bell, Brian Robertson, Midge Ure, Bob Geldof, Tony Visconti, Joe Elliot (Def Leppard) and many others.
Compilation of memorable heavy metal performances from BBC TV shows, including Iron Maiden, Black Sabbath, Judas Priest and Motorhead.
Nigel Planer narrates a documentary which traces the origins and development of British heavy metal from its humble beginnings in the industrialised Midlands to its proud international triumph. In the late 60s a number of British bands were forging a new kind of sound. Known as hard rock, it was loud, tough, energetic and sometimes dark in outlook. They didn't know it, but Deep Purple, Uriah Heep and, most significantly, Black Sabbath were defining what first became heavy rock and then eventually heavy metal. Inspired by blues rock, progressive rock, classical music and high energy American rock, they synthesised the sound that would inspire bands like Judas Priest to take metal even further during the 70s. By the 80s its originators had fallen foul of punk rock, creative stasis or drug and alcohol abuse. But a new wave of British heavy metal was ready to take up the crusade. With the success of bands like Iron Maiden, it went global. Contributors include Lemmy, Sabbath's Tony Iommi, Ian Gillan from Deep Purple, Judas Priest singer Rob Halford, Bruce Dickinson from Iron Maiden and Saxon's Biff Byford. This episode was originally aired as Heavy Metal Britannia - The Beast Awakes.
A collection of performances from the BBC archives, celebrating the sights and sounds and the ups and downs of London through the words and songs through the years - from Petula Clark singing A Foggy Day in London Town in 1965 to Adele performing her love letter to the city in Hometown Glory, filmed in October 2007 on the roof of the BBC car park in Shepherds Bush. Also featured are the likes of the Jam, Eddy Grant, Tom Paxton and Lily Allen plus many more.
Simon Russell Beale tells the story behind Allegri's Miserere, one of the most popular pieces of sacred music ever written. The programme features a full performance of the piece by the award-winning choir the Sixteen, conducted by Harry Christophers.
Documentary telling, in her own words, the story of Carole King's upbringing in Brooklyn and the subsequent success that she had as half of husband-and-wife songwriting team Goffin and King for Aldon Music on Broadway. It was during this era in the early 1960s that they created a string of pop hits such as Take Good Care of My Baby for Bobby Vee, The Locomotion for Little Eva and Will You Love Me Tomorrow for the Shirelles, which became the first number 1 hit by a black American girl group. They also wrote the era-defining Up on the Roof for the Drifters and the magnificent Natural Woman for Aretha Franklin. By 1970 Carole was divorced from songwriting partner Gerry Goffin and had moved to Los Angeles. It was here that she created her classic solo album Tapestry, packed with delightful tunes but also, for the first time, her own lyrics, very much sung from the heart. The album included It's Too Late, I Feel the Earth Move and You've Got a Friend and held the record for the most weeks at number 1 for nearly 20 years. It became a trusted part of everyone's record collection and has sold over 25 million copies to date. The film features some wonderful unseen material and home movies, and narrates her life as an acclaimed singer-songwriter. To date, more than 400 of her compositions have been recorded by over 1,000 artists, resulting in 100 hit singles. More recently, in 2013, Carole was the first woman to be awarded the prestigious Gershwin Prize for Popular Song by the Library of Congress for her songwriting, whilst in 2014 Broadway production Beautiful, which tells her life story during the Goffin and King era, has received rave reviews. Nowadays Carole King would see herself as an environmental activist as much as a songwriter, and she is to be found constantly lobbying congress in defence of the wildlife and ecosystems of her beloved Idaho.
In-depth documentary investigation into the story of a popular music that is often said to be made to be heard, but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life. From its emergence in the 50s to its heyday in the 60s, through its survival in the 70s and 80s and its revival in the 90s and beyond, the film traces the hidden history of a music that has reflected society every bit as much as pop and rock - just in a more relaxed way. Invented at the dawn of rock 'n' roll, easy listening has shadowed pop music and the emerging teenage market since the mid-50s. It is a genre that equally soundtracks our modern age, but perhaps for a rather more 'mature' generation and therefore with its own distinct purpose and aesthetic. Contributors include Richard Carpenter, Herb Alpert, Richard Clayderman, Engelbert Humperdinck, Jimmy Webb, Mike Flowers, James Last and others.
You don't sell 128 million albums worldwide without putting in the graft and Status Quo are, quite possibly, the hardest working band in Britain. Alan G Parker's documentary Hello Quo, specially re-edited for the BBC, recounts the band's epic story from the beginning - when south London schoolmates Francis Rossi and Alan Lancaster formed their first band with big ambitions of rock 'n' roll domination, quickly adding drummer John Coghlan and guitarist Rick Parfitt. The film tells the story of Quo's hits from their unusually psychedelic early hit, Pictures of Matchstick Men, followed by a run through their classics Down Down to Whatever You Want. The band laughs off the constant ribbing about only using three chords and the film explores how Quo's heads-down boogie defined UK rock in the early '70s. Fender Stratocaster in hand, Quo have stood their ground and never shifted, but they have managed to adapt to scoring pop hits over five decades. The original members of the 'frantic four' tell their story of a life in rock 'n' roll, alongside interviews from some prominent Quo fans, such as Paul Weller, whose first gig was the Quo at Guildford Civic Hall, to Brian May, who waxes lyrically about the opening riff to Pictures of Matchstick Men, while even Sir Cliff plays homage to the denim-clad rockers.
Deep Purple is one of the most influential and important guitar bands in history, one of the godfathers of the heavy metal genre, with over 100 million album sales worldwide to their name. To celebrate the 40th anniversary of Deep Purple's groundbreaking double live album Made in Japan, this documentary explores these recordings and Deep Purple mark 2, the line-up between 1969 and 1973. The film highlights the mark 2 period of this classic British rock band featuring the classic line-up of Ian Gillan, Ritchie Blackmore, Jon Lord, Roger Glover and Ian Paice with a focus on the recording of the album Machine Head in Montreux, Switzerland in late 1971; the friction that developed within the band as a result of this recording and their incessant touring of the world in general and North America in particular; and the live recordings of the band's first Japanese tour in August 1972, released that December in the UK as Made in Japan, a Number 1 UK album. Lars Ulrich of Metallica has cited Made in Japan as his favourite album of all time. Featuring previously unseen exclusive footage, this film promises to uncover the meaning behind the song Smoke on the Water, known for one of the most iconic riffs in rock history, and to reveal the background to the mystery that lies behind the three nights in Osaka and Tokyo during the recording of the live Made in Japan album from 1972. This line-up of Deep Purple then split in 1973, with Gillan and then Glover quitting the band to be replaced. The classic mark 2 line-up would go on to reform twice more in the late 80s and early 90s and although Ritchie Blackmore left the band for the last time in 1993 and despite the death of organist Jon Lord in 2012, Deep Purple are very much active. Made in Japan has been ranked as the sixth best live album of all time, and this film goes under the covers to tell us why.
In his home studio and revisiting old haunts in Shepherd's Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days...
On Christmas Eve 1975, Queen crowned a glorious year with a special concert at London's Hammersmith Odeon. The show on the final night of their triumphant UK tour was broadcast live on BBC TV and radio, and has become a legendary event in Queen's history. Featuring stunning renditions of early hits Keep Yourself Alive, Liar and Now I'm Here alongside Brian May's epic guitar showcase Brighton Rock, a rip-roaring version of the then new Bohemian Rhapsody and the crowd-pleasing Rock 'n' Roll Medley, this hour-long concert shows Queen at an early peak and poised to conquer the world.
First-ever TV documentary about the legendary soul singer Otis Redding, following him from childhood and marriage to the Memphis studios and segregated Southern clubs where he honed his unique stage act and voice. Through unseen home movies, the film reveals how Otis's 1967 tour of Britain dramatically changed his life and music. After bringing soul to Europe he returned to conquer America, first with the 'love-crowd' at the Monterey Festival and then with Dock of the Bay, which topped the charts only after his death at just 26. Includes rare and unseen performances, intimate interviews with Otis's wife and daughter, and with original band members Steve Cropper and Booker T Jones. Also featured are British fans whose lives were changed by seeing him, among them Rod Stewart, Tom Jones and Bryan Ferry.
Duran Duran came out of Birmingham and conquered the world during the 1980s. Originally a New Romantic band in full make-up and cossack pants, they rapidly became bedroom pin-ups for a generation of teenage girls. Led by Simon Le Bon, Nick Rhodes and John Taylor, Duran Duran dominated the British and American charts in the mid 1980s with classic singles such as Rio, Save a Prayer and Wild Boys. Pioneers of the MTV-style promo video - from the X-rated Girls on Film to Raiders of the Lost Ark spoof Hungry Like the Wolf - Duran Duran were the 80s equivalent of the Beatles in America and outsold Spandau Ballet and Wham! in their pomp. 60 million records later, Le Bon and Rhodes are seen touring America with their Pop Trash project from the early 2000s. The documentary reflects on the heady heights of Duran Duran's career, the cracks in their make-up plus the effects of sex, drugs and fame on ordinary boys from working class backgrounds. Apart from the key Durannies - Le Bon, Rhodes and John Taylor - the programme also features celebrity interviews with Debbie Harry, Yasmin Le Bon, Duran Duran managers Paul and Michael Berrow, Claudia Schiffer, Nile Rodgers and Lou Reed.
Compilation of songs previously banned by the BBC, including Lola by the Kinks, Jackie by Scott Walker and We Don't Need This Fascist Groove Thang by Heaven 17.
Profile of Britain's greatest ever classical pianist and of one of the most successful musical partnerships of the last 50 years, that of John Ogdon and his wife Brenda Lucas Ogdon. For the first time, Brenda and her children Richard and Annabel tell the personal story of John Ogdon - the husband, father and genius. This is a story of their lives together, one that covers their rollercoaster ride from extraordinary and deserved success to tragic adversity and despair. Featuring unique archive and contemporary performance as well as candid interviews with those who knew him best, this incredible tale is a moving account of their professional partnership. A fascinating reflection on the power of the art form itself, gained from a lifetime of living, breathing, teaching and performing.
Documentary which gets to the heart of who Jeff Lynne is and how he has had such a tremendous musical influence on our world. The story is told by the British artist himself and such distinguished collaborators and friends of Jeff as Paul McCartney, Ringo Starr, Tom Petty, Joe Walsh, Olivia and Dhani Harrison, Barbara Orbison and Eric Idle. The film reveals that Lynne is a true man of music, for whom the recording studio is his greatest instrument. With access to Lynne in his studio above LA, this is an intimate account of a great British pop classicist who has ploughed a unique furrow since starting out on the Birmingham Beat scene in the early 60s, moving from the Idle Race to the multimillion-selling ELO in the 70s and then, with Bob Dylan, Tom Petty, Roy Orbison and George Harrison, as a key member of the Traveling Wilburys.
A foot-stomping return to the BBC vaults of Top of the Pops, The Old Grey Whistle Test and Later with Jools as the programme spins itself to a time when disco ruled the floor, the airwaves and our minds. The visual floorfillers include classics from luminaries such as Chic, Labelle and Rose Royce to glitterball surprises by the Village People.
If you fancy an hour's worth of irresistible guilty pleasures from Anni-Frid, Benny, Bjorn and Agnetha, this is the programme for you. It's 39 years since ABBA stormed the Eurovision song contest with their winning entry Waterloo, and this programme charts the meteoric rise of the band with some of their greatest performances at the BBC. It begins in 1974 with their first Top of the Pops appearance and we even get to see the band entertaining holidaymakers in Torbay in a 1975 Seaside Special. There are many classic ABBA tunes from the 1979 BBC special ABBA in Switzerland, plus their final BBC appearance on the Late Late Breakfast show in 1982. This compilation is a must for all fans and includes great archive interviews, promos and performances of some of ABBA's classics including Waterloo, Dancing Queen, Does Your Mother Know, Thank You for the Music, SOS, Fernando, Chiquitita and many more.
Actor and musician Sam Palladio hosts a musical tribute to Elvis Presley, 60 years to the day from when he recorded his first single That's All Right at Sun Studio in Memphis on 5 July 1954. Sam traces Elvis's story from childhood poverty in Mississippi, where he had to make do with a broom for a guitar, to the moment when, by accident, he ended up recording the song that changed the history of popular music. There are performances of the finest Elvis tracks from the likes of soul legend Candi Staton, LA duo the Pierces and country star Laura Bell Bundy.
Combining European musical influences, perfect production and lyrics of love and loss, ABBA made us fall in love with the sound of Swedish melancholy. This documentary explores the music of ABBA and chronicles how they conquered both Sweden and Britain in the face of constant criticism.
A selection of some of David Bowie's best performances from the BBC archives, which also features artists who Bowie helped along the way, such as Mott the Hoople, Lulu, Iggy Pop and Lou Reed.
Robert Plant discusses his musical journey from Stourbridge, the British blues boom, superstardom with Led Zeppelin in the 70s, to the Band of Joy album. He also looks at his work with the Honeydrippers and North African musicians, his reunion with Jimmy Page and his pairing with Alison Krauss.
A 60-minute showcase of beastly basslines, scything guitars, tormented lyrics, piercing synths, leather, lace and fashion on the edge! This programme celebrates the Goth aesthetic that began in early 80s British clubland and traces its evolution in music throughout that decade and beyond. Featuring classic BBC TV performances from Siouxsie and The Banshees, Bauhaus, The Cure, Depeche Mode, Killing Joke, The Sisters of Mercy, Nick Cave & The Bad Seeds, PJ Harvey and many more.
Grab your partner by the hand - the BBC have raided their archive and brought to light glittering performances by country artists over the last four decades. Star appearances include Tammy Wynette, Kris Kristofferson, Johnny Cash and, of course, Dolly Parton. All the greats have performed for the BBC at some point - on entertainment shows, in concert and at the BBC studios. Some of the rhinestones revealed are Charley Pride's Crystal Chandeliers from the Lulu Show, Emmylou Harris singing Together Again on the Old Grey Whistle Test and Glen Campbell's Rhinestone Cowboy from the Val Doonican Music Show. We're brought up to date with modern country hits from Top of the Pops and Later...with Jools Holland.
Country singer-songwriter John Denver performs in concert at Wembley Arena in 1979.
Compilation of British rock 'n' roll acts in performance with tracks that crossed over to the US charts. From the Dave Clark Five to Coldplay, the Brits have rocked America and sometimes even done better across the pond than here - take a bow a Flock of Seagulls, Supertramp and Bush - who are also included here alongside darker British global exports like Black Sabbath and the Cure.
The king of shock rock's inimitable stage show Brutally Live, filmed at the Hammersmith Apollo, London in July 2000, in support of his album Brutal Planet. Alice Cooper combines his distinct brand of rock and theatre with the use of elaborate props to unsettle and shock his audience. His famous costumes, a guillotine, a werewolf baby, pools of fake blood and the thick black eye make-up dripping down his face work together to create his trademark demonic style.
In 1973, an album was released that against all odds and expectations went to the top of the UK charts. The fact the album launched a record label that became one of the most recognisable brand names in the world (Virgin), formed the soundtrack to one of the biggest movies of the decade (The Exorcist), became the biggest selling instrumental album of all time, would eventually go on to sell over 16 million copies and was performed almost single-handedly by a 19-year-old makes the story all the more incredible. That album was Tubular Bells, and the young and painfully shy musician was Mike Oldfield. This documentary features contributions from Sir Richard Branson, Danny Boyle, Mike's family and the original engineers of the Tubular Bells album among others. The spine of the film is an extended interview with Mike himself, where he takes us through the events that led to him writing Tubular Bells - growing up with a mother with severe mental health problems; the refuge he sought in music as a child, with talent that led to him playing in folk clubs aged 12 and signing with his sister's folk group at only 15; his frightening experience of taking LSD at 16; and finally arriving at the Manor Recording Studios as a young session musician where he gave a demo tape to a recording engineer who passed it along to young entrepreneur Richard Branson. After the album's huge success, Mike retreated to a Hereford hilltop, shunned public life and became a recluse until he took part in a controversial therapy which changed his life. In 2012 Mike captured the public's imagination once again when he was asked to perform at the London Olympic Opening Ceremony, where Tubular Bells was the soundtrack to 20 minutes of the one-hour ceremony. Filmed on location at his home recording studio in Nassau, Mike also plays the multiple instruments of Tubular Bells and shows how the groundbreaking piece of music was put together.
Graham Norton profiles the leading ladies of the disco era, including Gloria Gaynor, Donna Summer, Grace Jones, Chaka Khan, Madonna and 'honorary disco queen' Sylvester. Includes contributions from the queens themselves, plus Antonio 'Huggy Bear' Fargas, choreographer Arlene Phillips, songwriters Ashford and Simpson, disco artists Verdine White from Earth Wind and Fire, Bonnie Pointer of the Pointer Sisters and Nile Rodgers of Chic.
The BBC delves into its archive for the best romantic duets performed at the BBC over the last fifty years. Whether it is Robbie and Kylie dancing together on Top of the Pops or Kris Kristofferson and Rita Coolidge singing into each other's eyes on the Whistle Test, there is plenty of chemistry. Highlights include Nina and Frederik's Baby It's Cold Outside, Dolly Parton and Kenny Rogers, Sonny and Cher, Shirley Bassey and Neil Diamond, Peaches and Herb, and a rare performance from Peter Gabriel and Kate Bush.
The story of The Kinks, one of the UK's most important and influential bands, as told from the vaults of the BBC archive. From their humble beginnings in north London, brothers Ray and Dave Davies, school friend Pete Quaife and local drummer Mick Avory exploded onto the music scene of early 1960s London. From this series of unique archive performances we learn that blues was their first love and Dave's signature guitar sound would go on to influence a generation of guitar players. As Ray's uniquely English songwriting style developed, the spectre of Ray and Dave's rocky fraternal relationship continually loomed in the background through concerts for the Old Grey Whistle Test in the 1970s to appearances on Top of the Pops in the 1980s. The inevitable band split came in 1996 and the BBC archive continues with Ray's reinvention as a solo artist with performances on the Electric Proms and up to the present day on Later with Jools Holland. All the while the brothers continue to tease and goad the press - and one another - with talk of a Kinks reunion.
To celebrate the 50th anniversary of The Rolling Stones we delve into the BBC vaults to deliver some timeless Stones archive. From the early days of their career and some unforgettable performances on Top of the Pops with 'The Last Time', 'Let's Spend The Night Together' and 'Get Off Of My Cloud' through the late 60s and early 70s era of prolific song writing when the band were knocking out a classic album every other year and offering up such classics as 'Honky Tonk Women' and 'Gimme Shelter'. The late 70s brought a massively successful nod to disco with Miss You and the early 80s a stomping return to form with the rock 'n' roll groove of Start Me Up. Peppered amongst the performances are snippets of wisdom from the two main men - The Glimmer Twins, aka Mick and Keith. Plus as a special treat, some lost footage of the band performing 19th Nervous Breakdown on Top of the Pops in 1966 - recently discovered in a BBC documentary from the 1960s about women with depression.
Compilation of performances from the BBC archive spanning 35 years of Paul Weller, from the Jam to the Style Council to his solo career. From the heady days of mod-punk trio the Jam there's In The City on TOTP, The Eton Rifles on teen pop culture show Something Else and more, up to their final single Beat Surrender. Jazz-funk-soul collective the Style Council take over with first single Speak Like a Child on Sight & Sound and a storming Walls Come Tumbling Down on the Whistle Test. Weller's persistently successful solo career is chronicled on Later with Jools Holland - where he's the most frequently featured artist in the show's history - with Sunflower to the Attic (from 2012's Sonik Kicks album), plus an acoustic rendition of the Jam classic That's Entertainment with Noel Gallagher. Amongst other treats are a rarely-seen performance from the Electric Proms of Etta James's Don't Go to Strangers, where the changingman is joined onstage at the Roundhouse by Amy Winehouse.
Beyonce Knowles performs old and new material, including Deja Vu, Baby Boy, Irreplaceable and Crazy in Love, backed by a 12-piece band, on an outdoor stage at BBC Television Centre.
Compilation of international hits from the BBC archives that paint exotic musical portraits of far away countries or instantly conjure up memories of holidays abroad. This smorgasbord of foreign pop delights includes performances by Demis Roussos, Vanessa Paradis, Gheorghe Zamfir and Sylvia, amongst many others.
A vintage collection of Nana Mouskouri's performances from the BBC archive, including her entry in the 1963 Eurovision Song Contest and musical collaborations with Michel Legrand, Charles Aznavour and Cliff Richard.
In September 2011 R.E.M., the rock band from Athens, Georgia, decided to call it a day after 31 years. This collection from the BBC archives includes performances of Pretty Persuasion from the Old Grey Whistle Test in 1984, Orange Crush on Top of the Pops in 1989 and special acoustic versions of Losing My Religion and Half a World Away on The Late Show in 1991, along with performances on Later with Jools Holland and Parkinson. Also, vocalist Michael Stipe and bassist Mike Mills reflect on the band ending.
Since 1978, indie label Rough Trade has been backing ground-breaking artists of every sensibility. From the post-punk girls who sound like they've been overheard singing to themselves at a bus stop, to the raw rock'n'roll of the Strokes and the Libertines, this compilation of BBC performances draws together some of the music that has made Rough Trade the institution it is. Includes the Smiths, Robert Wyatt, Violent Femmes, Pulp and Antony and the Johnsons.
A look back at the day U2 spent at the BBC visiting Jo Whiley and performing tracks for the Live Lounge in the BBC Radio Theatre and Chris Evans' Radio 2 show, culminating in a performance on the roof of Broadcasting House.
Classic male country singers from the BBC vaults, journeying from the Everly Brothers and Jerry Lee Lewis to Garth Brooks and Willie Nelson and featuring classic songs and performances by Glen Campbell, Charley Pride, George Hamilton IV, Kenny Rogers, Clint Black, Johnny Cash, Eric Church and more. This 50 years-plus compilation is a chronological look at country kings as featured on BBC studio shows as varied as In Concert, Wogan, The Late Show and Later with Jools Holland, plus early variety shows presented by the likes of Lulu, Harry Secombe and Shirley Abicair.
Throughout the 1970s and 1980s, Billy Joel was building a catalogue of timeless songs while enjoying a string of consecutive hit albums and singles. Though selling out concerts around the world, Billy and his music were, like much of western pop culture and rock 'n' roll itself, unheard behind the Iron Curtain, except for black market bootlegs and faint shortwave radio. By the late 80s, the Cold War between the USSR and the West had begun to thaw in the light of Russian head-of-state Mikhail Gorbachev's policies of Glasnost and Perestroika, designed to bring openness and transparency to the Soviet Union while promoting political reform and cross-cultural exchanges. When the Kremlin invited Billy Joel to perform in the Soviet Union, he jumped at the chance to realise a long-time dream of performing for the Russian people. As America's pop rock musical ambassador, Billy Joel brought the Soviets their first fully-staged high-energy rock show. The tour began with a small acoustic concert in Tbilisi, followed by three electrifying stadium shows in Moscow and three shows in Leningrad. Joel's historic visit to Russia became a worldwide news event, with journalists and writers covering the tour, its progress and the effect Billy, his band and his family were having on the Russian people. The entire tour was professionally filmed and the concerts were simulcast on radio worldwide. During their stay, Billy and his family, along with musicians, staff, and a huge press entourage spent their days interacting with the Russian people, forging true bonds of friendship wherever they went. The tour has been seen as a major cultural turning point in the course of US and Soviet relations. Seen and heard now, more than 25 years later, Joel's Russian concert tour performances stand out among the most electrifying and moving of his career and this film bears witness to the timeless revolutionary power of rock 'n' roll.
A collection of some of the greatest soul performances from the BBC's archive, featuring Aretha Franklin, Al Green, Dusty Springfield, Isaac Hayes, Solomon Burke and Percy Sledge.
With the Moogs turned up to 11, a 1970s and 80s journey through the BBC's synthpop archives from Roxy Music and Tubeway Army to New Order and Sparks.
Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage. In the late 1970s, small pockets of electronic artists including the Human League, Daniel Miller and Cabaret Volatire were inspired by Kraftwerk and JG Ballard and dreamt of the sound of the future against the backdrop of bleak, high-rise Britain. The crossover moment came in 1979 when Gary Numan's appearance on Top of the Pops with Tubeway Army's Are Friends Electric heralded the arrival of synthpop. Four lads from Basildon known as Depeche Mode would come to own the new sound whilst post-punk bands like Ultravox, Soft Cell, OMD and Yazoo took the synth out of the pages of the NME and onto the front page of Smash Hits. By 1983, acts like Pet Shop Boys and New Order were showing that the future of electronic music would lie in dance music. Contributors include Philip Oakey, Vince Clarke, Martin Gore, Bernard Sumner, Gary Numan and Neil Tennant.
Profile of the great British contralto Kathleen Ferrier. Contributors include Janet Baker, George Christie, Evelyn Barbirolli and Ian Jack.
Nat King Cole was the only black television star in Hollywood at a time when America groaned under the weight of racial segregation and prejudice. Yet he possessed a natural talent so great that these issues were seemingly swept to one side to allow him to become one of the greatest jazz icons of all time. However, behind closed doors those around him were trying to think of a way to package him as something he was not: bi-white. This candid account of what really happened in and around his 'fairytale' life is taken from his private journals, interviews with his widow Maria and contributions from other family members, Tony Bennett, Buddy Greco, Harry Belafonte, Nancy Wilson, Sir Bruce Forsyth, George Benson, Aaron Neville, Johnny Mathis and many more. Featuring archive never seen before, it reveals Nat King Cole's feelings behind his ultimate calling as a 'beacon of hope' to the legions of the oppressed.
Queens of Jazz is a celebration of some of the greatest female jazz singers of the 20th century. It takes an unflinching and revealing look at what it actually took to be a jazz diva during a turbulent time in America's social history - a time when battle lines were being constantly drawn around issues of race, gender and popular culture. This is a documentary about how these women triumphed - always at some personal cost - to become some of the greatest artists of the 20th century; women who chose singing above life itself because singing was their life.
Classic clips, from the Old Grey Whistle Test, In Concert and even Wogan, of Southern rock boogie in excelsis from the bands who poured out of the Deep South in the 70s. Includes performances from the Ozark Mountain Daredevils, Delaney & Bonnie with Eric Clapton, Dickey Betts from the Allman Brothers Band, the Marshall Tucker Band, Black Oak Arkansas, the Charlie Daniels Band, Greg Allman with then-wife Cher, Edgar Winter and, of course, Lynyrd Skynyrd.
Morgan Neville's full-length documentary is James Taylor and Carole King's first-hand account of the genesis and blossoming of the 1970s singer-songwriter culture in LA, focusing on the backgrounds and emerging collaboration between Taylor, King and the Troubadour, the famed West Hollywood club that nurtured a community of gifted young artists and singer-songwriters. Taylor and King first performed together at the Troubadour in November 1970, and the film explores their coming together and the growth of a new, personal voice in songwriting pioneered by a small group of fledgling artists around the club. Contributors include Taylor, King, David Crosby, Roger McGuinn, Jackson Browne, Bonnie Raitt, Kris Kristofferson, JD Souther, Peter Asher, Cheech & Chong, Steve Martin and Elton John.
An archive celebration of Tom Jones's performances at the BBC from the start of his pop career in the mid-60s to Later...with Jools Holland in 2010 and all points in between, including Top of the Pops and the Dusty Springfield Show. A chronological celebration of Sir Tom through the years that is also a history of music TV at the BBC over most of the past 50 years.
To celebrate the 60th anniversary of the UK chart, from the vaults of the BBC archive comes a selection of hits that attained the toppermost of the poppermost prize and made it to number 1 in the hit parade. From across the decades we applaud the most coveted of all chart positions with smash hits and classics from the Bee Gees, T-Rex, Donna Summer, John Lennon, Culture Club, Spice Girls, James Blunt, Rihanna, Adele and many more.
Compilation of easy listening tracks that offers the perfect soundtrack for your cocktail party. There's music to please every lounge lizard, with unique performances from the greatest easy listening artists of the 60s and 70s, including Burt Bacharach, Andy Williams, Sergio Mendes & Brasil 66, the Carpenters and many more.
Elvis Costello is one of the uncontested geniuses of the rock world. 33 albums and dozens of hit songs have established him as one of the most versatile and intelligent songwriters and performers of his generation. This film provides a definitive account of one of Britain's greatest living songwriters - the first portrait of its kind - directed by Mark Kidel, who was won numerous awards for his music documentaries, including portraits of Rod Stewart, Boy George, Tricky, Alfred Brendel, Ravi Shankar, John Adams and Robert Wyatt. Elvis is a master of melody, but what distinguishes him above all is an almost uncanny way with words, from the playful use of the well-worn cliché to daring poetic associations, whether he is writing about the sorrow of love or the burning fire of desire, the power play of the bedroom or the world of politics. The film tells the story of Elvis Costello - a childhood under the influence of his father RossMcManus, the singer with Joe Loss's popular dance band; a Catholic education which has clearly marked him deeply; his overnight success with the Attractions and subsequent disenchantment with the formatted pressures of the music business; a disillusionment which led him to reinvent himself a number of times; and writing and recording songs in various styles, including country, jazz, soul and classical. The film focuses in particular on his collaborations with Paul McCartney and Allen Toussaint, who both contribute. It also features exclusive access to unreleased demos of songs written by McCartney and Costello. Elvis was interviewed in Liverpool, London and New York, revisiting the places in which he grew up. The main interview, shot over two days at the famed Avatar Studios in NYC, is characterised by unusual intimacy. Elvis talks for the first time at great length about his career, songwriting and music, and often breaks into song with relevant examples from his repertoire. This version is 90 minutes. Elvis Costello: why are t
A mixture of songs, interviews and rarely seen documentary footage offers a glimpse as to how American crooner Barry Manilow's career has evolved on screen for more than forty years. Classics such as Mandy, Copacabana and Could It Be Magic were played to millions of viewers first time around and are revisited in clips from Top of the Pops, Parkinson and various filmed shows including his pivotal open-air concert at Blenheim Palace in 1983 - it's a miracle!
Dolly Parton is one of the world's great superstars, feted for her figure as much as for her music. Platinum Blonde goes inside her world to discover the woman under the wigs as she returned to the concert stage in the UK in 2002 after an absence of 20 years. Born into grinding poverty in rural Tennessee, Dolly has risen to the top of her tree in music, films and as a businesswoman who owns her own theme park. Friends, family and colleagues - including Lily Tomlin, Kenny Rogers, Billy Connolly, Dabney Coleman and Alison Krauss - help tell her story, along with the full and frank views of Dolly herself. With cameo appearances from Sinead O'Connor, Norah Jones, Jonathan Ross and Terry Wogan.
A unique performance recorded in front of a live audience at the BBC's Radio Theatre in central London in which country superstar Brad Paisley performs stripped-back acoustic versions of his hits with the songwriters who worked on them with him. Brad tells the stories behind the songs, reflects on what makes a great country songwriter and unveils the worst English accent since Dick Van Dyke in Mary Poppins. Paisley is one of contemporary country music's biggest stars with over 13 million albums sold worldwide and a record ten consecutive number one singles in the US country charts. He is also one of the world's most accomplished guitarists, with fans including Eric Clapton and Mark Knopfler.
A rare chance to see Robert Elfstrom's 1969 classic film that captures the Man in Black at his peak, the first of many in a looming rollercoaster career. Fresh on the heels of his Folsom Prison album, Cash reveals the dark intensity and raw talent that made him a country music star and cultural icon. Elfstrom got closer than any other filmmaker to Cash, who is seen performing with his new bride June Carter Cash, in a rare duet with Bob Dylan and behind the scenes with friends, family and aspiring young musicians - painting an unforgettable portrait that endures beyond the singer's death in 2003.
'Whispering' Bob Harris journeys to America's country music capital to reveal why Nashville became Music City USA. From the beginnings of the Grand Ole Opry on commercial radio, through the threatening onset of rock 'n' roll in the 1950s, right up to the modern mainstream hits of Music Row, this is the story of how music has shaped Nashville and why today it's a place of pilgrimage for musicians from all over the world. As well as iconic venues on Lower Broadway and the historic hit factories of 16th Avenue, Bob also explores the East Nashville music scene and discovers a rebellious flipside to the country coin. With exclusive performances from the city's top talent, Bob explains why country music owes its enduring success to Nashville's unique nurturing community of songwriters. Includes interviews with Emmylou Harris, Duane Eddy, Dave Stewart and Rosanne Cash.
An intimate concert recorded at the home of renowned singer-songwriter Beth Nielsen Chapman in Nashville. Stellar performances from some of Music City's finest artists including Gretchen Peters, Jason Isbell, Kim Carnes, John Fullbright, Suzy Bogguss and Beth herself. Part of a unique night when the cream of Nashville's music community gathered to socialise and share songs in a warm and relaxed environment.
In 1978, Top of the Pops began to turn the credibility corner. As the only major pop show on television, Top of the Pops had enjoyed a unique position in the nation's hearts since the 1960s - the nation's teenagers who were now fed up with the show's predominantly light entertainment blend still tuned in every week in the hope of seeing one of the new young outfits thrown up by punk, new wave and disco. In 1978 it seemed the kids' time had come again for the first time since glam rock. Yet the biggest-selling singles of 1978 were by the likes of Boney M, John Travolta & Olivia Newton John, Rod Stewart, the Bee Gees and Abba. Punk never quite fitted in with the mainstream - it had been treated with disdain by Top of the Pops and largely ignored by the show. Britain's teenagers had to endure the all-round family entertainment on offer when all they wanted was teenage kicks. Along came a generation of young post-punk and new wave bands armed with guitar and bass, ready to storm the Top of the Pops stage - from the Undertones, the Buzzcocks, Siouxsie and the Banshees, the Skids and Ian Dury and the Blockheads to the Boomtown Rats, Elvis Costello, the Jam and Squeeze - some weeks teenagers would get to see one of their bands, very rarely they got two, but there they were on primetime TV. With contributions from the Boomtown Rats, Squeeze, Boney M, Sham 69, Brian & Michael, the Barron Knights, Mike Read, Kid Jensen, Kathryn Flett, Richard Jobson, Ian Gittins and Legs & Co.
The late Jack Bruce, most known for fronting the 1960s supergroup Cream alongside Eric Clapton and Ginger Baker, is documented working at Abbey Road Studios on his latest and final album, Silver Rails, which was released in March of this year. The behind the scenes story documents the recording process, Jack discussing the motivation behind the project and the individual songs, as well as interviews with the albumʼs contributors including Pete Brown, Phil Manzanera, Robin Trower, Cindy Blackman Santana, John Medeski, Jack's family members and many more. Jack touches on his first time recording at Abbey Road in 1965 with The Graham Bond Organisation as well as Silver Rails being a follow up to his 1969 debut album Songs For A Tailor and how this fourteenth solo album looks back on his life.
Glenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music. Difford and Tilbrook, two working class kids from south east London, formed Squeeze in 1974 with the dream of one day appearing on Top of the Pops. In 1978, they achieved that dream when the single Take Me I'm Yours gave the band the first of a string of top 20 hits. The period from 1978 to 1982 saw the group release a run of classic singles, timeless gems such as Cool for Cats, Up the Junction, Labelled with Love, Tempted and Pulling Mussels (From the Shell) to name but a few. Although the line-up of Squeeze would go through various changes of personnel (another founder member Jools Holland left in 1980 and then rejoined the group in 1985) it is Difford and Tilbrook's songs that have remained the constant throughout the lifetime of the band. The duo explain how they came to write and record many of their greatest songs. Although their relationship at times has often been tenuous at best, the mutual admiration for each other's talent has produced some of the best songs of the past 40 years. With contributions from former band members Jools Holland and Paul Carrack, together with testament from Elvis Costello, Mark Knopfler and Aimee Mann to Difford and Tilbrook's songwriting talent and why they deserve to be placed alongside such renowned songwriting partnerships as Lennon and McCartney, Jagger and Richards and Elton John and Bernie Taupin.
Stadium gods Bon Jovi rock London's tiny BBC Radio Theatre. The band perform classics from six albums across their 30-year reign: Slippery When Wet, Crush, Have a Nice Day, Lost Highway, The Circle and the first ever performance of material from 2013's What About Now.
David Hepworth introduces part of a live concert by Squeeze from 1982 at the Regal Theatre in Hitchin, Hertfordshire.
In 2011, Glen Campbell announced he had been diagnosed with Alzheimer's disease and that he would be bowing out with a final album and farewell tour across Britain and America. This documentary tells Campbell's remarkable life story, from impoverished childhood in Arkansas through huge success first as a guitarist and then as a singer, with great records like Wichita Lineman and Rhinestone Cowboy. With comments from friends and colleagues including songwriter Jimmy Webb and Mickey Dolenz of the Monkees, it's a moving story of success, disgrace and redemption as rich as any of the storylines in Campbell's most famous songs. The peak of Glen Campbell's career was in 1975 when he topped the charts around the world with Rhinestone Cowboy, but his musical journey to that point is fascinating. A self-taught, teenage prodigy on the guitar, by his mid-twenties Campbell was one of the top session guitarists in LA, a key member of the band of session players now known as the Wrecking Crew. He played on hundreds of tracks while working for producers like Phil Spector and Brian Wilson of the Beach Boys, including Daydream Believer by the Monkees, You've Lost That Lovin' Feeling by the Righteous Brothers, Strangers in the Night by Frank Sinatra and Viva Las Vegas by Elvis Presley. But Campbell always wanted to make it under his own name. A string of records failed to chart until, in 1967, he finally found his distinctive country pop sound with hits like Gentle on My Mind and By the Time I Get to Phoenix. The latter was written by Jimmy Webb and together the two created a string of great records like Wichita Lineman and Galveston. Campbell pioneered country crossover and opened the way for artists like Dolly Parton and Kenny Rogers. By the end of the 1960s, Campbell was the fastest rising star in American pop with his own television show and a starring role in the original version of True Grit. Over the following ten years, he had more success with Rhinestone Cowboy and
A compilation of rarely screened Pink Floyd videos and performances, beginning with the Arnold Layne promo from 1967 and culminating with the reunited band's performance at Live 8 in 2005. Also including a newly restored Another Brick in the Wall (Part 2) and performances of Grantchester Meadows, Cymbeline and others.
Compilation of BBC performances by Dame Shirley Bassey, who began her rise to fame as a 16-year-old singer in 1953 and over 60 years is still going strong. This trip down memory lane uncovers some of her finest performances from the vaults, ranging from early appearances on Show of the Week and the Shirley Bassey Show, via the Royal Albert Hall and Glastonbury 2007, right up to her show at the Electric Proms in 2009. Iconic songs featured include The Performance of My Life, Goldfinger, Big Spender and Diamonds are Forever.
Documentary about the Debbie Harry-fronted New York band Blondie, who crossed pop with punk, reggae and rap and had no 1's in all styles, from their Bowery beginnings at CBGBs in 1974 to their controversial induction into the Rock 'n' Roll Hall of Fame. With exclusive backstage and performance footage from their 2006 UK tour, plus in-depth interviews with current and ex-band members and friends Iggy Pop, Shirley Manson, Tommy Ramone, and Chris Frantz and Tina Weymouth of Talking Heads.
The cliche of classic rock guitar is one of riffs, solos and noise. But write a list of great guitarists and their finest moments and a quieter, more intense playing comes to the fore. The acoustic guitar is the secret weapon in the armoury of the guitar hero, when paradoxically they get more attention by playing quietly than being loud. This documentary takes an insightful and occasionally irreverent look at the love affair between rock and the humble acoustic guitar. Exploring a much less celebrated, yet crucial part of the rock musician's arsenal, contributors including Johnny Marr, Keith Richards, Ray Davies, James Dean Bradfield, Biffy Clyro, Joan Armatrading, Donovan and Roger McGuinn discuss why an instrument favoured by medieval minstrels and singing nuns is as important to rock 'n' roll as the drums, bass and its noisy sister, the electric guitar.
Between the mid 1960s and the late 1970s, the long-playing record and the albums that graced its grooves changed popular music for ever. For the first time, musicians could escape the confines of the three-minute pop single and express themselves as never before across the expanded artistic canvas of the album. The LP allowed popular music become an art form - from the glorious artwork adorning gatefold sleeves, to the ideas and concepts that bound the songs together, to the unforgettable music itself. Built on stratospheric sales of albums, these were the years when the music industry exploded to become bigger than Hollywood. From pop to rock, from country to soul, from jazz to punk, all of music embraced what 'the album' could offer. But with the collapse of vinyl sales at the end of the 70s and the arrival of new technologies and formats, the golden era of the album couldn't last forever. With contributions from Roger Taylor, Ray Manzarek, Noel Gallagher, Guy Garvey, Nile Rodgers, Grace Slick, Mike Oldfield, Slash and a host of others, this is the story of When Albums Ruled the World.
In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire. During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were. Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans. Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.
A selection of some of funk's best artists from the BBC archives and beyond, beginning in the 1970s. Includes performances from acts such as Earth, Wind & Fire, Kool & the Gang, Average White Band and Herbie Hancock.
One iconic black box has probably more than anything else come to define the sound of rock - the Marshall amplifier. It has been, quite literally, behind some of the greatest names in modern music. It all started in 1962 when drum shop owner Jim Marshall discovered the distinctive growl that gave the electric guitar an exciting new voice. Music got a whole lot louder as young musicians like Clapton, Townshend and Hendrix adopted the revolutionary 'Marshall Sound'. The electric guitar now spoke for a new generation and the genre of rock was born. Soon Marshall stacks and walls were an essential backdrop of rock 'n' roll. The excesses of rock machismo were gloriously lampooned in the 1984 movie This is Spinal Tap. In an extrodinary piece of reverse irony, it was this comic exposure that rescued the company from financial meltdown. With contributions from rock legends like Pete Townshend, Lemmy and Slash, plus an interview with the 'Father of Loud' Jim Marshall, this documentary cruises down the rock ages with all the dials set to 'eleven'.
In August 1987, Billy Joel took his worldwide Bridge tour on an unprecedented leg through the Soviet Union, the first fully-staged rock concert to visit the country. This programme features highlights from his concert at the Lenin Sports and Concert Complex in Leningrad (now St Petersburg). Songs include: Angry Young Man, Goodnight Saigon, An Innocent Man, The Longest Time, A Matter of Trust, Only the Good Die Young, It's Still Rock 'n' Roll to Me, Uptown Girl and Back in the USSR.
Documentary following the inspirational Orchestre Symphonique Kimbanguiste and choir as they make their debut visit to the UK. It captures the latest step in an extraordinary odyssey for the world's first all-black orchestra, formed 20 years ago from a group of self-taught church musicians in Kinshasa, the capital city of the turbulent DRC. From the moment the 100-strong party led by conductor Armand Diangienda touches down at Manchester Airport, we follow them night and day as they work side by side with the Halle orchestra and choir and later at the Southbank in London with members of the National Youth Orchestra, BBC orchestras, Southbank Sinfonia and more. Amongst the hectic schedule of instrument repairs, seminars, rehearsals and performances, they still find time for a visit to Manchester United's Old Trafford ground, and down south take a trip to the Proms and a flight on the London Eye that turns into a joyous spontaneous singalong. The climax is a concert at London's Royal Festival Hall, with a programme embracing the rousing ode to brotherhood of Beethoven's 9th, along with a symphony written by members of the orchestra. From the inside out, Congo Calling charts the pride and the passion - and the joie de vivre - of an orchestral community abroad. It is an eye-opening exchange of experience and ideas between European and African musicians, between seasoned professionals and ever-passionate amateurs.
Michael Grade saw Annie Get Your Gun as a small boy in the 1950s and ever since he has been hooked on musicals - and their stars. He and his family have represented some of the world's greatest musical performers and he knows and understands talent. But one question has always fascinated him - is it the musical which creates the star or the star who makes the musical? In search of answers, Michael interviews stars and directors on both sides of the Atlantic, including Michael Ball, Elaine Paige, Dominic West, Imelda Staunton, Joel Grey, Chita Rivera, Hal Prince and Trevor Nunn. In what way are the qualities of a musical star unique? Michael explores the alchemy of the musical by looking at performances from the 1940s onwards in key shows like Oklahoma!, My Fair Lady, West Side Story, Evita and Les Miserables - examining the union of musicals that brilliantly reflect their time with performers who can interpret their magic. Michael uses all the knowledge, taste and judgement he has built up over decades as he sets out to define what it is that makes the great musical stars great.
Documentary about a group of female singers whose voices make you weep, who sang songs of heartbreak and betrayal, had lives that seemed to mirror their music and deaths that came too soon and made myths of them all. Yet their voices triumph over tragedy and they became icons of the 20th century. Edith Piaf, the Urchin Queen, stood small but strong and became the voice of her nation and of everyone who ever made mistakes. Billie Holiday, the Jazz Queen, her voice full of pain and yearning. Judy Garland, Showbiz Queen, raised in the film studio that fed her addiction to pills and to fame. Maria Callas, Drama Queen, whose voice brought out the heartache in opera and whose life echoed the roles she played. And Janis Joplin, Wild Queen, who offered up a 'piece of her heart' and died of drug abuse at just 27. With contributions from Mickey Rooney, Charles Aznavour, Country Joe McDonald, KT Tunstall, Katie Melua and Corinne Bailey-Rae.
Hyde Park 2013 came almost 44 years to the day after the Rolling Stones first invited 200,000 fans to listen to them for free in a legendary concert at the central London park on 5 July 1969, only two days after the tragic death of founder member Brian Jones - a landmark event, now widely acknowledged as one of the most significant moments in modern music history. Featuring their greatest hits from across their career, plus a special appearance by former Stones guitarist Mick Taylor - who made his debut with the band at Hyde Park in 1969 - Hyde Park 2013 takes the huge success of the Rolling Stones' 50 and Counting anniversary celebrations into a second year, and follows an acclaimed Glastonbury appearance - their debut performance at the festival in a career spanning 50 years. Directed by Paul Dugdale, this 19-camera HD shoot in front of 65,000 fans captures just why the Rolling Stones are still the greatest live rock 'n' roll band after all these years. Highlights include Gimme Shelter, Jumpin' Jack Flash, You Can't Always Get What You Want and (I Can't Get No) Satisfaction.
Documentary about how a much-derided music actually changed the world. Between 1969 and 1979 disco soundtracked gay liberation, foregrounded female desire in the age of feminism and led to the birth of modern club culture as we know it today, before taking the world by storm. With contributions from Nile Rodgers, Robin Gibb, Kathy Sledge and Ian Schrager.
From 1986, Val Doonican performs with seasonal music and guest appearances from newsreader Jan Leeming, virtuoso percussionist Evelyn Glennie, snooker star Dennis Taylor and the Arts Educational School Choir.
Guilty pleasure or genius, misfits or mavericks, noble or naff - how do we really feel about the Bee Gees? Are the brothers Gibb a cacophony of falsettos or songwriting maestros, the soundtrack to every office party or masters of melancholy and existential rage? Are they comedy or Tragedy? How deep is our love and how deep are the Bee Gees? With a back catalogue that includes hits like How Do You Mend a Broken Heart, Massachusetts, Islands in the Stream, Stayin' Alive, Chain Reaction, How Deep Is Your Love, Gotta Get a Message to You, Words, To Love Somebody and Night Fever, the Bee Gees are second only to the Beatles in the 20th-century songwriting pantheon, but while their pop success spans several decades, there are different Bee Gees in different eras. Is there a central glue that unites the brothers and their music and, if so, what is it? The Joy of the Bee Gees features a rare interview with the last remaining Bee Gee brother, Barry Gibb, many of those musicians and industry figures who have worked with them closely over the years, and a surprising cast of Bee Gees aficionados including John Lydon, Ana Matronic, Guy Chambers, Mykaell Riley and Alexis Petridis, who together share their stories and their insights into the band whose music and image moved us in the 60s and defined pop culture in the mid-to-late 1970s. The film explores how the band were iconoclasts and outsiders, brothers in the family business, who worked best when together but who grew up and played out their fraternal struggles in public. The brothers went from child stars on the Australian variety circuit to competitors with the Beatles in the UK charts in the late 60s, scoring number one hits while still only teenagers. In the mid-70s, the former 'beat group' reimagined themselves as a close-knit soul boy trio. The Saturday Night Fever album shot them to global superstardom and every radio station played a song written, produced or sung by The Bee Gees. The saturation of thei
Don Black, the lyricist behind a huge collection of popular hit songs including Diamonds are Forever, Born Free, Ben and Love Changes Everything, shares some fascinating insights into his life's work with Michael Grade, in between live performances of his songs by Brian May, Eliza Doolittle, Frances Ruffelle, Gary Wilmot, Gregory Porter, Katie Melua, Kerry Ellis, Laura Wright, Marc Almond, Maria Friedman, Marti Webb, Michael Ball, Only Men Aloud and Richard Stilgoe. Recorded at the Royal Festival Hall in London.
Classic Bee Gees studio performances from the BBC and beyond including all the big hits, rare 60s performances from European TV, including a stunning I Started a Joke, a rarely seen Top of the Pops performance of World, the big hits of the 70s and some late performances from the 90s, with the brothers Gibb in perfect harmony.
A journey back to the 1950s for a look at the wildest pop music of all time in a film that tells the stories of Bill Haley, Elvis Presley, Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly, giants from an era when pop music really was mad, bad and dangerous to know. The programme features the artists themselves, alongside people like Bill Haley's original Comets, the Crickets, Buddy Holly's widow Maria Elena, Jerry Lee Lewis's former wife Myra Gail and his sister, Chuck Berry's son and many more, including June Juanico, Elvis's first serious girlfriend. Other contributors include Tom Jones, Jamie Callum, Paul McCartney, Cliff Richard, Joe Brown, Marty Wilde, Green Day, Minnie Driver, Jack White, the Mavericks, Jools Holland, Hank Marvin, Fontella Bass, John Waters and more. Elvis's pelvis was just the start. Who had to change the lyrics to their biggest hit because the originals were too obscene? Who married their 13-year-old cousin? Who used lard to get their hair just right? And what happened on the day the music died?
A compilation of the very best of Sammy Davis Jr's famous 1960s performances for the BBC, that leaves no doubt as to why at the time he was billed as the world's greatest living entertainer. This show captures Davis as the ultimate swinger, singer and gunslinger, performing classic songs like My Funny Valentine and Once in a Lifetime, showing how he's quick on the draw with a pistol, and demonstrating his incredible impersonations of some of the best-known stars of the era.
Sammy Davis Jr was born to entertain. He was a human dynamo who made his debut at the age of five and by the time he was a teenager was wowing audiences across America. A gifted dancer, actor and singer, and a key member of the Rat Pack, Davis is best remembered for his unforgettable rendition of Mr Bojangles and his No 1 single, The Candyman. However, as a black man, making his way in the entertainment business saw him struggle to overcome racial prejudice, letter bombs and death threats. Davis fought back with his talent and in the 1960s marched alongside Dr Martin Luther King. Despite his reputation as a civil rights campaigner and one of the world's greatest entertainers, Davis remains an enigma. Those closest to him tell of a man never quite comfortable in his own skin, a workaholic and spendaholic who put his career before his family and who died leaving them millions of dollars in debt. This documentary is Sammy Davis Jr's remarkable life story - his rise and his fall - told by those who knew him best. For the first time his family and friends including Paul Anka, Engelbert Humperdinck, Reverend Jesse Jackson and Ben Vereen share their memories - shedding new light on the legacy of one of the most gifted and loved performers in show business.
Documentary about brother and sister duo the Carpenters, one of the biggest selling pop acts of the 1970s, but one with a destructive and complex secret that ended in tragedy with Karen Carpenter's untimely death at 32. Featuring behind-the-scenes footage and interviews with Richard Carpenter, family and friends.
Len Goodman investigates the rise and fall of British big band music, and charts its recent revival. Before the war, popular jazz and dance band music enjoyed universal appeal, capable of reaching out to people across the generations. Len spent many of his early days listening, and of course dancing, to the music of Ted Heath, Glenn Miller and Joe Loss. He has an enormous affection for the days when swing was king and top of the pile were the big bands. Len returns to some of his old stamping grounds and discovers why we continue to love this bold and brassy art form. The film looks at how the bands survived, and indeed thrived, in the years after the war. Eventually, though, the world around them moved on. The rise of teenager culture, rock 'n' roll, pop and other forms of jazz, blues and folk meant big bands were struggling to compete in a crowded market, one that catered for an incredibly diverse range of musical tastes. Today we've come full circle. The big bands are enjoying something of a revival, and once again have universal appeal. Bands live on in towns and cities across the UK. Artists such as Robbie Williams have also introduced a new generation to the sound of swing and popular big band jazz. And, as Len says: 'Everyone seems to have an affection for it - and, you know what - when I hear Glenn Miller's music drifting lazily through the air, I can really understand why...'.
Michael Parkinson presents the sensational John Wilson Orchestra in a celebration of festive musical treats from the golden age of swing, with soloists Seth MacFarlane, Anna-Jane Casey and special guest Curtis Stigers. The Christmas classics include Winter Wonderland, Baby It's Cold Outside, Let It Snow and White Christmas.
How did an obscure Irish melody become one of the greatest songs of all time, recorded by music's biggest names? One hundred years after 'Danny Boy' was first published, the true story of its astonishing past is uncovered, while contributors including Gabriel Byrne, Rosanne Cash, Brian Kennedy and Barry McGuigan explain its enduring appeal and what it has come to symbolise.
Neil Sedaka is one of the most successful American singer-songwriters of the last century. A classically trained musician, he won a scholarship to the Julliard School at the age of nine and four years later he embarked on a writing career that would see him create some of the most perfect pop songs of all time. Throughout his career he wrote, recorded and sang a litany of instantly recognisable and memorable tunes, as well as delivering a string of hits as a songwriter for other artists. This documentary portrait film tells the story of Neil Sedaka's life and career, in which he had two distinct periods of success. Between 1958 and 1963 he sold over 25 million records, but then his career nose-dived after the Beatles and the British Invasion hit the USA. Leaving his homeland, he found success in the UK in the early 1970s and relaunched his career before returning to the US and achieving new stardom with songs like Solitaire and Laughter in the Rain. Neil gives great insight into how he created catchy classics like Calendar Girl, (Is This the Way to) Amarillo, Breaking Up Is Hard to Do, Happy Birthday Sweet Sixteen and Stupid Cupid, amongst many others.
... Sings Musicals delves into the BBC archives and presents an eclectic mix of performances from musicals from the 60s to the present. Featuring the likes of Ella Fitzgerald singing Mack the Knife from the Threepenny Opera, Captain Sensible performing a classic from South Pacific, Jeff Beck going down the yellow brick road of Oz, Jay Z taking on Annie, and all points in between.
Roberta Flack's Grammy award-winning song The First Time Ever I Saw Your Face was America's biggest selling single of 1972. The following year her gentle, pure voice charmed middle America once again when Killing Me Softly with His Song reached the top of the charts and ran off with another Grammy for single of the year. In the early 70s Roberta Flack was one of the most successful pop stars in the world. But Flack was no overnight sensation. She didn't have a hit single till she was 35 years of age. Nor was her success a traditional African-American rags-to-riches story. She came from the black middle class that had been born out of the self-contained hub of segregated America. She studied classical music at Howard University, America's top black university, and probably would have pursued a classical career had that door been open to her in 50s America. Instead, she taught music in Washington's public school system for 10 years while she struggled for her break. In the race conscious times, she also had her detractors. While she was singing duets of black consciousness with soul singer Donnie Hathaway, she was married to her white bass player. Also, they said she sounded too white; the gospel-infused voices of Aretha Franklin and James Brown, which came out of the dominant Baptist church, were what real soul singers sounded like. What those critics didn't understand was that there are many musical traditions within black America and Roberta Flack came from the more restrained Methodist one where they sang hymns rather than gospel. This is the story of the emergence of different kind of soul singer set against the turbulent backdrop of America's Civil Rights movement. Contributors include: Roberta Flack; Dionne Warwick; Johnny Mathis; Cissy Houston; Imani Perry - Princeton University, professor of African American Studies; Greg Tate - musician and critic; Fredera Hadley - musicologist; and John Akomfrah - filmmaker and critic.
A special concert recorded at the Royal Festival Hall in 1977, where 80 musicians played new arrangements of Glen Campbell's hit songs.
Blondie's album Parallel Lines captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life, selling 16 million copies. This is the story of that album, that time and that city, told primarily by the seven individuals who wrote, produced and performed it. It was a calculated and painstaking endeavour to produce surefire hits - whatever it took. The film follows Debbie Harry and the rest of the Blondie crew as they head into the studio to record their game-changing album with producer Mike Chapman. It also features commentary from Harry herself about writing music, the media's focus on her appearance and lyrically inspirational ex-boyfriends. In 1978 the New York band Blondie had two punk albums behind them and were establishing a name for themselves at the club CBGBs on New York's Lower East Side. Then Chrysalis Records exec Terry Ellis saw them and spent a massive $1m buying out their recording contract. He had to ensure that their next album was a hit - there was no room for error. To do this he brought in maverick Australian record producer Mike Chapman, who already had a string of hits under his belt. Mike's job was to turn this crew of New York punks into world stars - but did they have the popular songs which would appeal to a wider non-punk audience? At a time when rich creativity, grinding poverty and drug abuse were hand in hand on the sidewalks of the Lower East Side, the music and lyrics of Parallel Lines celebrated and captured this vibrant and edgy chemistry, shooting the band to international stardom.
American jazz singer Peggy Lee performs some of her most popular songs.
The 1991 Pet Shop Boys world tour combined theatre and drama in an inspired musical spectacle and featured some of the duo's greatest hits, including It's a Sin and Suburbia.
Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC... At the dawn of the 80s, a whole host of strangely dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk. They came mainly from the London club scene, led by gender-bending host Steve Strange and pioneering electronic DJ Rusty Egan, and conquered the charts with classic tracks such as Do You Really Want to Hurt Me, To Cut a Long Story Short, Kings of the Wild Frontier, Planet Earth, Fade to Grey, Calling Your Name and Poison Arrow. Magenta Devine narrates this gay and colourful behind-the-scene documentary of sex & drugs & frocks & hair-rollers, which includes interviews with Boy George, Gary Kemp, Adam Ant, Nick Rhodes, Steve Strange, Rusty Egan, Marilyn, Jonathan Ross, Caryn Franklin, Fiona Bruce and Robert Elms.
Perhaps the only time Roni Size Delia Smith and John Humphries will appear on the same programme? Introduced by Jo Whiley. Interviewees include Phil Jupitus, Bejamin Zephaniah, Delia Smith, Roni Size, Nick Cave, Johnny Marr, Alan Hansen, John Humphries, Annie Nightingale
Two of Mozart's best-loved choral works: the 1791 Requiem and the Mass in C Minor, both of which were unfinished when he died. John Eliot Gardener conducts the Monteverdi Choir and The English Baroque Soloists Performed in Palau de la Musica Catalina, Barcelona, 1991
A profile of one of England's truly unique and underrated bands, The Fall. One of the most enigmatic, idiosyncratic and chaotic garage bands of the last 30 years, The Fall are led by the belligerent and poetic Mark E Smith and grew out of the fringe of the Manchester punk scene. By 2005, they had released in excess of three dozen albums, toured relentlessly, inspired two successful stage plays, recorded 24 Peel Sessions, and performed with contemporary ballet dancer Michael Clark along with various spoken word events. All this has happened under the guidance of Smith with various line-ups totalling over 40 different members. They have never conformed to fashion or musical trends and when asked why they were his favourite band, John Peel replied 'they are always different, they are always the same'. This is the first time that Mark E Smith has agreed to the story being told on television and he along with many of the major players take us through this unique English rock 'n' roll story. It is told alongside footage of their most recent and sadly now last Peel Session recorded in August 2004 at the BBC Maida Vale studios, and there is also film of John playing out the session at Peel Acres a week later. Contributors include past and present band members such as Marc Riley, Una Baines, Steve Hanley, Ben Pritchard and Eleni Smith, plus thoughts from key fans/critics including Paul Morley, Tony Wilson, Stewart Lee, promoter Alan Wise, original Buzzcocks manager Richard Boon, and Franz Ferdinand.
They say that blood is thicker than water and this documentary puts that to the test by examining the brothers who have formed and fronted rock bands. From the Everlys to the Gallaghers via the Kinks and Spandau Ballet, it tells the stories of the bands of brothers who went from their bedrooms to become household names - often with a price to pay. With contributions from Martin Kemp, Matt Goss, Dave Davies, Phil Everly, David Knopfler and the Campbell brothers of UB40
All eight members of the Pogues return to the studio where their biggest hit - and one of the nation's favourite Christmas songs - was recorded. Fairytale of New York's producer Steve Lillywhite strips the song down to the basics, and video director Peter Dougherty reveals the tricks behind the making of the video - including how a cameo from Hollywood star Matt Dillon stopped the Pogues from almost being arrested.
Documentary about a group of female singers whose voices make you weep, who sang songs of heartbreak and betrayal, had lives that seemed to mirror their music and deaths that came too soon and made myths of them all. Yet their voices triumph over tragedy and they became icons of the 20th century. Edith Piaf, the Urchin Queen, stood small but strong and became the voice of her nation and of everyone who ever made mistakes. Billie Holiday, the Jazz Queen, her voice full of pain and yearning. Judy Garland, Showbiz Queen, raised in the film studio that fed her addiction to pills and to fame. Maria Callas, Drama Queen, whose voice brought out the heartache in opera and whose life echoed the roles she played. And Janis Joplin, Wild Queen, who offered up a 'piece of her heart' and died of drug abuse at just 27. With contributions from Mickey Rooney, Charles Aznavour, Country Joe McDonald, KT Tunstall, Katie Melua and Corinne Bailey-Rae.
Jo Brand narrates a profile which celebrates the life and times of the BBC's first flagship live music programme, The Old Grey Whistle Test, which ran from 1971 to 1987. It looks at the music, the presenters, the TV rivals, the sparse studio and the legacy, finds out why Bob Harris whispered, what Sid Vicious tried to do to him and what Camel did with a woodwind quartet and why. All these questions are answered and many more, followed by loving compilations of those early 70s years, the era that time forgot.
Graham Norton profiles the leading ladies of the disco era, including Gloria Gaynor, Donna Summer, Grace Jones, Chaka Khan, Madonna and 'honorary disco queen' Sylvester. Includes contributions from the queens themselves, plus Antonio 'Huggy Bear' Fargas, choreographer Arlene Phillips, songwriters Ashford and Simpson, disco artists Verdine White from Earth, Wind and Fire, Bonnie Pointer of The Pointer Sisters and Nile Rodgers of Chic.
The story of New York's finest - the most successful and enduring band fronted by a woman - Debbie Harry and Blondie. From their Bowery beginnings at CBGB's in 1974 to their controversial induction into the Rock n Roll Hall of Fame in New York. The band crossed pop with punk, reggae and rap and had no 1s in all styles. With exclusive backstage and performance footage from their UK tour plus in-depth interviews with current and ex-band members and friends Iggy Pop, Shirley Manson, Tommy Ramone, and Chris Frantz and Tina Weymouth of Talking Heads.
The Carpenters were one of the biggest selling pop artists of the 1970s, but what seemed on the surface as the perfect, wholesome brother and sister duo hid a destructive complex truth that was unknown to the world. Featuring behind the scenes footage, interviews with brother Richard, family and friends, this documentary traces the story that ended in tragedy with sister Karen's untimely death aged just 32.
To mark the 40th anniversary of the release of Sgt. Pepper's Lonely Hearts Club Band by The Beatles, the album's engineer, Geoff Emerick, heads back to the studio with some of today's top artists to create new versions of the album's classic tracks. Will today's musicians succeed in recording their versions of the songs using the original studio equipment from 1967, and with only a day to record each song? The Kaiser Chiefs, Razorlight and Bryan Adams are among those taking up the challenge.
Fellow glam rock star Suzi Quatro narrates a documentary which examines Marc Bolan's childhood ambitions of fame and where it led him, using previously lost TV and radio interviews, rediscovered Top of the Pops recordings, unseen concert footage and unique home movies. Includes contributions from his companion Gloria Jones, brother Harry Feld, producer Tony Visconti, Queen's Roger Taylor, Steve Harley, Zandra Rhodes and more, with Visconti also deconstructing the track Ride a White Swan.
Documentary celebrating the triumph, tragedy and human comedy that was Manchester record company, Factory. Started by the late Tony Wilson, Alan Erasmus, Peter Saville and Martin Hannett in the late 1970s, it became known as the home of Joy Divsion, New Order and Happy Mondays and for creating the Hacienda club. The label pioneered Britain's independent pop culture, creating a new Manchester and blowing a shed-load of money. Includes interviews with all the main players in the Factory story.
Documentary which goes in search of the colliding worlds of pop and kids' TV, including the embarrassing moments, strange kids and bizarre incidents that illuminated the many facets of the genre. With interviews from past programme makers, presenters, pop stars and record company executives, including Sarah Greene, Mike Read, Stephen Gately, Tommy Boyd, Searchers and Emma Forbes.
Celebration of the magic of pop music and the skill and musical dexterity that goes into writing, performing and producing hit records. Conductor Charles Hazlewood explores the mechanics of pop songs such as Imagine, Tomorrow Never Knows and Back to Black by breaking them down into six key areas, aided by contributions from a cast of writers, producers and arrangers including Guy Chambers, Martin Fry, Steve Levine, Richard Niles, Nick Ingman, John Altman and Rob Davis.
Legendary rock 'n' roller Chuck Berry performs at the BBC Television Theatre in 1972. Johnny B Goode, Roll Over Beethoven and Nadine are just some of the highlights of this concert, shown in an extended cut. This version includes, for the first time, an epic rendition of My Ding-a-Ling that carries all before it and raises innuendo to an art form.
Documentary revealing the hidden history of Scottish pop music and how a small record label inspired bands like Orange Juice, Altered Images, Wet Wet Wet and Franz Ferdinand.
A compilation of BBC studio performances of some of the great Manchester bands from the 1960s to the present, including Freddie and the Dreamers, The Hollies, 10CC, the Buzzcocks, The Fall, Joy Division, James, M-People, Oasis and many more.
A journey back to the 1950s for a look at the wildest pop music of all time in a film that tells the stories of Bill Haley, Elvis Presley, Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly, giants from an era when pop music really was mad, bad and dangerous to know. The programme features the artists themselves, alongside people like Bill Haley's original Comets, The Crickets, Buddy Holly's widow Maria Elena, Jerry Lee Lewis's former wife Myra Gail and his sister, Chuck Berry's son and many more, including June Juanico, Elvis's first serious girlfriend. Other contributors include Tom Jones, Jamie Callum, Paul McCartney, Cliff Richard, Joe Brown, Marty Wilde, Green Day, Minnie Driver, Jack White of The White Stripes, The Mavericks, Jools Holland, Hank Marvin, Fontella Bass, John Waters and more. Elvis's pelvis was just the start. Who had to change the lyrics to their biggest hit because the originals were too obscene? Who married their 13-year-old cousin? Who used lard to get their hair just right? And what happened on the day the music died?
David Hepworth chronicles the history of the disc jockey. The DJ has often been a neglected profession but today's globe-trotting jocks enjoy superstar status. Contributors include Pete Tong, Annie Nightingale, Johnnie Walker and Ranking Miss P.
Roxy Music in concert at Frejus in France in 1982, in front of an audience of 15,000
First broadcast in 1988 and filmed in black and white, this TV concert filmed at the Coconut Grove nightclub in Los Angeles features Roy Orbison performing his classic songs with friends like Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, kd lang, Jennifer Warnes and Bonnie Raitt. The TCB Band which backs all featured artists was Elvis Presley's band till his death in 1977 and includes James Burton, Glen D Hardin, Jerry Scheff and Ronnie Tutt with musical director T-Bone Burnett.
The Rough Trade story begins more than thirty years ago on 20th February 1976. Britain was in the grip of an IRA bombing campaign; a future prime minister was beginning to make her mark on a middle England in which punk was yet to run amok; and a young Cambridge graduate called Geoff Travis opened a new shop at 202 Kensington Park Road, just off Ladbroke Grove in west London. The Rough Trade shop sold obscure and challenging records by bands like American art-rockers Pere Ubu, offering an alternative to the middle-of-the-road rock music that dominated the music business. In January 1977, when a record by Manchester punk band Buzzcocks appeared in the shop, Rough Trade found itself in the right place at the right time to make an impact far beyond that of a neighbourhood music store. When Spiral Scratch was released in 1977, the idea of putting out a single without the support of an established record company was incredible. But Rough Trade was to become the headquarters of a revolt against this corporate monopoly - it was stocking records by bands inspired by the idea that they could do it themselves. But selling a few independent records over the counter was not going to change the world. Early independent labels had to hand over their distribution to the likes of EMI or CBS. But one man at Rough Trade challenged that monopoly. Richard Scott joined Rough Trade in 1977 and became the architect of a grand scheme that was nothing short of revolutionary: independent nationwide distribution. The shop could now offer experimental musicians the chance to sell records nationwide and so it was inevitable that Rough Trade became a record label in its own right. In 1978 the Rough Trade label was born and by the end of the year it had released a dozen singles by an eclectic mix of post-punk artists and become not just an alternative ideological force, but genuine competitors in the commercial music world.
A look through the archives at some of the many artists who have come into BBC studios to sing their versions of Bob Dylan songs. Featured performers include Peter, Paul and Mary, Lulu, the Byrds, Joan Baez, Eric Clapton, Madeleine Peyroux, Bryan Ferry, UB40, Julie Felix, Manfred Mann, the Brian Auger Trinity and Pops Staples.
Recorded for the 40th anniversary of Abbey Road, the Beatles' final album, a journey through the classic and curious covers in the BBC archives. Featuring Sandie Shaw singing a sassy Day Tripper, Shirley Bassey belting out Something, a close-harmony Carpenters cover of Help!, Joe Cocker's chart-topping With a Little Help from My Friends, Oasis reinventing the Walrus and a little Lady Madonna from Macca himself. Plus, a few 'magical' moments from Candy Flip, the Korean Kittens and Su Pollard.
Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war. Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal - a forward-looking desire to transcend Germany's gruesome past - but that didn't stop the music press in war-obsessed Britain from calling them Krautrock.
Fleetwood Mac are one of the biggest-selling bands of all time and still on the road. Their story, told in their own words, is an epic tale of love and confrontation, of success and loss. Few bands have undergone such radical musical and personal change. The band evolved from the 60s British blues boom to perfect a US West Coast sound that saw them sell 40 million copies of the album Rumours. However, behind-the-scenes relationships were turbulent. The band went through multiple line-ups with six different lead guitarists. While working on Rumours, the two couples at the heart of the band separated, yet this heartache inspired the perfect pop record.
Duran Duran came out of Birmingham and conquered the world during the 1980s. Originally a New Romantic band in full make-up and cossack pants, they rapidly became bedroom pin-ups for a generation of teenage girls. Led by Simon Le Bon, Nick Rhodes and John Taylor, Duran Duran dominated the British and American charts in the mid-1980s with classic singles such as Rio, Save a Prayer and Wild Boys. Pioneers of the MTV-style promo video - from the X-rated Girls on Film to Raiders of the Lost Ark spoof Hungry Like the Wolf - Duran Duran were the 80s equivalent of The Beatles in America and outsold Spandau Ballet and Wham! in their pomp. Sixty million records later, Le Bon and Rhodes are seen touring America with their Pop Trash project from the early 2000s. The documentary reflects on the heady heights of Duran Duran's career, the cracks in their make-up plus the effects of sex, drugs and fame on ordinary boys from working-class backgrounds. Apart from the key Durannies - Le Bon, Rhodes and John Taylor - the programme also features celebrity interviews with Debbie Harry, Yasmin Le Bon, Duran Duran managers Paul and Michael Berrow, Claudia Schiffer, Nile Rodgers and Lou Reed.
To mark the 75th anniversary of Elvis Presley's birth in 2011, a host of performances by artists covering the King's classic songs culled from the BBC archives. Some of Britain's biggest stars were introduced to rock n roll as teenagers via their idol Elvis, and Cliff Richard, Paul McCartney, Tom Jones and John Cale all pay their tribute. The original songwriters of some of Elvis's greatest hits perform their own versions of classic tracks, including Carl Perkins singing Blue Suede Shoes and Mac Davis doing In the Ghetto. Other artists paying homage from across five decades include the Deep River Boys, the Stylistics, Boy George, Alison Moyet, the Pet Shop Boys and Robbie Williams. There will be jumpsuits, pelvic thrusts, brilliant tunes ... and Glen Campbell's Elvis impersonation.
Presenting the best and most eclectic performances on the BBC from the world's best known artists performing their interpretations of classic tracks from The Great American Songbook. In chronological order, this programme takes us through a myriad of BBC studio performances, from Dame Shirley Bassey in 1966 performing The Lady is A Tramp, to Bryan Ferry in 1974 on Twiggy's BBC primetime show performing Smoke Gets in Your Eyes, to Captain Sensible on Top of the Pops in 1982 with his number one hit version of Happy Talk, through to Kirsty MacColl singing Miss Otis Regrets in 1994 to Jamie Cullum with his version of I Get a Kick Out Of You on Parkinson in 2004 and bang up to date with Brit winner Florence from Florence and the Machine performing My Baby Just Cares for Me with Jools Holland on his Annual Hootenanny at the end of 2009. The Great American Songbook can best be described as the music and popular songs of the famous and prolific American composers of the 1920s and onwards. Composers such as Cole Porter, Irving Berlin, Johnny Mercer, Harold Arlen, Rodgers and Hammerstein, and Hoagy Carmichael to name but a few... songwriters who wrote the tunes of Broadway theatre and Hollywood musicals that earned enduring popularity before the dawning of rock 'n' roll. These famous songwriters have penned songs which have entered the general consciousness and which are now best described as standards - tunes which every musician and singer aspires to include in their repertoire.
Peter Bogdanovich's epic portrait of one of America's great heartland rock 'n' roll bands. Hailing from Gainesville, Florida, Tom Petty and the Heartbreakers got together in the mid-70s, moved to California and released their self-titled debut album in 1976. The album was a hit in the UK where its concise, rock 'n' roll traditionalism sat well with the emerging punk and new wave scenes. The film uses extensive interviews with the band and friends like Bob Dylan, Stevie Nicks and Rick Rubin to chart their stubborn, independent-minded and often highly-successful journey towards the present day - breaking up occasionally, stopping off with the Travelling Wilburys, various Petty solo outings and periods backing the likes of Dylan, but fundamentally sticking together as one of America's greatest live and recording rock 'n' roll bands. Tom Petty and the Heartbreakers released Mojo, their first album together in eight years, in June 2010.
This is the story of the band, the city and the album that gave birth to the UK electronic pop movement in late 70s Sheffield. Against a backdrop of economic decline, art students Martyn Ware and Ian Craig Marsh experimented with early synthesisers to create sounds which would inspire a new generation of pop music with their first band The Human League. When this fractured, Ian and Martyn recruited singer and old friend Glenn Gregory to form Heaven 17. Penthouse and Pavement, their first album, was released in 1980 and was a landmark in UK pop history, combining electronica with pop hooks. Due to technological constraints the band were unable to perform the album live, but to celebrate its 30th anniversary the film also charts the band's troubled attempts to perform the album entirely live for the very first time.
Documentary which looks at how rock 'n' roll has had to deal with the unthinkable - namely growing up and growing old, from its roots in the 50s as a music made by young people for young people to the 21st-century phenomena of the revival and the comeback. Despite the mantra of 'live fast, die young', Britain's first rock 'n' roll generations are now enjoying old age. What was once about youth and taking risks is now about longevity, survival, nostalgia and refusing to grow up, give up or shut up. But what happens when the music refuses to die and its performers refuse to leave the stage? What happens when rock's youthful rebelliousness is delivered wrapped in wrinkles? Featuring Lemmy, Iggy Pop, Peter Noone, Rick Wakeman, Paul Jones, Richard Thompson, Suggs, Eric Burdon, Bruce Welch, Robert Wyatt, Gary Brooker, Joe Brown, Chris Dreja of The Yardbirds, Alison Moyet, Robyn Hitchcock, writers Rosie Boycott and Nick Kent and producer Joe Boyd.
To celebrate BBC Wales's 50th anniversary, this is another chance to see Tom Jones - a living pop legend and international superstar. After over half a century at the top of the entertainment industry, everyone thinks they know the singing icon Sir Tom Jones, but only those closest to the boy from Ponty know the real story. Still recording, touring and performing, Wales's great export shows no sign of stopping. With contributions from Jools Holland and James Dean Bradfield.
Documentary exploring Elton John's childhood, apprenticeship in the British music business, sudden stardom in the US at the dawn of the 70s, and his musical heyday. Plus the backstory to the new album reuniting him with Leon Russell, his American mentor. Features extensive exclusive interviews with Elton, plus colleagues and collaborators including Bernie Taupin, Leon Russell and more.
Continuing the critically acclaimed Britannia music series for BBC Four, this documentary tells the story of the emergence and evolution of the British music festival through the mavericks, dreamers and dropouts who have produced, enjoyed and sometimes fought for them over the last 50 years. The film traces the ebb and flow of British festival culture from jazz beginnings at Beaulieu in the late 50s through to the Isle of Wight festivals at the end of the 60s, early Glastonbury and one-off commercial festivals like 1972's Bickershaw, the free festivals of the 70s and 80s and on through the extended rave at Castlemorton in 1992 to the contemporary resurgence in festivals like Glastonbury, Isle of Wight and Reading in the last decade. Sam Bridger's film explores the central tension between the people's desire to come together, dance to the music and build temporary communities and the desire of the state, the councils and the locals to police these often unruly gatherings. At the heart of the documentary is an ongoing argument about British freedom and shifts in the political, musical and cultural landscape set to a wonderful soundtrack of 50 years of great popular music which takes in trad jazz, Traffic, Roy Harper, the Grateful Dead, Hawkwind, Orbital and much more. Featuring rare archive and interviews with Michael Eavis, Richard Thompson, Acker Bilk, Terry Reid, the Levellers, Billy Bragg, John Giddings, Melvin Benn, Roy Harper, Nik Turner, Peter Jenner, Orbital, amongst others.
The untold story of one of the most influential artists ever to come out of Jamaica, Toots Hibbert, featuring intimate new performances and interviews with Toots, rare archive from throughout his career and interviews with contemporaries and admirers including Eric Clapton, Keith Richards, Jimmy Cliff, Bonnie Raitt, Willie Nelson, Marcia Griffiths and Paolo Nutini. From his beginnings as a singer in a Jamaican church to the universally-praised, Grammy award-winning artist of today, the film tells the story of one of the true greats of music. Toots was the first to use the word reggae on tape in his 1968 song Do the Reggay and his music has defined, popularised and refined it across six decades, with hit after hit including Pressure Drop, Sweet and Dandy, Monkey Man, Funky Kingston, Bam Bam, True Love Is Hard To Find and Reggae Got Soul. As Island records founder Chris Blackwell says, 'The Maytals were unlike anything else... sensational, raw and dynamic'. Always instantly recognizable is Toots's powerful, soulful voice which seems to speak viscerally to the listener - 'one of the great musical gifts of our time'. His songs are at the same time stories of everyday life in Jamaica and postcards from another world.
1964 saw the birth of a very British institution. Spanning over four decades, Top of the Pops has produced many classic moments in pop culture. Digging deep within the darkest depths of the BBC's archive, this compilation offers some memorable performances from 1964 through to 1975 from the likes of the Rolling Stones, Tom Jones, Status Quo, Procol Harum, Stevie Wonder, Queen and the Kinks, and opens the vintage vaults to rare performances from Stealers Wheel, Julie Driscoll, Peter Sarstedt and the Seekers. So sit back and witness once again where music met television.
In-depth documentary investigation into the story of a popular music that is often said to be made to be heard, but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life. From its emergence in the 50s to its heyday in the 60s, through its survival in the 70s and 80s and its revival in the 90s and beyond, the film traces the hidden history of a music that has reflected society every bit as much as pop and rock - just in a more relaxed way. Invented at the dawn of rock 'n' roll, easy listening has shadowed pop music and the emerging teenage market since the mid-50s. It is a genre that equally soundtracks our modern age, but perhaps for a rather more 'mature' generation and therefore with its own distinct purpose and aesthetic. Contributors include Richard Carpenter, Herb Alpert, Richard Clayderman, Engelbert Humperdinck, Jimmy Webb, Mike Flowers, James Last and others.
It's over 40 years since Annie Nightingale's very first show on Radio 1 - she was the station's first female DJ and is its longest-serving broadcaster. A lifelong champion of new music, first with punk, then new wave, acid house and dubstep, Annie is still at the cutting edge in her current incarnation as the 'Queen of the Breaks'. In this film Annie takes us on a counter-cultural journey through the events, people and sounds that have inspired her career. Full of insightful anecdotes about her sonic adventures and the numerous pop-cultural shifts that have helped shape her idiosyncratic outlook and tastes, the film features exclusive contributions from some of the many artists Annie has worked with and admired, including Sir Paul McCartney and Mick Jones of the Clash. We also hear from the new generation of artists who confirm that she's an icon of the British music scene.
Morgan Neville's full-length documentary is James Taylor and Carole King's first-hand account of the genesis and blossoming of the 1970s singer-songwriter culture in LA, focusing on the backgrounds and emerging collaboration between Taylor, King and the Troubadour, the famed West Hollywood club that nurtured a community of gifted young artists and singer-songwriters. Taylor and King first performed together at the Troubadour in November 1970, and the film explores their coming together and the growth of a new, personal voice in songwriting pioneered by a small group of fledgling artists around the club. Contributors include Taylor, King, David Crosby, Roger McGuinn, Jackson Browne, Bonnie Raitt, Kris Kristofferson, JD Souther, Peter Asher, Cheech & Chong, Steve Martin and Elton John.
Lesley Joseph narrates a documentary about the unlikely pin-ups of the 1970s music scene, from Gilbert O'Sullivan and Barry White to Leo Sayer and Demis Roussos. These were men whose lyrics conjured up images of candle-lit dinners, red roses and cosy nights in with the man of your dreams. For millions of female fans their romantic music was the perfect soundtrack for dreams of escape from the day-to-day drudgery of life in 70s Britain. Featuring comments from Gloria Hunniford and Martha Kearney.
The cliche classic rock guitar is one of riffs, solos and noise. But write a list of great guitarists and their finest moments and a quieter, more intense playing comes to the fore. The acoustic guitar is the secret weapon in the armoury of the guitar hero, when paradoxically they get more attention by playing quietly than being loud. This documentary takes an insightful and occasionally irreverent look at the love affair between rock and the humble acoustic guitar. Exploring a much less celebrated, yet crucial part of the rock musician's arsenal, contributors including Johnny Marr, Keith Richards, Ray Davies, James Dean Bradfield, Biffy Clyro, Joan Armatrading, Donovan and Roger McGuinn discuss why an instrument favoured by medieval minstrels and singing nuns is as important to rock 'n' roll as the drums, bass and its noisy sister, the electric guitar
A compilation of rarely screened Pink Floyd videos and performances, beginning with the Arnold Layne promo from 1967 and culminating with the reunited band's performance at Live 8 in 2005. Also including a newly-restored Another Brick in the Wall (Part 2) and performances of Grantchester Meadows, Cymbeline and others.
Playing the ukulele and performing songs that keep the George Formby legend alive, Frank Skinner follows the music hall star's rise to fame and explores his continuing popularity
An intriguing investigation into the extraordinary life of Gershwin's classic composition, Summertime. One of the most covered songs in the world, it has been recorded in almost every style of music - from jazz to opera, rock to reggae, soul to samba. Its musical adaptability is breathtaking, but Summertime also resonates on a deep emotional level too. This visually and sonically engaging film explores the composition's magical properties, examining how this song has, with stealth, captured the imagination of the world. From its complex birth in 1935 as a lullaby in Gershwin's all-black opera Porgy and Bess, this film traces the hidden history of Summertime, focusing on key recordings, including those by Billie Holiday, Janis Joplin, Mahalia Jackson, Miles Davis and Ella Fitzgerald. It reveals how musicians have projected their own dreams and desires onto the song, reimagining Summertime throughout the 20th century as a civil rights prayer, a hippie lullaby, an ode to seduction and a modern freedom song. Back in the 1930s, Gershwin never dreamt of the global impact Summertime would have. But as this film shows, it has magically tapped into something deep inside us all - nostalgia and innocence, sadness and joy, and our intrinsic desire for freedom. Full of evocative archive footage as well as a myriad versions of Summertime - from the celebrated to the obscure - Searching For Summertime tells the surprising and illuminating tale behind this world-famous song.
Robert Webb hosts a countdown of the biggest dance crazes of the last forty years.
The acclaimed BBC Four Britannia series moves into the world of British reggae. Showing how it came from Jamaica in the 1960s to influence, over the next 20 years, both British music and society, the programme includes major artists and performances from that era, including Big Youth, Max Romeo, Linton Kwesi Johnson, Jerry Dammers and The Specials, The Police, UB40, Dennis Bovell, lovers rock performers Carroll Thompson and Janet Kay, bands like Aswad and Steel Pulse and reggae admirers such as Boy George and Paul Weller. The programme celebrates the impact of reggae, the changes it brought about and its lasting musical legacy.
Documentary about how a much-derided music actually changed the world. Between 1969 and 1979 disco sound-tracked gay liberation, foregrounded female desire in the age of feminism and led to the birth of modern club culture as we know it today, before taking the world by storm. With contributions from Nile Rodgers, Robin Gibb, Kathy Sledge and Ian Schrager.
You know the music - now meet the man. Still Bill is an intimate portrait of soul legend Bill Withers, best known for his classics Ain't No Sunshine, Lean on Me, Lovely Day, Grandma's Hands and Just the Two of Us. With his soulful delivery and warm, heartfelt sincerity, Withers has written songs that resonate within the fabric of our times. Through concert footage, journeys to his birthplace and interviews with music legends, his family and closest friends, this documentary presents the story of an artist who has written some of the most beloved songs of our time and who truly understands the heart and soul of a man.
By 1969, the Doors had found themselves at the forefront of a movement that consisted of a generation of discontents. Operating against a backdrop of the Vietnam War and of social unrest and change in the USA, the Doors were hip, they were dangerous, they were anti-establishment, anti-war and they were hated by middle-America. Featuring exclusive interviews with surviving band members Ray Manzarek, John Densmore, Robby Kreiger and their closest colleagues and collaborators, along with exclusive performances, archive footage and examination of the original multi-track recording tapes with producer Bruce Botnick, this film tells the amazing story of landmark album LA Woman by one of the most influential bands on the planet.
The BBC have raided their remarkable archive once more to reveal evocative performances from Burt Bacharach and Hal David's astonishing songbook. Love songs from the famous songwriting duo were a familiar feature of 1960s and 70s BBC entertainment programmes such as Dusty, Cilla and The Cliff Richard Show, but there are some surprises unearthed here too. Highlights include Sandie Shaw singing Always Something There to Remind Me, Aretha Franklin performing I Say a Little Prayer, Dusty Springfield's Wishin' and Hopin', the Stranglers' rendition of Walk on By on Top of the Pops, the Carpenters in concert performing (They Long to Be) Close to You and Burt Bacharach revisiting his classic Kentucky Bluebird with Rufus Wainwright on Later...with Jools Holland.
John Edginton's documentary explores the making of Pink Floyd's ninth studio album, Wish You Were Here, which was released in September 1975 and went on to top the album charts both in the UK and the US. Featuring new interviews with band members Roger Waters, David Gilmour and Nick Mason alongside contributions from the likes of sleeve designer Storm Thorgerson and photographer Jill Furmanovsky, the film is a forensic study of the making of the follow-up to 1973's Dark Side of the Moon, which was another conceptual piece driven by Roger Waters. The album wrestles with the legacy of the band's first leader, Syd Barrett, who had dropped out of the band in 1968 and is eulogised in the album's centrepiece, Shine On You Crazy Diamond. Pink Floyd had become one of the biggest bands in the world, but the 60s were over and the band were struggling both to find their purpose and the old camaraderie.
Documentary which records and celebrates the life and works of 'punk poet' John Cooper Clarke, looking at his life as a poet, a comedian, a recording artist and revealing how he has remained a significant influence on contemporary culture over four decades. With a bevy of household names from stand-up comedy, lyricists, rock stars and cultural commentators paying homage to him, the film reveals Salford-born Cooper Clarke as a dynamic force who remains as relevant today as ever, as successive generations cite him as an influence on their lives, careers and styles. From Bill Bailey to Plan B, Steve Coogan to Kate Nash and Arctic Monkeys front man Alex Turner to cultural commentators such as Miranda Sawyer and Paul Morley, the film reveals the life behind one of Britain's sharpest and most witty poets - a national treasure.
We Who Wait tells the story of punk band the Adverts and the continuing music career of their former frontman TV Smith, one of the most talented, literate and passionate - yet curiously overlooked - songwriters to emerge from London's vibrant '77 new wave scene. Smith formed the Adverts in late '76 with his girlfriend Gaye and press criticism of the band's alleged musical ineptitude was answered by a defiant and iconic debut single, One Chord Wonders. A couple of months later, they secured their first chart hit with the macabre punk classic, Gary Gilmore's Eyes. Gaye's status as reluctant punk icon ensured the band received a lot of press attention and a promising future beckoned. However, after a well-received but underperforming debut LP and a critically-reviled follow-up, the Adverts suffered an acrimonious collapse. Pushed to the margins of the music industry by shifting musical trends and a stubborn refusal to compromise, Smith nonetheless continued a dogged struggle to make a living as a singer and songwriter in the face of critical hostility and industry indifference. After years of bad luck, personal loss and failed bands, Smith's persistence is finally paying dividends. He has carved out a career as a solo artist and troubadour and painstakingly built a new audience through constant touring. To this day, he remains a fiercely inventive songwriter and an electrifying live performer - an enduring embodiment of punk's DIY ethos, passion and power. The film is a testament to one of UK music's great outsiders, featuring a wealth of stills and archive footage and contributions from former band members, collaborators, critics and friends including Smith and Gaye Advert, Brian James, Richard Strange, John Robb, Greil Marcus, Miles, Henry Rollins, Ian MacKaye and many others.
The Rise and Fall of Ziggy Stardust and the Spiders from Mars is arguably the most important album in the mind-blowing career of David Bowie. Released in 1972, it's the record that set the mercurial musician on course to becoming one of the best-known pop stars on the planet. In just over a year, Bowie's messianic Martian invaded the minds of the nation's youth with a killer combination of extraterrestrial rock 'n' roll and outrageous sexuality, all delivered in high-heeled boots, multicoloured dresses and extravagant make-up. In Bowie's own words, Ziggy was 'a cross between Nijinsky and Woolworths', but this unlikely culture clash worked - Ziggy turned Bowie into stardust. This documentary tells the story of how Bowie arrived at one of the most iconic creations in the history of pop music. The songs, the hairstyles, the fashion and the theatrical stage presentation merged together to turn David Bowie into the biggest craze since the Beatles. Ziggy's instant success gave the impression that he was the perfectly planned pop star. But, as the film reveals, it had been a momentous struggle for David Bowie to hit on just the right formula that would take him to the top. Narrated by fan Jarvis Cocker, it reveals Bowie's mission to the stars through the musicians and colleagues who helped him in his unwavering quest for fame - a musical voyage that led Bowie to doubt his true identity, eventually forcing the sudden demise of his alien alter ego, Ziggy. Contributors include Trevor Bolder (bass player, Spiders from Mars), Woody Woodmansey (drummer, Spider from Mars), Mike Garson (Spiders' keyboardist), Suzi Ronson (Mick Ronson's widow, who gave Bowie that haircut), Ken Scott (producer), Elton John (contemporary and fan), Lindsay Kemp (Bowie's mime teacher), Leee Black Childers (worked for Mainman, Bowie's production company), Cherry Vanilla (Bowie's PA/press officer), George Underwood (Bowie's friend), Mick Rock (Ziggy's official photographer), Steve Harley, Marc A
In his home studio and revisiting old haunts in Shepherd's Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. With unseen archive and in-depth interviews from Townshend, Roger Daltrey, Keith Moon, John Entwistle and those in the studio and behind the lens who made the album and 30 page photo booklet. Contributors include Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.
In 1978 The Undertones released Teenage Kicks, one of the most perfect and enduring pop records of all time - an adolescent anthem that spoke to teenagers all over the globe. It was the first in a string of hits that created a timeless soundtrack to growing up, making the Undertones one of punk rock's most prolific and popular bands. Unlike the anarchic ragings of The Sex Pistols or the overt politics of The Clash, The Undertones sang of mummy's boys, girls - or the lack of them - and their irritating cousin Kevin. But their gems of pop music were revolutionary nonetheless - startlingly positive protest songs that demanded a life more ordinary. Because The Undertones came from Derry, epicentre of the violent troubles that tore Northern Ireland apart during the 1970s. Featuring interviews with band members, their friends, family, colleagues and contemporaries, alongside archive and music, this documentary is the remarkable, funny and moving story of one of Britain's favourite bands - the most improbable pop stars who emerged from one of the darkest, most violent places on the planet.
Documentary which gets to the heart of who Jeff Lynne is and how he has had such a tremendous musical influence on our world. The story is told by the British artist himself and such distinguished collaborators and friends of Jeff as Paul McCartney, Ringo Starr, Tom Petty, Joe Walsh, Olivia and Dhani Harrison, Barbara Orbison and Eric Idle. The film reveals that Lynne is a true man of music, for whom the recording studio is his greatest instrument. With access to Lynne in his studio above LA, this is an intimate account of a great British pop classicist who has ploughed a unique furrow since starting out on the Birmingham Beat scene in the early 60s, moving from the Idle Race to the multimillion-selling ELO in the 70s and then, with Bob Dylan, Tom Petty, Roy Orbison and George Harrison, as a key member of the Traveling Wilburys.
On October 5th 1962 the Beatles released their first single, Love Me Do. It was a moment that changed music history and popular culture forever. It was also an extraordinary year in social and cultural history, not just for Liverpool but for the world, with the Cuban missile crisis, John Glenn in space and beer at a shilling a pint. Stuart Maconie explores how the Beatles changed from leather and slicked back hair to suits and Beatle mops, and how their fashion set the pace for the sixties to follow. Pop artist Sir Peter Blake, Bob Harris and former Beatles drummer Pete Best join friends to reflect on how the Beatles evolved into John, Paul, George and Ringo - the most famous band in the world.
Glenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music. Difford and Tilbrook, two working class kids from south east London, formed Squeeze in 1974 with the dream of one day appearing on Top of the Pops. In 1978, they achieved that dream when the single Take Me I'm Yours gave the band the first of a string of top 20 hits. The period from 1978 to 1982 saw the group release a run of classic singles, timeless gems such as Cool for Cats, Up the Junction, Labelled with Love, Tempted and Pulling Mussels (From the Shell) to name but a few. Although the line-up of Squeeze would go through various changes of personnel (another founder member Jools Holland left in 1980 and then rejoined the group in 1985) it is Difford and Tilbrook's songs that have remained the constant throughout the lifetime of the band. The duo explain how they came to write and record many of their greatest songs. Although their relationship at times has often been tenuous at best, the mutual admiration for each other's talent has produced some of the best songs of the past 40 years. With contributions from former band members Jools Holland and Paul Carrack, together with testament from Elvis Costello, Mark Knopfler and Aimee Mann to Difford and Tilbrook's songwriting talent and why they deserve to be placed alongside such renowned songwriting partnerships as Lennon and McCartney, Jagger and Richards and Elton John and Bernie Taupin.
Filmed at the Barbican in London, this tribute concert to the singer-songwriter Sandy Denny spans her career with Fairport Convention, Fotheringay and as a solo artist. Her most famous song, Who Knows Where the Time Goes, has been covered by everyone from Judy Collins to Nina Simone, but when she died in 1978 aged 31, Sandy left behind a rich songbook and here an eclectic cast from the folk world and beyond set out to explore and reinterpret it. English folk queen and Sandy contemporary Maddy Prior performs the menacing John the Gun and the courtly Fotheringay. Veteran Sandy cohorts are represented by Fotheringay and Fairport guitarist Jerry Donahue and fiddler extraordinaire Dave Swarbrick. Fine young troubadours Sam Carter and Blair Dunlop - son of Fairport's Ashley Hutchings - show the tradition is in safe hands. With a house band featuring members of Bellowhead, the line-up also includes former Scritti Politti singer Green Gartside, Joan Wasser aka Joan as Policewoman (with a heartbreaking No More Sad Refrains), Trembling Bells singer Lavinia Blackwall and American soul singer PP Arnold (with a roof-raising Take Me Away), plus Thea Gilmore, who was asked by Sandy's estate to put some of her unset lyrics to music. The performances on stage are interspersed with interviews and behind-the-scenes footage that shed light on how the concert came together, plus rare archive of Sandy herself. The show is evidence that, even without the magic of her singing voice, the songs still shine.
Over the last five years an independent record shop has closed in the UK every three days. This film is documentary portrait of one of the very last still trading - a vinyl record shop in Teesside, a cultural haven in one of the most deprived areas in the UK. Filmmaker Jeanie Finlay, who grew up three miles from the shop, follows daily life in a place that is thriving against the odds, ensured of survival by the local community that keeps it alive. A distinctive, funny and intimate film about men, the North and the irreplaceable role music plays in our lives.
Documentary chronicling our ever-changing love affair with the British singles chart on the occasion of its sixtieth anniversary. From the first NME chart in 1952, via Pick and Top of the Pops to home-taping the Radio One chart show and beyond, we have measured out our lives to a wonderful churn of pop driven, unbeknownst to us, by a clandestine world of music biz hustle. Featuring contributions by 60 years of BBC chart custodians from David Jacobs to Reggie Yates, chart fans Grace Dent and Pete Paphides and music biz veterans Jon Webster and Rob Dickins.
Do you remember buying your first single? Where you bought it? What it was? The thrill of playing it for the first time? What it sounded like? How it maybe changed your life? Lots of us do. Lots of us still have that single somewhere in a dusty box in the attic, along with other treasured memorabilia of an adolescence lost in music and romance. The attic of our youth. The Joy of the Single is a documentary packed with startling memories, vivid images and penetrating insights into the power of pop and rock's first and most abiding artefact - the seven-inch, vinyl 45 rpm record, a small, perfectly formed object that seems to miraculously contain the hopes, fears, sounds and experiences of our different generations - all within the spiralling groove etched on its shiny black surface, labelled and gift-wrapped by an industry also in its thrall. In the confident hands of a star-studded cast, the film spins a tale of obsession, addiction, dedication and desire. The viewer is invited on a journey of celebration from the 1950s rock 'n' roll generation to the download kids of today, taking in classic singles from all manner of artists in each decade - from the smell of vinyl to the delights of the record label, from the importance of the record shop to the bittersweet brevity of the song itself, from stacking singles on a Dansette spindle to dropping the needle and thrilling to the intro. Featuring contributions from Noddy Holder, Jack White, Richard Hawley, Suzi Quatro, Holly Johnson, Jimmy Webb, Pete Waterman, Norah Jones, Mike Batt, Graham Gouldman, Miranda Sawyer, Norman Cook, Trevor Horn, Neil Sedaka, Paul Morley, Rob Davies, Lavinia Greenlaw, Brian Wilson and Mike Love.
The BBC archive uncovers performances of some of the finest Bond theme tunes from its top secret vaults and pays a TV tribute to a classic British icon. Prepare to be shaken and stirred by Tina Turner and her GoldenEye, Dame Shirley Bassey with her Diamonds, Tom Jones rampaging with Thunderball, Matt Monro romancing in Russia, the Fun Lovin' Criminals taking all the time in the world, Adele's sky-high contribution to 007 and much more from Sheena Easton, Garbage, A-ha and others, from all manner of BBC shows. Sit back and marvel at our selection of the greatest Bond songs in history - a tuxedo and a dry vodka martini is optional.
From the Royal Opera House, Covent Garden, Katie Derham introduces a gala concert in celebration of Plácido Domingo, one of the greatest figures in the world of music. On stage with the Orchestra of the Royal Opera House conducted by Antonio Pappano are some of the finest singers of today performing selected gems of the operatic repertory. Opera stars Nina Stemme, Joyce DiDonato, Joseph Calleja, Rolando Villazón perform alongside voices new to Covent Garden - Stefan Pop, Julia Novikova and Sonya Yoncheva.
They definitely know "IT'S CHRISTMAAAASSSS!" Top pop documentary, narrated by Radio One's Mark Radcliffe, about one of Britain's greatest and best-loved bands. Slade scored six number ones in the 70s, a feat rivalled only by Abba. Formed in Wolverhampton and led by Noddy Holder, Slade sold over 50 million records worldwide during a 20-year career which saw them re-invent themselves as skinhead yobs, then mirror-hatted platform-shoe-pioneering glam gods, before finally re-emerging as hard rock heroes. Their poorly-spelled, self-written selection of terrace anthems included Cum on Feel the Noize, Coz I Luv You, Take Me Bak Ome, Mama Weer All Crazee Now and, unforgettably, Merry Xmas Everybody. Apart from Noddy and his bandmates - Dave Hill, Jim Lea and Don Powell - the cast here also includes Noel Gallagher of Oasis (who covered Cum On Feel the Noize), Status Quo, Toyah Wilcox, Suzi Quatro and Ozzy Osbourne. Altogether now "Are you hanging up your stocking on the wall..........?".
Film-maker Rhys Thomas's full-length director's cut of his film exploring the solo career and private life of one of British rock and roll's great frontmen, Freddie Mercury. Renowned as the bravura frontman of one of Britain's greatest rock bands, Freddie Mercury's life outside Queen is rarely celebrated or explored. In a touching portrait, this film explores Mercury's solo projects and interests, including a previously unheard collaboration with Michael Jackson and the triumphant Barcelona project with Dame Montserrat Caballe, as well as the life of a gay man who was not yet publicly out. Rare interviews reveal a shy man in search of love, and a driven artist living behind the protection of his stage persona.
Between the mid 1960s and the late 1970s, the long-playing record and the albums that graced its grooves changed popular music for ever. For the first time, musicians could escape the confines of the three-minute pop single and express themselves as never before across the expanded artistic canvas of the album. The LP allowed popular music become an art form - from the glorious artwork adorning gatefold sleeves, to the ideas and concepts that bound the songs together, to the unforgettable music itself. Built on stratospheric sales of albums, these were the years when the music industry exploded to become bigger than Hollywood. From pop to rock, from country to soul, from jazz to punk, all of music embraced what 'the album' could offer. But with the collapse of vinyl sales at the end of the 70s and the arrival of new technologies and formats, the golden era of the album couldn't last forever. With contributions from Roger Taylor, Ray Manzarek, Noel Gallagher, Guy Garvey, Nile Rodgers, Grace Slick, Mike Oldfield, Slash and a host of others, this is the story of When Albums Ruled the World
In 2013, on the 50th anniversary of the famous 12-hour session at Abbey Road which resulted in the Beatles' iconic album Please Please Me, leading artists such as Stereophonics, Graham Coxon, Gabrielle Aplin, Joss Stone, Chris Difford and Glenn Tilbrook of Squeeze, Paul Carrack, Mick Hucknall and I Am Kloot attempted to record the same songs, in the same timescale, in the same studio. The results are captured in this programme, presented by Stuart Maconie. Amongst those paying their own tribute to the album's success are Burt Bacharach and Guy Chambers, as well as people lucky enough to have been there 50 years ago telling the remarkable story of what happened that day, including engineer Richard Langham and the Beatles' press officer Tony Barrow.
Documentary looking at the life and work of soul and pop diva Dusty Springfield, singer of such classics as You Don't Have to Say You Love Me and Son of a Preacher Man, who was equally famous for her trademark panda eyes and blonde beehive. Using archive footage and interviews shot in the UK and the US, it charts her progress from plain Catholic schoolgirl to glamorous star and ventures behind the extravagant image to reveal a complex and vulnerable character. Featuring interviews with fellow musicians from a career spanning four decades, including Elton John, Burt Bacharach, Neil Tennant, Lulu and Martha Reeves. Dusty's protective inner circle of friends have never spoken about her on camera before. Dusty's personal secretary for her entire solo career, Pat Rhodes, her manager Vicky Wickham, ardent fan-turned-backing singer Simon Bell and others talk about the highs and lows of the woman they knew and loved.
Documentary telling the bruised and battered, but triumphant, tale of one of the UK's most cherished rock 'n' roll bands, Mott the Hoople. Originating from Herefordshire, the band were thrown together in 1969 and signed to Island Records by the increasingly erratic manager/producer Guy Stevens, in a bid to find a band that would combine The Rolling Stones rhythmic power with the melody and lyricism of 'Blonde on Blonde' era Bob Dylan. The documentary charts their journey from cult struggling touring band to their successful transformation into 'glam rock players' thanks to the intervention of David Bowie who gave them their biggest hit, 'All The Young Dudes', and their subsequent collapse after the addition of Mick Ronson to their line-up. Mott the Hoople's story is brought to life through a combination of rare and unseen archive footage, their magnificent music and the testimony of band members Ian Hunter, Mick Ralphs, Verden Allen, Dale Griffin, Luther Grosvenor aka Ariel Bender and various other associates and witnesses, including boyhood fan Mick Jones of The Clash and Queen's Roger Taylor.
Nile Rodgers has sold over 100 million records. As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the 70s, as disco took the world by storm. Nile and musical partner Bernard Edwards captured the essence of New York's iconic Studio 54 creating hits like Dance Dance Dance, Le Freak and Good Times for Chic and We Are Family and Lost In Music for struggling vocal group Sister Sledge. But the music that had made Chic would also break them, thanks to the 'Disco Sucks' backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer, helping create some of the biggest hits of the 80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. In this profile documentary, the ever-charismatic Rodgers contributes an engaging and often frank interview to tell the tale of how, born to Beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco's most successful artists In the 70s and 80s he lived the party lifestyle thanks to his success with Chic and as one of the music industry's hottest producers. Drugs and alcohol would become part of everyday life for Nile, contributing in part to the break up of Chic in the early 80s. The band would reform in the mid-90s, but their return was quickly marked by tragedy with the death of Nile's longtime friend and musical partner, Bernard Edwards in 1996. Then in 2010 Nile was diagnosed with a particularly aggressive form of prostate cancer, which last year he announced he had beaten. In spite of, or perhaps because of this, Nile's talent and ambition remains undimmed, deservedly earning himself the title of hardest-working man in pop, with Chic's seemingly inexhaustible live performance schedule. Nile Rodgers: The Hitmaker recounts a captivating and moving story of a man who has created some of the most sparkling and ebullient pop mu
A celebration of some of the greatest female jazz singers of the 20th century. It takes an unflinching and revealing look at what it actually took to be a jazz diva during a turbulent time in America's social history - a time when battle lines were being constantly drawn around issues of race, gender and popular culture. The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America. This is a documentary about how these women triumphed - always at some personal cost - to become some of the greatest artists of the 20th century, women who chose singing above life itself because singing was their life.
An intimate portrait of five key years in David Bowie's career. Featuring a wealth of previously unseen archive this film looks at how Bowie continually evolved, from Ziggy Stardust to the soul star of Young Americans and the 'Thin White Duke'. It explores his regeneration in Berlin with the critically acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let's Dance. With interviews with all his closest collaborators, this film investigates how Bowie became an icon of our times.
Documentary about the legendary soul singer Otis Redding, following him from childhood and marriage to the Memphis studios and segregated southern clubs where he honed his unique stage act and voice. Through unseen home movies, the film reveals how Otis's 1967 tour of Britain dramatically changed his life and music. After bringing soul to Europe, he returned to conquer America, first with the 'love crowd' at the Monterey Festival and then with Dock of the Bay, which topped the charts only after his death at just 26. Includes rare and unseen performances, intimate interviews with Otis's wife and daughter and with original band members Steve Cropper and Booker T Jones. Also featured are British fans whose lives were changed by seeing him, among them Rod Stewart, Tom Jones and Bryan Ferry.
In this documentary, the BBC have exclusive access to Agnetha Faltskog, 'The Girl with the Golden Hair' as the song goes, celebrating her extraordinary singing career which began in the mid-60s when she was just 15. Within just two years, she was a singing sensation at the top of the charts in Sweden. Along came husband Bjorn Ulvaeus and the phenomenal band ABBA that engulfed the world in the 70s, featuring Agnetha's touching voice and striking looks. Agnetha lacked confidence on stage as the global demand for the group grew and grew, while being away from her young children caused her great turmoil. With special behind-the-scenes access to the making of her comeback album, the film follows this reluctant star - the subject of much tabloid speculation since she retreated from the stage post-ABBA - as she returns to recording aged 63. Included in the film is her first meeting with Gary Barlow, who contributes a duet to the new album. The programme features interviews with Bjorn Ulvaeus, Benny Andersson, Gary Barlow, Tony Blackburn, Sir Tim Rice and record producers Peter Nordahl and Jorgen Elofsson.
Barry White live in concert at the Royal Albert Hall in 1975.
Journeying through the alphabet, a showcase of music from across the world - from Africa to Uzbekistan, Norway to South America, India to Louisiana and everywhere in between. Featured instruments include Kimmo Pohjonen's accordion, the impressively large drums of the Yamato Drummers and the extraordinary vocals of Nusrat Fateh Ali Khan. The helter-skelter ride takes us from the 1970s, through to the explosion of acts in the 1980s, right up to the most sought-after musicians on the world music circuit today. From Sevara Nazarkhan's pin-drop solo to a crowd-moving set from Orchestra Baobab, this is a compilation that presents a fun, vibrant snapshot of the range of traditional music that has captured audiences the world over.
Documentary telling the story of the British world music revolution from the early 1980s to the present. Through a variety of careers, starting with Zimbabwe's Bhundu Boys and culminating with Portugal's Mariza in the new millennium, the film explores what it takes to bring music from 'out there' over here. Through the testimony of artists from all around the world alongside key British producers and broadcasters including Andy Kershaw, Joe Boyd and Nick Gold, it tracks the evolving story of what British audiences have wanted from what has come to be called 'world music' and what a range of artists, including Les Mystere des Voix Bulgares, Salif Keita, Youssou N'Dour, Baaba Maal, Nusrat Fateh Ali Khan, Buena Vista Social Club and Tinariwen, have made of us. At the dawn of the 80s, in an age of spandex and synthesizers, many music fans were becoming bored with the pop charts and hungered for a new music that could excite them once again. Where music from the rest of the world had once been regarded as mere exotica, there was increasingly a sense that world music could be the future of pop music. The documentary traces the hopes and ambitions of a new music industry as cultures came together for the first time, producing much brilliant music and a degree of human comedy. From the tribal warriors of Mali who fought in rebellions with guitars and guns strapped to their shoulders, all-female choirs from the other side of the Iron Curtain playing to rock fans, a band from Zimbabwe who supported Madonna to a group of old men from Cuba who took the world by storm with their music from another era, these tales from musicians from out there arriving over here trace an evolving market that has both offered a blueprint for the future and an escape into a romantic past.
In 1973, an album was released that against all odds and expectations went to the top of the UK charts. The fact the album launched a record label that became one of the most recognisable brand names in the world (Virgin), formed the soundtrack to one of the biggest movies of the decade (The Exorcist), became the biggest selling instrumental album of all time, would eventually go on to sell over 16 million copies and was performed almost single-handedly by a 19-year-old makes the story all the more incredible. That album was Tubular Bells, and the young and painfully shy musician was Mike Oldfield. This documentary features contributions from Sir Richard Branson, Danny Boyle, Mike's family and the original engineers of the Tubular Bells album among others. The spine of the film is an extended interview with Mike himself, where he takes us through the events that led to him writing Tubular Bells - growing up with a mother with severe mental health problems; the refuge he sought in music as a child, with talent that led to him playing in folk clubs aged 12 and signing with his sister's folk group at only 15; his frightening experience of taking LSD at 16; and finally arriving at the Manor Recording Studios as a young session musician where he gave a demo tape to a recording engineer who passed it along to young entrepreneur Richard Branson. After the album's huge success, Mike retreated to a Hereford hilltop, shunned public life and became a recluse until he took part in a controversial therapy which changed his life. In 2012 Mike captured the public's imagination once again when he was asked to perform at the London Olympic Opening Ceremony, where Tubular Bells was the soundtrack to 20 minutes of the one-hour ceremony. Filmed on location at his home recording studio in Nassau, Mike also plays the multiple instruments of Tubular Bells and shows how the groundbreaking piece of music was put together.
1968 was a time of soul-searching for the Who - with three badly performing singles behind them, they needed a big new idea to put them back at the top and, crucially, to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, the Who speak for the first time about the making of the iconic album and how its success changed their lives.
You don't sell 128 million albums worldwide without putting in the graft and Status Quo are, quite possibly, the hardest working band in Britain. Alan G Parker's documentary Hello Quo, specially re-edited for the BBC, recounts the band's epic story from the beginning - when south London schoolmates Francis Rossi and Alan Lancaster formed their first band with big ambitions of rock 'n' roll domination, quickly adding drummer John Coghlan and guitarist Rick Parfitt. The film tells the story of Quo's hits from their unusually psychedelic early hit, Pictures of Matchstick Men, followed by a run through their classics from Down Down to Whatever You Want. The band laughs off the constant ribbing about only using three chords and the film explores how Quo's heads-down boogie defined UK rock in the early '70s. Fender Stratocaster in hand, Quo have stood their ground and never shifted, but they have managed to adapt to scoring pop hits over five decades. The original members of the 'frantic four' tell their story of a life in rock 'n' roll, alongside interviews from some prominent Quo fans, such as Paul Weller, whose first gig was the Quo at Guildford Civic Hall, to Brian May, who waxes lyrically about the opening riff to Pictures of Matchstick Men, while even Sir Cliff plays homage to the denim-clad rockers.
Documentary telling the larger-than-life story of Lionel Bart, the composer of Oliver! - one of the greatest musicals of the last fifty years. Drawing on his unseen personal archive and interviews with Barbara Windsor, Roy Hudd, Cameron Mackintosh, Marty Wilde and Ray Davies, it paints a vivid, poignant picture of the rise and fall of one of Britain's favourite songwriters.
Film tribute to Lou Reed, who died in October, which looks at the extraordinarily transgressive life and career of one of rock 'n' roll's true originals. With the help of friends, fellow musicians, critics and those who have been inspired not only by his music but also by his famously contrary approach to almost everything, the documentary looks at how Reed not only helped to shape a generation but also helped to create a truly alternative, independent rock scene, while also providing New York with its most provocative and potent soundtrack. With contributions from Bob Ezrin, Mick Rock, Lenny Kaye, Paul Auster, Moe Tucker, Boy George, Thurston Moore, Andrew Wylie, Victor Bockris, Holly Woodlawn, Mary Woronov and Steve Hunter.
It's the sound of the heartland, of the midwest and the industrial cities, born in the early 70s by kids who had grown up in the 60s and were now ready to make their own noise, to come of age in the bars, arenas and stadiums of the US of A. Out of blues and prog and glam and early metal, a distinct American rock hybrid started to emerge across the country courtesy of Alice Cooper, Grand Funk Railroad et al, and at its very heart is The Great American Rock Anthem. At the dawn of the 70s American rock stopped looking for a revolution and started looking for a good time; enter the classic American rock anthem - big drums, a soaring guitar, a huge chorus and screaming solos. This film celebrates the evolution of the American rock anthem during its glory years between 1970 and 1990 as it became a staple of the emerging stadium rock and AOR radio and then MTV. From School's Out and Don't Fear the Reaper to Livin' on a Prayer and Smells Like Teen Spirit, these are the songs that were the soundtrack to teenage lives in the US and around the world, anthems that had people singing out loud with arms and lighters aloft. Huey Morgan narrates the story of some of the greatest American rock anthems and tracks the emergence of this distinct American rock of the 70s and 80s. Anthems explored include School's Out, We're an American Band, Don't Fear the Reaper, Paradise by the Dashboard Light, I Love Rock 'n' Roll, Eye of the Tiger, I Want to Know What Love Is, Livin' on a Prayer and Smells Like Teen Spirit. Contributors include: Alice Cooper, Dave Grohl, Butch Vig, Meat Loaf, Todd Rundgren, Richie Sambora, Blue Oyster Cult, Survivor, Toto and Foreigner.
Between 1974 and 1982 ABBA plundered the Anglo-Saxon charts, but divided critical opinion. This documentary explores how they raised the bar for pop music as a form and made us fall in love with the sound of Swedish melancholy. A saga about the soul of pop.
As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the 70s, as disco took the world by storm. But the music that had made Chic would also break them, thanks to the 'Disco Sucks' backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer, helping create some of the biggest hits of the '80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. The ever-charismatic Rogers contributes an engaging and often frank interview to tell the tale of how, born to beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco's most successful artists. In the '70s and '80s he lived the party lifestyle thanks to his success with Chic and as one of the music industry's hottest producers. Drugs and alcohol would become part of everyday life for Nile, contributing in part to the break-up of Chic in the early '80s. The band would reform in the mid '90s, but their return was quickly marked by tragedy with the death of Nile's long-time friend and musical partner Bernard Edwards in 1996. The film recounts a captivating and moving story of a man who has been making hit music for nearly four decades and has found himself back in the limelight once again.
An intimate portrait of five key years in David Bowie's career. Featuring a wealth of previously unseen archive this film looks at how Bowie continually evolved, from Ziggy Stardust to the soul star of Young Americans and the 'Thin White Duke'. It explores his regeneration in Berlin with the critically-acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let's Dance. With interviews with all his closest collaborators, this film investigates how Bowie became an icon of our times.
Michael Grade saw Annie Get Your Gun as a small boy in the 1950s and ever since he has been hooked on musicals - and their stars. He and his family have represented some of the world's greatest musical performers and he knows and understands talent. But one question has always fascinated him - is it the musical which creates the star or the star who makes the musical? In search of answers, Michael interviews stars and directors on both sides of the Atlantic, including Michael Ball, Elaine Paige, Dominic West, Imelda Staunton, Joel Grey, Chita Rivera, Hal Prince and Trevor Nunn. In what way are the qualities of a musical star unique? Michael explores the alchemy of the musical by looking at performances from the 1940s onwards in key shows like Oklahoma!, My Fair Lady, West Side Story, Evita and Les Miserables - examining the union of musicals that brilliantly reflect their time with performers who can interpret their magic. Michael uses all the knowledge, taste and judgement he has built up over decades as he sets out to define what it is that makes the great musical stars great.
Neil Sedaka is one of the most successful American singer-songwriters of the last century. A classically-trained musician, he won a scholarship to the Julliard School at the age of nine and four years later he embarked on a writing career that would see him create some of the most perfect pop songs of all time. Throughout his career, he wrote, recorded and sang a litany of instantly recognisable and memorable tunes, as well as delivering a string of hits as a songwriter for other artists. This documentary portrait film tells the story of Neil Sedaka's life and career, in which he had two distinct periods of success. Between 1958 and 1963 he sold over 25 million records, but then his career nose-dived after the Beatles and the British Invasion hit the USA. Leaving his homeland, he found success in the UK in the early 1970s and relaunched his career before returning to the US and achieving new stardom with songs like Solitaire and Laughter in the Rain. Neil gives great insight into how he created catchy classics like Calendar Girl, (Is This the Way to) Amarillo, Breaking Up Is Hard to Do, Happy Birthday Sweet Sixteen and Stupid Cupid, amongst many others.
Twenty years ago, Britpop stamped its presence onto the British music scene and made boys wearing eyeliner cool again. What better reason to raid the BBC archives for a rich treasure trove of the joy and the time that was Britpop. Featuring the girls (Elastica, Sleeper) and the boys (Suede, Menswear) and many of the other bright young things that contributed to five years of Cool Britannia, Blur vs Oasis and Camden being the centre of the universe. Britpop at the BBC reminds us all why we were all so proud to be British again in the 1990s.
Nat King Cole was the only black television star in Hollywood at a time when America groaned under the weight of racial segregation and prejudice. Yet he possessed a natural talent so great that these issues were seemingly swept to one side to allow him to become one of the greatest jazz icons of all time. However, behind closed doors those around him were trying to think of a way to package him as something he was not: bi-white. This candid account of what really happened in and around his 'fairytale' life is taken from his private journals, interviews with his widow Maria and contributions from other family members, Tony Bennett, Buddy Greco, Harry Belafonte, Nancy Wilson, Sir Bruce Forsyth, George Benson, Aaron Neville, Johnny Mathis and many more. Featuring archive never seen before, it reveals Nat King Cole's feelings behind his ultimate calling as a 'beacon of hope' to the legions of the oppressed.
Documentary telling, in her own words, the story of Carole King's upbringing in Brooklyn and the subsequent success that she had as half of husband and wife songwriting team Goffin and King for Aldon Music on Broadway. It was during this era in the early 1960s that they created a string of pop hits such as Take Good Care of My Baby for Bobby Vee, The Locomotion for Little Eva and Will You Love Me Tomorrow for the Shirelles, which became the first number 1 hit by a black American girl group. Not to mention the era-defining Up on the Roof for the Drifters and the magnificent Natural Woman for Aretha Franklin. By 1970 Carole was divorced from songwriting partner Gerry Goffin and had moved to Los Angeles. It was here that she created her classic solo album Tapestry, packed with delightful tunes but also, for the first time, her own lyrics, very much sung from the heart. The album included It's Too Late, I Feel the Earth Move and You've Got a Friend and held the record for the most weeks at number 1 for nearly 20 years. It became a trusted part of everyone's record collection and has sold over 25 million copies to date. The film features some wonderful unseen material and home movies, and narrates her life as an acclaimed singer-songwriter. To date, more than 400 of her compositions have been recorded by over 1,000 artists, resulting in 100 hit singles. More recently, in 2013, Carole was the first woman to be awarded the prestigious Gershwin Prize for Popular Song by the Library of Congress for her songwriting, whilst in 2014 a Broadway production Beautiful, which tells her life story during the Goffin and King era, has received rave reviews. Nowadays Carole King would see herself as much as an eco-activist as a songwriter, and is to be found constantly lobbying congress in defence of the wildlife and eco-systems of her beloved Idaho.
Roberta Flack's Grammy award-winning song The First Time Ever I Saw Your Face was America's biggest selling single of 1972. The following year her gentle, pure voice charmed middle America once again when Killing Me Softly with His Song reached the top of the charts and ran off with another Grammy for single of the year. In the early 70s Roberta Flack was one of the most successful pop stars in the world. But Flack was no overnight sensation. She didn't have a hit single till she was 35 years of age. Nor was her success a traditional African-American rags-to-riches story. She came from the black middle class that had been born out of the self-contained hub of segregated America. She studied classical music at Howard University, America's top black university, and probably would have pursued a classical career had that door been open to her in 50s America. Instead, she taught music in Washington's public school system for 10 years while she struggled for her break. In the race conscious times, she also had her detractors. While she was singing duets of black consciousness with soul singer Donnie Hathaway, she was married to her white bass player. Also, they said she sounded too white; the gospel-infused voices of Aretha Franklin and James Brown, which came out of the dominant Baptist church, were what real soul singers sounded like. What those critics didn't understand was that there are many musical traditions within black America and Roberta Flack came from the more restrained Methodist one where they sang hymns rather than gospel. This is the story of the emergence of different kind of soul singer set against the turbulent backdrop of America's Civil Rights movement. Contributors include: Roberta Flack; Dionne Warwick; Johnny Mathis; Cissy Houston; Imani Perry - Princeton University, professor of African American Studies; Greg Tate - musician and critic; Fredera Hadley - musicologist; and John Akomfrah - filmmaker and critic.
From My Little Stick of Blackpool Rock to God Save the Queen, this is the story of ten records from the 1930s to the present day that have been banned by the BBC. The reasons why these songs were censored reveals the changing controversies around youth culture over the last 75 years, with Bing Crosby and the Munchkins among the unlikely names to have met the wrath of the BBC. With contributions from: Carrie Grant, Paul Morley, Stuart Maconie, Glen Matlock, Mike Read and Jon Robb.
Compilation of songs previously banned by the BBC including Lola by the Kinks, Jackie by Scott Walker and We Don't Need this Fascist Groove Thang by Heaven 17.
The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat. Through vivid first-hand accounts and rare archive footage, this film charts northern soul's dramatic rise, fall and re-birth. It reveals the scene's roots in the mod culture of the 1960s and how key clubs like Manchester's Twisted Wheel and Sheffield's Mojo helped create the prototype that would blossom in the next decade. By the early 1970s a new generation of youngsters in the north were transforming the old ballrooms and dancehalls of their parents' generation into citadels of the northern soul experience, creating a genuine alternative to mainstream British pop culture. This was decades before the internet, when people had to travel great distances to enjoy the music they felt so passionate about. Set against a rich cultural and social backdrop, the film shows how the euphoria and release that northern soul gave these clubbers provided an escape from the bleak reality of their daily lives during the turbulent 1970s. After thriving in almost total isolation from the rest of the UK, northern soul was commercialized and broke nationwide in the second half of the 70s. But just as this happened, the once-healthy rivalry between the clubs in the north fell apart amidst bitter in-fighting over the direction the scene should go. Today, northern soul is more popular than ever, but it was back in the 1970s that one of the most fascinating and unique British club cultures rose to glory. Contributors include key northern soul DJs like Richard Searling, Ian Levine, Colin Curtis, Kev Roberts, alongside Lisa Stansfield, Norman Jay
Actor and musician Sam Palladio hosts a musical tribute to Elvis Presley, 60 years to the day from when he recorded his first single That's All Right at Sun Studio in Memphis on July 5th 1954. Sam traces Elvis's story from childhood poverty in Mississippi, where he had to make do with a broom for a guitar, to the moment when, by accident, he ended up recording the song that changed the history of popular music. There are performances of the finest Elvis tracks from the likes of soul legend Candi Staton, LA duo the Pierces and country star Laura Bell Bundy.
This documentary explores Kate Bush's career and music, from January 1978's Wuthering Heights to her 2011 album 50 Words for Snow, through the testimony of some of her key collaborators and those she has inspired.
Blondie's album Parallel Lines captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life, selling 16 million copies. This is the story of that album, that time and that city, told primarily by the seven individuals who wrote, produced and performed it. It was a calculated and painstaking endeavour to produce surefire hits - whatever it took. The film follows Debbie Harry and the rest of the Blondie crew as they head into the studio to record their game-changing album with producer Mike Chapman. It also features commentary from Harry herself about writing music, the media's focus on her appearance and lyrically inspirational ex-boyfriends. In 1978 the New York band Blondie had two punk albums behind them and were establishing a name for themselves at the club CBGBs on New York's Lower East Side. Then Chrysalis Records exec Terry Ellis saw them and spent a massive $1m buying out their recording contract. He had to ensure that their next album was a hit - there was no room for error. To do this he brought in maverick Australian record producer Mike Chapman, who already had a string of hits under his belt. Mike's job was to turn this crew of New York punks into world stars - but did they have the popular songs which would appeal to a wider non-punk audience? At a time when rich creativity and grinding poverty and drug abuse were hand in hand on the sidewalks of the Lower East Side, the music and lyrics of Parallel Lines celebrated and captured this vibrant and edgy chemistry, shooting the band to international stardom.
Deep Purple is one of the most influential and important guitar bands in history, one of the godfathers of the heavy metal genre, with over 100 million album sales worldwide to their name. To celebrate the 40th anniversary of Deep Purple's groundbreaking double live album Made in Japan, this documentary explores these recordings and Deep Purple mark 2, the line-up between 1969 and 1973.
A feature-length documentary about one of the most successful British bands in rock music, reuniting Phil Collins, Peter Gabriel, Tony Banks, Mike Rutherford and Steve Hackett to tell their story. The film recounts their extraordinary musical story, exploring the songwriting and the emotional highs and lows. It features previously unseen archive material and rare footage from across their entire career. It was broadcast on Showtime in the US and released on home video under the title 'Genesis: The Sum Of The Parts.
On a sunny day in September, Jeff Lynne, head honcho of 70s hit-making band ELO took to the stage in London's Hyde Park and, with the help of his backing band and the strings of the BBC Concert Orchestra, brought to a close Radio 2's Live in Hyde Park annual festival. After an absence from the live stage for 28 years, this headline set by Jeff Lynne's ELO was a much-anticipated and talked-about event and... he did not disappoint. In front of 50,000 people, Jeff Lynne delivered a rousing and crowd-pleasing string of the Electric Light Orchestra's chart-topping hits, including Livin' Thing, Sweet Talkin' Woman, Don't Bring Me Down, Mr Blue Sky, and Roll Over Beethoven. And there was also a special treat, Jeff's touching tribute to his band buddies from the ultimate supergroup of all time, Traveling Wilburys, with his performance of their 1988 hit Handle With Care All in all, a memorable night and a fantastic return to the live arena for Mr Jeff Lynne's ELO!
This historical biography of the city that is the glittering hub of country music reveals the dynamic relationship between commerce and art, music and the market, that has defined Nashville since 1925. It explores the conflicts and demons that have confronted Nashville's artists and music industry down the years, such as the creative pressures of the 'Nashville Sound', the devastating impact of Elvis and then Bob Dylan, the rise and fall of the urban cowboys and the struggle of several Nashville legends to confront their inner demons. The story unfolds through the testimony of musicians, producers, broadcasters and rare archive of the country legends. These include Dolly Parton, Charley Pride, Willie Nelson, Ricky Skaggs, Steve Earle, Kris Kristofferson and several hitmaking contemporary stars, Kasey Musgraves, Brad Paisley and Jason Aldean. This cast reveal the unique power of country music to hold up a mirror to its fans and create a music that has - for decades - touched the hearts of the South and of working people. Kristofferson calls it the 'white man's soul music'. Also featured are extensive musical performances by Nashville's greatest, from Johnny Cash to Loretta Lynn and George Jones to Garth Brooks. Several of Nashville's younger stars describe their ongoing journey from their hometowns in the South to the streets of this city, from the first studio demos and the sawdust of the Broadway bars to the stadiums and promo videos that now define country stardom.
A rare chance to see Robert Elfstrom's 1969 classic film that captures the Man in Black at his peak, the first of many in a looming rollercoaster career. Fresh on the heels of his Folsom Prison album, Cash reveals the dark intensity and raw talent that made him a country music star and cultural icon. Elfstrom got closer than any other filmmaker to Cash, who is seen performing with his new bride June Carter Cash, in a rare duet with Bob Dylan and behind the scenes with friends, family and aspiring young musicians - painting an unforgettable portrait that endures beyond the singer's death in 2003.
'Whispering' Bob Harris journeys to America's country music capital to reveal why Nashville became Music City USA. From the beginnings of the Grand Ole Opry on commercial radio, through the threatening onset of rock 'n' roll in the 1950s, right up to the modern mainstream hits of Music Row, this is the story of how music has shaped Nashville and why today it's a place of pilgrimage for musicians from all over the world. As well as iconic venues on Lower Broadway and the historic hit factories of 16th Avenue, Bob also explores the East Nashville music scene and discovers a rebellious flipside to the country coin. With exclusive performances from the city's top talent, Bob explains why country music owes its enduring success to Nashville's unique nurturing community of songwriters. Includes interviews with Emmylou Harris, Duane Eddy, Dave Stewart and Rosanne Cash.
One iconic black box has probably more than anything else come to define the sound of rock - the Marshall amplifier. It has been, quite literally, behind some of the greatest names in modern music. It all started in 1962 when drum shop owner Jim Marshall discovered the distinctive growl that gave the electric guitar an exciting new voice. Music got a whole lot louder as young musicians like Clapton, Townshend and Hendrix adopted the revolutionary 'Marshall Sound'. The electric guitar now spoke for a new generation and the genre of rock was born. Soon Marshall stacks and walls were an essential backdrop of rock 'n' roll. The excesses of rock machismo were gloriously lampooned in the 1984 movie This is Spinal Tap. In an extrodinary piece of reverse irony, it was this comic exposure that rescued the company from financial meltdown. With contributions from rock legends like Pete Townshend, Lemmy and Slash, plus an interview with the 'Father of Loud' Jim Marshall, this documentary cruises down the rock ages with all the dials set to 'eleven'.
Documentary telling the story of funk, an irresistible style of music that burst out of the American black community at a time of self-discovery, struggle and social change. In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire. During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were. Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans. Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.
Sammy Davis Jr was born to entertain. He was a human dynamo who made his debut at the age of five and by the time he was a teenager was wowing audiences across America. A gifted dancer, actor and singer, and a key member of the Rat Pack, Davis is best remembered for his unforgettable rendition of Mr Bojangles and his No 1 single, The Candyman. However, as a black man, making his way in the entertainment business saw him struggle to overcome racial prejudice, letter bombs and death threats. Davis fought back with his talent and in the 1960s marched alongside Dr Martin Luther King. Despite his reputation as a civil rights campaigner and one of the world's greatest entertainers, Davis remains an enigma. Those closest to him tell of a man never quite comfortable in his own skin, a workaholic and spendaholic who put his career before his family and who died leaving them millions of dollars in debt. This documentary is Sammy Davis Jr's remarkable life story - his rise and his fall - told by those who knew him best. For the first time his family and friends including Paul Anka, Engelbert Humperdinck, Reverend Jesse Jackson and Ben Vereen share their memories - shedding new light on the legacy of one of the most gifted and loved performers in show business.
Len Goodman investigates the rise and fall of British big band music, and charts its recent revival. Before the war, popular jazz and dance band music enjoyed universal appeal, capable of reaching out to people across the generations. Len spent many of his early days listening, and of course dancing, to the music of Ted Heath, Glenn Miller and Joe Loss. He has an enormous affection for the days when swing was king and top of the pile were the big bands. Len returns to some of his old stamping grounds and discovers why we continue to love this bold and brassy art form. The film looks at how the bands survived, and indeed thrived, in the years after the war. Eventually, though, the world around them moved on. The rise of teenager culture, rock 'n' roll, pop and other forms of jazz, blues and folk meant big bands were struggling to compete in a crowded market, one that catered for an incredibly diverse range of musical tastes. Today we've come full circle. The big bands are enjoying something of a revival, and once again have universal appeal. Bands live on in towns and cities across the UK. Artists such as Robbie Williams have also introduced a new generation to the sound of swing and popular big band jazz. And, as Len says: 'Everyone seems to have an affection for it - and, you know what - when I hear Glenn Miller's music drifting lazily through the air, I can really understand why...'.
Built around the earliest, until now unseen, footage of the Clash in concert, filmed by Julien Temple as they opened the infamous Roxy club in a dilapidated Covent Garden on January 1st 1977, this show takes us on a time-travelling trip back to that strange planet that was Great Britain in the late 1970s and the moment when punk emerged into the mainstream consciousness. Featuring the voices of Joe Strummer and the Clash from the time, and intercutting the raw and visceral footage of this iconic show, with telling moments from the BBC's New Year's Eve, Hogmanay and New Year's Day schedules of nearly 40 years ago, it celebrates that great enduring British custom of getting together, en masse and often substantially the worse for wear, to usher in the New Year. New Year's Day is when we collectively take the time to reflect on the year that has just gone by and ponder what the new one might hold in store for us. Unknown to the unsuspecting British public, 1977 was of course the annus mirabilis of punk. The year in which the Clash themselves took off, catching the imagination of the nation's youth. As their iconic song, 1977, counts us down to midnight, we'll share with them and Joe Strummer, in previously unseen interviews from the time, their hopes and predictions for the 12 months ahead.
Compilation of performances and appearances by Nigel Kennedy from the BBC archive, following his music development and career from a seven-year-old child on Town and Around to his virtuoso showstopper Czardas from the Last Night of the Proms 2013. Featuring interviews with him through the years, and demonstrating a versatility of styles from classical to experimental to a jazz duet with Stephane Grappelli.
In December 2014, the BBC's historic Radio Theatre opened its doors to Coldplay, one of the biggest stadium rock bands in the world. The Grammy award-winning group perform a selection of classic tracks from their big-selling catalogue through to their sixth album Ghost Stories. For a band accustomed to playing to many thousands, this intimate gig in front of a few hundred is a must-see event.
In this documentary, the BBC have exclusive access to Agnetha Fältskog, 'The Girl with the Golden Hair' as the song goes, celebrating her extraordinary singing career which began in the mid-60s when she was just 15. Within just two years, she was a singing sensation at the top of the charts in Sweden. Along came husband Björn Ulvaeus and the phenomenal band ABBA that engulfed the world in the 70s, featuring Agnetha's touching voice and striking looks. Agnetha lacked confidence on stage as the global demand for the group grew and grew, while being away from her young children caused her great turmoil. With special behind-the-scenes access to the making of her comeback album, the film follows this reluctant star - the subject of much tabloid speculation since she retreated from the stage post-ABBA - as she returns to recording aged 63. Included in the film is her first meeting with Gary Barlow, who contributes a duet to the new album. The programme features interviews with Björn Ulvaeus, Benny Andersson, Gary Barlow, Tony Blackburn, Sir Tim Rice and record producers, Peter Nordahl and Jörgen Elofsson.
1980 was the year that both pop music and TOTP changed. A new generation of British pop arrived with Dexy's, Adam Ant, the Human League and OMD. The show changed as the veteran TOTP orchestra was laid off, the studio audience doubled in size, new sets were built and a range of celebrity co-hosts from Elton John to Kevin Keegan to Russ Abbott arrived. This documentary explores these dramatic changes in Top of the Pops, British pop and British society with a cast including Adam Ant, the Human League, OMD, Kevin Rowlands, Coronation Street actress Sally Lindsay (who appeared with St Winifred's School Choir), Kelly Marie, Ray Dorset, Johnny Logan, the Vapors, the Piranhas and Richard Skinner.
A celebration of Placido Domingo, the world's most famous tenor, through four decades of performance highlights from the BBC film archives. Featuring great arias from Aida, Die Walkure, Simon Boccanegra and Pagliacci, as well as appearances on Wogan and Parkinson, including an unforgettable Moon River with Henry Mancini at the piano.
Since the release of the Bat Out of Hell album, Meat Loaf has possessed the kind of international status that few artists obtain. His larger-than-life persona and performances are fuelled by a passion for theatre and storytelling. This candid profile reveals the man and his music through his own testimony and from the accounts of those closest to him. Meat Loaf's life story is one of epic proportions - he survived a childhood of domestic violence only to face years of record company rejection before eventually finding global fame. Along the way he experienced bankruptcy, health scares, bust-ups and one of the greatest comebacks of all time. All this and more is explored in the film, which features behind-the-scenes footage of his recent Las Vegas residency, plus plans for a new album featuring songs by Jim Steinman. The film also revisits the Dallas of Meat Loaf's early years and includes insights from his high school friends, who reveal how Meat really got his famous moniker. After his mother died, Meat Loaf fled Texas for the bright lights of LA. He sang in itinerant rock bands, but no-one would give him a recording contract. By 1969 he was broke and disillusioned. His break would take the form of a musical. He was offered a part in Hair, having been invited to audition whilst working as a parking attendant outside the theatre. Shortly afterwards he met Jim Steinman and the road to success really began. Yet the Hair gig was the beginning of an enduring love affair with theatre that is reflected in his singing persona today. His first album, the now legendary Bat Out of Hell, was initially rejected by scores of record companies, yet went on to spend a staggering 485 weeks in the UK charts. The whole album is a masterwork of storytelling that Meat Loaf and Steinman worked on for four years and then battled to get heard. Meat Loaf and those who worked on the album - from Todd Rundgren to Ellen Foley - reflect on the songs, and celebrate the alchemy that r
Tom Service plunges into the life and times of Mozart to try and rediscover the greatness and humanity of the living man in his moment. Mozart's prodigious output and untimely death have helped place him on a pedestal that can often blind us to the unique brilliance of his work in the context of his life and times. Tackling the sentimental tourist industry of Salzburg and the cloying reverence in which Mozart is too often held, Service visits the key cities and rooms in which Mozart lived and worked, plays some of Mozart's original instruments and scores, and gradually uncovers the brilliance and originality of his work as the 18th century turns into the early 19th. There is the prodigious childhood when Mozart was feted as an infant phenomenon around Europe's most glittering courts, and his golden decade in Vienna in which masterpiece followed masterpiece - operas, symphonies, piano concertos, string quartets - as if this short, high-voiced man-child must have been taking dictation from some divine source, until his death at the age of just 35 in 1791. Even more than the music, Mozart's tragic demise sets the seal on his myth. The trajectory of Mozart's life sets the template for the romantic paradigm whose throes we are still in today, which requires our creative heroes to die young to prove that they were too good for this madding world, whether it be Wolfgang Amadeus or Jimi Hendrix. Service travels from London to Vienna and Salzberg, unpicking the living, breathing genius that was Mozart. With Sir John Eliot Gardiner, Nicola Benedetti, Paul Morley and others.
Documentary telling the amazing story of how a group of reclusive Rhineland experimentalists called Kraftwerk became one of the most influential pop groups of all time. It is a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London in February 2013, interwoven with expert analysis, archive footage of the group going back to 1970, newsreel of the era and newly shot cinematic evocations of their obsessions. With contributions from techno pioneer Derrick May, Can founder Holger Czukay, DJ and remixer Francois Kevorkian, graphic design guru Neville Brody, writer Paul Morley, band photographer Peter Boettcher, Tate Modern curator Caroline Wood and others.
A feature-length documentary about one of the most successful British bands in rock music, reuniting Phil Collins, Peter Gabriel, Tony Banks, Mike Rutherford and Steve Hackett to tell their story. The film recounts their extraordinary musical story, exploring the songwriting and the emotional highs and lows. It features previously unseen archive material and rare footage from across their entire career.
Genesis filmed in November 1981 on the Abacab tour in North America, originally released on VHS to coincide with the live album of the same name. It has only ever been released on DVD in the limited edition box set The Movie Box 1981-2007. Originally filmed in 16mm, the footage has now been fully restored and is being reissued as a standalone DVD and Blu-ray for the first time. The show focuses on tracks from the Duke and Abacab albums, and the tracks are intercut with behind-the-scenes footage and interviews with the band members. As ever with Genesis, the show is visually stunning and it captures the band in their transition from their progressive days in the 70s through to the hugely successful pop/rock act they became from the mid-80s onwards.
It's a time for guilty pleasures, for courtship, for declarations of love, for looking someone in the eye and whispering sweet nothings, accompanied by a compilation of some of the greatest and squishiest love songs from the likes of Celine Dion, Joe Cocker and Jennifer Warnes, Jason and Kylie, 10cc and Lionel Richie, all from the Top of the Pops era. If Hot Chocolate and Chaka Khan don't get the temperatures rising, then nothing will.
During a career which was originally designed to make him a classical pianist, the musical achievements and statistics of singer-songwriter Neil Sedaka have made him a compelling figure in contemporary music, with 600 songs written and 20 million records sold. The hits from his early rock 'n' roll days to his later, more lyrical age are all included in this special one-man show from the 1980s.
Throughout Status Quo's six decades of rockin' and double denim, they have notched up 65 hit singles, sold over 100m records worldwide and have spent 415 weeks in the British singles chart, so it's no wonder Francis Rossi and Rick Parfitt were awarded OBEs in 2010 for their services to music. And now, in a rare departure from their usual heads-down and boogie approach, they've gone acoustic! Autumn 2014 saw the release of their 31st studio album and, in a complete departure from their usual rock sound, they transformed many of their legendary songs into acoustic, stripped-down versions. To celebrate this unique enterprise, they then performed many of the songs live at north London's legendary Roundhouse. Sitting down! This concert features many of their classic tracks including Pictures of Matchstick Men, Down Down, What You're Proposing, Whatever You Want, Marguerita Time, Rockin' All Over the World and many more, performed with a string section, percussion, accordion, backing vocals and a front line of five acoustic guitars. Throughout the show Francis and Rick reminisce about taking this bold step and remind us of some of the stories behind some of their classic songs.
On June 4 1976, four young men from ruined, post-industrial Manchester went to see a Sex Pistols show at the Manchester Lesser Free Trade Hall. Inspired by the gig that is now credited with igniting the Manchester music scene, they formed what was to become one of the world's most influential bands, Joy Division. Over thirty years later, despite a tragedy that was to cut them off in their prime, they are enjoying a larger audience and more influence than ever before, with a profound legacy that resonates fiercely in today's heavily manufactured pop culture. Featuring the unprecedented participation of all the surviving band members, this film examines the band's story through never-before-seen live performance footage, personal photos, period films and newly discovered audiotapes. A fresh visual account of a unique time and place, this is the untold story of how four men transcended economic and cultural barriers to produce an enduring musical legacy, at a time of great social and political change.
In the early 1980s, Culture Club was one of the biggest bands in the world, selling 150 million records worldwide. Formed in London, the band was comprised of Boy George on vocals, Mikey Craig on bass, Roy Hay on guitar and keyboards and Jon Moss on drums. As well as their UK success, the band was huge in the USA - notching up ten top 40 hits. Being part of Band Aid cemented them as stalwarts of the 80s, a band that broke down barriers and left a huge legacy for the stars that came later, before they disbanded in 1986. However, they are a band with a past as colourful as their music. George had a secret affair with his drummer Jon Moss and when they acrimoniously split, the band fell apart and George descended into heroin addiction. Over the years there have been numerous failed attempts to reunite the band. In 2014 Culture Club decided to come back together to record a new album and embark on a UK and US tour. Director Mike Nicholls has unique access, following the band as they first meet in George's London home to write new material. However, it's not long before creative differences and tensions from their past begin to emerge. Faultlines develop further when the band travel to Spain to record the new album, spending two weeks working and living together in a remote recording studio. As the band return to London to prepare for the tour, they suffer a Twitter mauling after their first big public performance on Strictly Come Dancing. Relations are even more strained when George and the band sign to separate managers and a sudden illness threatens the whole reunion. The film looks at the band's troubled past, examining the themes of success, fame and ego, and reveals the personalities behind one of the most iconic bands of all time.
Culture Club, Spandau Ballet, Visage, Marilyn, Adam and the Ants, Duran Duran, ABC... At the dawn of the 80s, a whole host of strangely-dressed men in make-up burst forth onto the music scene brandishing synthesisers and kicking against the visual ugliness of punk. They came mainly from the London club scene, led by gender-bender host Steve Strange and pioneering electronic DJ Rusty Egan, and conquered the charts with classic tracks such as Do You Really Want to Hurt Me, To Cut a Long Story Short, Kings of the Wild Frontier, Planet Earth, Fade to Grey, Calling Your Name and Poison Arrow. Magenta Devine narrates this gay and colourful behind-the-scene documentary of sex & drugs & frocks & hair-rollers, which includes interviews with Boy George, Gary Kemp, Adam Ant, Nick Rhodes, Steve Strange, Rusty Egan, Marilyn, Jonathan Ross, Caryn Franklin, Fiona Bruce and Robert Elms.
A whistlestop tour of rock from over the water, taking in some of the finest Irish rock offerings from the early 70s to the present day, as captured on a variety of BBC shows from The Old Grey Whistle Test and Top of the Pops to Later... with Jools Holland. Kicking off with Thin Lizzy's 1973 debut hit Whiskey in the Jar, the programme traces Irish rock's unfolding lineage. Performances from guitar maestro Rory Gallagher, Celtic rock godfathers Horslips and John Peel favourites the Undertones feature alongside rivals Stiff Little Fingers, with their Top of the Pops performance of Nobody's Hero, followed by post-punk U2's 1981 debut UK performance of I Will Follow from The Old Grey Whistle Test. Then there is Sinead O'Connor's debut single performance of Mandinka, and the Pogues play the Ewan MacColl classic Dirty Old Town from 1986. Into the 90s, there is the Frank and Walters and Therapy? on Top of the Pops, along with early performances on Later...with Jools Holland from Ash and the Divine Comedy. There is rockabilly with Imelda May's debut hit Johnny Got A Boom Boom, and then bang up to the moment is Cavan's the Strypes and Hozier, whose Take Me To Church completes this hit-driven tour through Irish rock.
This film tells the story of how rock music helped to change Ireland. The 40-year-old story of Irish rock and pop music is grounded in the very different musical traditions of the two main cities of the island, Belfast and Dublin. This musical celebration charts the lives and careers of some of the biggest selling acts in Irish rock, punk and pop from Van Morrison and Thin Lizzy to the Undertones and U2. From the pioneers of the showbands touring in the late 50s through to the modern day, the film examines their lineage and connections and how the hard-core, rocking sound of Belfast merged with the more melodic, folky Dublin tradition to form what we now recognise as Irish rock and pop. The film explores where these bands and musicians came from and the influence the political, social and cultural environments of the day had on them and how the music influenced those environments. With contributions from many of the heavyweights of Irish rock and pop, including U2, Sinead O'Connor and Bob Geldof, it follows their careers as they forged an international presence and looks at how they helped change the island along the way.
A Julien Temple film about the Strypes, the young Irish band from Co Cavan bringing blistering R&B and rock 'n' roll to a whole new generation. The film explores the band's evolution from toddlerhood, when they first began playing together, through the hard work and twists of fate that have catapulted them straight out of their small rural hometown to screaming crowds. Theirs is a success story of the digital age. Born in the late 90s, the boys have never known a world without computers and smartphones. Going on the same musical coming-of-age quest as their early heroes, the Beatles, Stones and Kinks, they searched out the origins of R&B and the wellspring of the blues to produce their own distinctive, hard-edged sound. A deeply human story of four young childhood friends, with a profoundly shared passion and goal, as they become adults in the world of 21st-century rock 'n' roll success. The film is produced by Parallel Films and Elton John's Rocket Pictures.
An intimate portrait of Sir James Galway, regarded by many as the finest flautist of his generation. The programme charts his remarkable rise to the top of the classical music world from humble beginnings with a Belfast flute band, and is given unique access to Galway at home and on tour. Galway was born in Belfast at the outbreak of the Second World War and established himself performing with the top London orchestras in the 1960s before becoming first flute with the Berlin Philharmonic. In the mid-70s he took the unusual step of leaving to launch a solo career and became a household name with the release of his instrumental version of John Denver's Annie's Song. He has sold more than 30 million albums and at the age of 75 continues to tour the world performing to packed houses and giving masterclasses to the next generation of world-class flute players. In the programme Galway speaks frankly about his life and career and puts his success down to hard work and daily practice. The documentary captures Galway backstage, in rehearsal and performing, and at his home overlooking Lake Lucerne, Switzerland, with his wife and fellow flautist, Jeanne. The programme is narrated by Jeremy Irons and contributors include broadcaster Melvyn Bragg, Riverdance composer Bill Whelan and the conductor of the Detroit Symphony Orchestra, Leonard Slatkin.
1979 was a unique year for Top of the Pops, which saw the show record its highest audience of 19 million viewers and in which physical format singles sales hit an all-time high of 79 million. 1979 is maybe the most diverse year ever for acts on Top of the Pops with disco at its peak, new wave, 2 Tone, reggae, rock, folk and electro records all making the top five. Original interviews with Gary Numan, Nile Rodgers, Woody from Madness, Jah Wobble, Chas and Dave, Janet Kay, Linda Nolan, Jim Dooley, Secret Affair, the Ruts, Legs and Co and many others tell the story of an exceptional year. In the year that the 'winter of discontent' saw continuing strikes black out ITV and TOTP reduced during a technicians strike to a narrator introducing videos, the show also found itself the site of conflict backstage. TOTP's old guard of 70s MOR acts had their feathers continually ruffled by new wave bands, as the Skids spat at the Nolan Sisters backstage and Generation X urinated off the roof onto the Dooleys. Elsewhere in the corridors of TV Centre, in preparation for playing their single Death Disco, Public Image Ltd demanded their teeth were blacked out in make-up to appear ugly while Gary Numan remembers the overbearing union presence which prevented TOTP artists moving their own microphones without a union technician and the Musicians Union trying to ban him from the show for his use of synthesizers. The most popular musical styles of 1979 were 2 Tone, reggae and disco. The latter saw Nile Rodgers, the man of the year, score four hits with Chic as well as writing and producing a further four hits with Sister Sledge, Sheila B Devotion and Sugarhill Gang, who appeared with what would prove to be the first ever rap hit. Jamaican and UK reggae artists scored continual hits through the year and then watched as the Police notched up three hits with white reggae and the label 2 Tone revived the 60s reggae style known as ska. In November, in what is remembered as the 2 T
Johann Sebastian Bach's majestic Cello Suites are among the world's best-loved pieces of music - but did another Bach write them? Australian musical sleuth Martin Jarvis explosively claims the suites were composed not by Bach, but by his much-loved second wife, Anna Magdalena. Jarvis's controversial quest for clues takes him from London to Paris to Berlin and beyond. Using advanced techniques of forensic document examination and drawing on his vast experience as a conductor and musician, he sets out to uncover the truth of the Cello Suites and rewrite some musical wrongs. Narrated by composer Sally Beamish.
Celebrating the men whose vocal stylings have carried the torch for soul across six decades. It showcases the rarely-seen but infectious Brenton Wood's Gimme Little Sign and offers the velvet voice of Curtis Mayfield singing Keep On Keeping On. There are groundbreaking artists from the '60s to the noughties, with performances from Billy Preston, Bill Withers, Billy Ocean, Alexander O'Neal, Barry White, Bobby Womack and many more.
Directed by BAFTA winner Kieran Evans and Paul Kelly (the first time the pair have collaborated since 2003's Finisterre), this film documents Dexys' celebrated residency at the Duke of York's Theatre in London in spring 2014. It captures songs from those theatrical shows with a striking visual style and a real sensitivity to the performances onstage. Interspersed throughout the film is an honest, revealing and touching interview with Kevin Rowland and Jim Paterson that details the remarkable story of the band. The film frames the motivation and desire that oversaw the artistic triumph of the band's album One Day I'm Going to Soar and the live performances that subsequently developed from its narrative.
During the 1940s, 50s and 60s, Sister Rosetta Tharpe played a highly significant role in the creation of rock & roll, inspiring musicians like Elvis Presley, Jerry Lee Lewis, Johnny Cash, Little Richard and Chuck Berry. She may not be a household name, but this flamboyant African-American gospel singing superstar, with her spectacular virtuosity on the newly-electrified guitar, was one of the most influential popular musicians of the 20th century. Tharpe was born in 1915, close to the Mississippi in Cotton Plant, Arkansas. At the age of six she was taken by her evangelist mother Katie Bell to Chicago to join Roberts Temple, Church of God in Christ, where she developed her distinctive style of singing and guitar playing. At the age of 23 she left the church and went to New York to join the world of show business, signing with Decca Records. For the following 30 years she performed extensively to packed houses in the USA and subsequently Europe, before her death in 1973. In 2008 the state governor of Pennsylvania declared that henceforth January 11th will be Sister Rosetta Tharpe Day in recognition of her remarkable musical legacy.
Don Giovanni had its premiere performance in Prague on October 29, 1787. Mozart's vastly successful opera, based on the stories of legendary libertine Don Juan, delighted the city that had taken him to their hearts. But what brought them all - composer and audience, theatre manager and cast - to this time and place? Acclaimed tenor Rolando Villazón presents the story of one of the best-known operas of all time. Based in Prague, Rolando explores the run-up to that candle-lit first performance, looking at the music of the opera and the social setting in which it was first performed, before recreating the finale of the opera close to how it would have looked and sounded on that autumn evening. Rolando visits the Estates Theatre, where Mozart conducted Don Giovanni's premiere. He works with local orchestra Collegium 1704, their conductor Václav Luks and opera singers Svatopluk Sem, Alžběta Poláčková, Fulvio Bettini and Jan Martiník, performing and dissecting the music of the opera. By singing and discussing key passages, Rolando reveals Mozart's genius as a composer and the revolutionary musical techniques he used. As he explores, we are able to grasp how Don Giovanni not only entertained the audience but terrified them by playing on the deepest fears of the 18th century; how different it would have sounded played on the instruments of the time; and how with this masterpiece Mozart went beyond the musical conventions of the day and created something unique. By talking with a range of experts and drawing on historical sources, Rolando brings to life the setting, costumes and audience, and presents a detailed picture of the world in which the opera was first performed.
Archive compilation celebrating the incredible body of work by Detroit's finest songwriting teams and artists for perhaps America's greatest ever record label, Motown. This compilation of Motown covers spans the 1960s to the present day and features: Paul Weller and Amy Winehouse with I Heard It Through the Grapevine on Jools's Hootenanny; Roberta Flack's version of Stevie Wonder's Never Dreamed You'd Leave in Summer from an early edition of the OGWT; early adopter Dusty Springfield with Nowhere to Run on her '60s BBC TV show; and The Flying Lizards with Barrett Strong's Money (That's What I Want) from Top of the Pops in 1979. Of course, there are quite a few '80s hit covers from the decade that rediscovered Motown as a hitmaking machine, many of them from Top of the Pops including Kim Wilde's You Keep Me Hangin' On and Paul Young's 1983 Number 1 with Marvin Gaye's 1962 b-side, Wherever I Lay My Hat. Then it's on into the '90s with Mercy Mercy Me from the late lamented Robert Palmer and Mariah Carey's take on the Jackson Five's I'll Be There. Plus, of course, Phil Collins but, rightly or wrongly, not with You Can't Hurry Love but with his 21st-century reading of Stevie Wonder's Blame It on the Sun from Later with Jools.
The sisters are truly doing it for themselves in this celebration of the legendary female singers whose raw emotional vocal styles touched the hearts of followers worldwide. Featuring the effortless sounds of Aretha Franklin, Roberta Flack, Gladys Knight, Randy Crawford, Angie Stone, Mary J Blige and Beyonce, to name a few. The Queens of Soul presents the critically acclaimed and influential female singers who, decade by decade, changed the world one note at a time.
Mark Radcliffe presents a look at the highs and lows of band life - the creative tension that produces great music and the pressures that come with success and fame, and pull most bands apart. Radcliffe lifts the lid on the main reasons why bands break up and the secrets of bands that manage to stay together.
Great pop records are the soundtrack to our lives and that is why number one hits hold a totemic place in our culture. This film goes in search of what it takes to get a number one hit single, uncovering how people have done it, and the effect it had on their lives. As the exploration moves through the decades the goal is to trace the various routes that lead to the top of the singles chart, and discover the role played by art, science, chance and manipulation in reaching the pinnacle of pop.
Compilation of some indelible hits by artists we hardly heard from again, at least in a chart sense. Featuring Peter Sarstedt's Where Do You Go To My Lovely? a number one in 1969, a hit he never really matched, Trio's 1982 smash Da Da Da, Phyllis Nelson's 1985 lovers rock-style classic Move Closer, and the New Radicals' 1999 hit You Get What You Give. We travel through the years selecting some of your favourite number ones and a few others that came close, revealing what's happened to the one-hit hitmakers since and exploring the unwritten laws that help make sense of the one-hit wonder phenomenon.
Sting performs songs from his album The Last Ship in an intimate live performance recorded at the Public Theatre, New York. Inspired by the shipbuilding community of Wallsend in the north east of England where Sting was born and raised, the songs form part of his Broadway play. For his first new work in a decade he and his band, many of whom hail from the north east, are joined by actor and singer Jimmy Nail.
Rock legend and tour bus afficionado Rick Wakeman takes us on a time-travelling trip through the decades in this first-hand account of rockers on the road from the late 1950s to the 80s and beyond. It's an often bumpy and sometimes sleepless ride down the A roads and motorways of the UK during the golden age of rock 'n' roll touring - a secret history of transport cafes, transit vans, B&Bs, sleepless roadies and of loved ones left at home or, on one occasion, by the roadside. And it's also a secret history of audiences both good and bad, and the gigs themselves - from the early variety package to the head clubs, the stadiums and the pubs. This is life in the British fast lane as told by Rick and the bands themselves, a film about the very lifeblood of the rock 'n' roll wagon train. With members of Dr Feelgood, Suzi Quatro, the Shadows, the Pretty Things, Fairport Convention, Happy Mondays, Aswad, Girlschool, the Damned and many more.
"I want to make people cry even when they don't understand my words." - Edith Piaf This unique film explores the story of the lyric-driven French chanson and looks at some of the greatest artists and examples of the form. Award-winning singer and musician Petula Clark, who shot to stardom in France in the late 1950s for her nuanced singing and lyrical exploration, is our guide. We meet singers and artists who propelled chanson into the limelight, including Charles Aznavour (a protégé of Edith Piaf), Juliette Greco (whom Jean-Paul Sartre described as having 'a million poems in her voice'), Anna Karina (muse of Jean-Luc Godard and darling of the French Cinema's New Wave), actress and singer Jane Birkin, who had a global hit (along with Serge Gainsbourg) with the controversial Je t'aime (Moi non plus), and Marc Almond, who has received great acclaim with his recordings of Jacques Brel songs. In exploring the famous chanson tradition and the prodigious singers who made the songs their own, we continue the story into contemporary French composition, looking at new lyrical forms exemplified by current artists such as Stromae, Zaz, Têtes Raides and Etienne Daho, who also give exclusive interviews. The film shines a spotlight onto a musical form about which the British are largely unfamiliar, illuminating a history that is tender, funny, revealing and absorbing.
Acclaimed trumpeter/bandleader Wynton Marsalis and the Jazz at Lincoln Center Orchestra play a selection of classic tunes from the legendary American jazz label Blue Note composed by the likes of Horace Silver, Bud Powell and McCoy Tyner on the label's 75th anniversary, recorded live at Royal Hall, Harrogate as part of Harrogate International Festivals in June 2014.
Journalist Kate Mossman explores the unique relationship between artist and fan, from the Beatles to One Direction and her own evolving fascination with Queen.
The story of Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. In 1939 Alfred Lion and Francis Wolff, who had emigrated from Nazi Germany to New York, 'discovered' an American art form which at the time received little serious attention from mainstream America - jazz music. Without money or connections and speaking little English, they began to record practically unknown musicians, following their own taste and judgement. Today the list of artists who recorded for their label reads like a who's who of jazz. A portrayal of the rise of modern jazz, the film explores a very special friendship in exile and uncompromising artistic excellence. Told by the musicians, friends, associates and fans of the Blue Note recordings from all walks of life, it recreates an era of American cultural history and is widely regarded as one of the best films ever made about jazz.
The birdsong of sunrise in all its uninterrupted glory, free from the voiceover and music of traditional television. With the first glimmers of sunlight, the birds of Britain's woodland, heathland and parkland burst into song. This is an opportunity to sit back and enjoy a portrait of three very different habitats and the natural splendour of their distinctive chorus.
The iconic artists that have been booked to play the Glastonbury Festival have often been the talking point each year. A look back at performances from the likes of Dame Shirley Bassey, Tony Bennett, Neil Diamond, Al Green, Willie Nelson, BB King, Johnny Cash, and of course 2014's appearance by the Queen of Country, Dolly Parton.
Classic music-filled movie that introduced the world to some great recording artists. Chancing upon a small-town rock 'n' roll band and dancers, Steve Hollis believes he can manage them to the heights of success, unaware that his cynical former girlfriend and boss Corinne will seek to sabotage his plans.
Lauren Laverne hosts an all-star discussion from London's iconic 100 Club, asking if rock 'n' roll is in crisis and what it now means in the 21st century. Can rock 'n' roll still be as dangerous and subversive as the original or has it become more about lifestyle and decoration? Joining Lauren are Savages' lead singer Jehnny Beth, Dr John Cooper Clarke and former Animal Eric Burdon. Featuring original contributions from Noel Gallagher, Dave Grohl, Sleaford Mods and Alabama Shakes. Music from Mercury-winning Young Fathers and Matthew E White.
A celebration of rock 'n' roll in the shape of a compilation of classic artists and songs, featuring the likes of Jerry Lee Lewis, Dion and Dick Dale who all featured in the Rock 'n' Roll America series, alongside songs that celebrate rock 'n roll itself from artists such as Tom Petty (Anything That's Rock 'n' Roll), Joan Jett (I Love Rock 'n' Roll) and Oasis (Rock 'n' Roll Star).
Concert specially recorded for BBC Four on 24 June 2015 at the Empress Ballroom Blackpool, where Jools Holland and his band were joined by special guests Rumer, Marc Almond and Ruby Turner. More than 14,000 people applied for tickets and a lucky 800 were in the audience, and by the end of the concert Jools and his orchestra had almost every one of them on their feet. The concert celebrates the golden age of big band music from the 1930s to 1950s and Jools presents his interpretations of standards from the greats such as Count Basie, Louis Armstrong and Woody Herman. Jools's orchestra includes some of the best musicians in the business and the concert combines the incomparable power and sophistication of the big band sound with brilliant individual performances. Highlights include Rumer's joyful Ac-cent-tchu-ate the Positive, Marc Almond's stunning rendition of Edith Piaf's Hymn Le Amour and singer Ruby Turner's extraordinary vocals.
Recorded on his birthday, highlights of Van Morrison's unique live performance on the Belfast avenue he made famous through the iconic album Astral Weeks.
Much-mourned national treasure Cilla Black commenced her eminent career as a TV host in 1968 on the BBC. Her career as perhaps the nation's favourite female pop singer of the decade had already been established after landing her first Number 1 with Anyone Who Had a Heart, the biggest-selling hit by a female singer in the 1960s. This tribute compilation celebrates the BBC's coverage of Cilla's 60s pop star years on programmes like Peter Cook and Dudley Moore's Not Only...But Also, The Ken Dodd Show, Top of the Pops and The Royal Variety Performance, before selecting just some of the golden moments from the long-running self-titled series she hosted for the BBC between 1968 and 1976 including the Paul McCartney-penned theme song Step Inside Love and that 1973 famous duet with Marc Bolan on Life's A Gas.
Errol Brown, who died aged 71 in May 2015, was probably the most famous and ubiquitous black British pop star of the 70s and early 80s. He co-founded Hot Chocolate with Tony Wilson in 1970 and the band went on to have a hit every year between 1971 and 1984. This compilation of BBC performances and rare interview extracts celebrates Errol and Hot Chocolate, showcasing their top ten hits alongside rarely seen early performances and cult fan favourites. We journey through over 15 years of chart smashes showcasing all the infectious numbers - Every 1's A Winner, Emma, So You Win Again and It Started With a Kiss - and of course, The Full Monty scene-stealer You Sexy Thing, a song that was in the charts in the 70s, 80s and 90s. There are reminders of just how many top ten moments they had, with Girl Crazy and No Doubt About It, the hit that got away Mindless Boogie, and their first appearance on BBC television with Love is Life. Hot Chocolate were that rarity, a 70s British pop band who largely wrote their own tunes and arrangements and a mixed race band who perhaps inadvertently helped foster an early sense of British multi-culturalism. In Errol, they had a frontman who was not only a great singer, songwriter and frontman, but also resolutely and undemonstratively always himself, at ease in his own skin.
Charismatic conductor and composer Andre Previn looks back at some of his greatest television moments, from thrilling performances of orchestral favourites by Mozart and Berlioz to his classic comedy encounter with Morecambe and Wise.
It is a quarter of a century since the death of Leonard Bernstein, composer, conductor and icon of 20th-century music. This programme features 50 years of great archive performances and interviews, some unseen since their original broadcast, including music from West Side Story, Elgar's Enigma and Beethoven.
Filmed over the course of four years, award-winning director Phil Grabsky follows one of the world's greatest pianists, Leif Ove Andsnes, as he attempts, in a series of sold-out worldwide performances, to interpret one of the greatest sets of works for piano ever written - Beethoven's five piano concertos. However, Concerto is more than a portrait of a famous musician on tour - it is an exploration into Ludwig van Beethoven's life as revealed by these five masterworks. The relationship between the composer and his world is mirrored by the relationship between the pianist and orchestra in these concertos. The film seeks to reveal Beethoven in a way rarely seen before and bears witness to what is increasingly being regarded as one of the greatest interpretations ever of these five great pieces of music. Considered one of the top pianists of the age, Leif Ove Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Andsnes gives an insight into the world of a contemporary classical musician. Against the wonderful background of Leif Ove playing these five pieces, we also peel back the many myths of Beethoven's life - from prodigious talent in Vienna to greatest composer alive by the time he wrote the fifth concerto. Perhaps above all, it is the fresh new biography of Beethoven that is most revealing.
Documentary exploring the rise and fall of the most visionary period in British music history: five kaleidoscopic years between 1965 and 1970 when a handful of dreamers reimagined pop music. When a generation of British R&B bands discovered LSD, conventions were questioned. From out of the bohemian underground and into the pop mainstream, the psychedelic era produced some of the most ground-breaking music ever made, pioneered by young improvising bands like Soft Machine and Pink Floyd, then quickly taken to the charts by the likes of the Beatles, Procol Harum, the Small Faces and the Moody Blues, even while being reimagined in the country by bucolic, folk-based artists like the Incredible String Band and Vashti Bunyan. The film is narrated by Nigel Planer with contributions and freshly-shot performances from artists who lived and breathed the psych revolution - Paul McCartney, Ginger Baker, Robert Wyatt, Roy Wood, the Zombies, Mike Heron, Vashti Bunyan, Joe Boyd, Gary Brooker, Arthur Brown, Kenney Jones, Barry Miles, the Pretty Things and the Moody Blues.
All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock and roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.
Compilation celebrating some guitar band performances at the BBC that feature some of the best female musicians in rock. Beginning with the oft-forgotten American group Fanny performing You're the One, it's a journey along rock's spectrum from the 1970s to now. The selection includes the powerful vocals of Elkie Brooks on Vinegar Joe's Proud to Be a Honky Woman, the mesmerising poetry of Patti Smith's Horses and the upbeat energy of the Go-Go's on We Got the Beat. Mighty basslines come courtesy of Tina Weymouth on Psycho Killer and Kim Gordon on Sugar Kane, whilst we trace the line of indie rock from the Au Pairs through Lush, Elastica and Garbage to current band Savages.
A feast of cover versions of Bob Dylan songs from the BBC archives, with classic tracks old and new and some surprises from the 1960s to the present. From the essential folk queen Joan Baez to punk princess Siouxsie and the Banshees, from the Hollies to Adele, taking in the likes of Julie Felix, Richie Havens, Bryan Ferry and KT Tunstall along the way, the programme reflects Dylan's long career of writing extraordinary songs and the fascination of other artists with them. Peter, Paul and Mary's sublime The Times They Are A-Changin' rubs shoulders with the close harmony of Cliff Richard and the Nolan Sisters' smooth interpretation of the protest classic Blowin' in the Wind. The Blues Band's energetic 1980s updating of Maggie's Farm contrasts with Tom Jones's powerful rootsy What Good Am I? A treat for the Dylan fan and the Dylan novice alike.
Documentary which celebrates the role of the cover version in the pop canon and investigates what it takes to reinvent someone else's song as a smash. Through ten carefully chosen cover versions that whisk us from the British Invasion to a noughties X Factor final, this film journeys over five decades to track how artists as varied as the Moody Blues, Soft Cell, Puff Daddy and Alexandra Burke have scored number 1s with their retake on someone else's song. Each of the ten classic cover versions has its own particular tale, tied not only into its musical and cultural context but also the personal testimony of the artists, producers and songwriters whose lives were changed in the process. Narrated by Meera Syal, it explores the stories behind such iconic hits as House of the Rising Sun, Respect, Tainted Love, I'll Be Missing You and Hallelujah, with contributors including John Cale, Gloria Jones, Marc Almond, Rick Rubin, Faith Evans and British singer-songwriter Nerina Pallot. The cover version has always been a staple of the pop charts. Yet it's often been viewed as the poor relation of writing your own songs. This film challenges and overturns that misconception by celebrating an exciting, underrated musical form that has the power to make or break an artist's career. Whether as tribute, reinterpretation or as an act of subversion, the extraordinary alchemy involved in covering a record can create a new, defining version - in some cases, even more original than the original.
Smash hits from 60 years of great cover versions in performance from the BBC TV archive. Reinterpretations, tributes and acts of subversion from the British Invasion to noughties X Factor finalist Alexandra Burke. Artists as varied as the Moody Blues, Soft Cell, Mariah Carey and UB40 with their 'retake' on someone else's song - ultimate chart hits that are, in some cases, perhaps even better than the original. Arguably the Beatles alongside Bob Dylan and the Beach Boys introduced the notion of 'originality' and self-generating artists writing their songs into the pop lexicon in the 60s. One of the most fascinating consequences of this has been the 'original' cover version, a reinterpretation of someone else's song that has transformed it into pop gold with a shift of rhythm, intent and context. The pop cover has proved a remarkably imaginative and durable form and this compilation tracks this pop alchemy at its finest and most intriguing.
On a sunny day in September 2015, Rod Stewart took to the stage in London's Hyde Park to bring to a close BBC Radio 2's annual Festival in a Day. In front of 50,000 people, Rod delivered not his usual stadium set but a bespoke selection of hits from his back catalogue spanning his career, including Gasoline Alley, Angel, In a Broken Dream and The Killing of Georgie (Part 1 & 2), plus Faces classics such as Ooh La La and the blues standard Rollin' and Tumblin', a number that Rod used to perform with Long John Baldry back in the day. To close the set Rod brought on his old pal guitarist Jim Cregan to help him perform his 1978 hit I Was Only Joking. All in all, a memorable and unique concert that is unlikely to be repeated anytime soon.
In celebration of the 40th anniversary of smash hit I'm Not in Love, the original members of 10cc - Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme - reunite to tell their story. The documentary shares the secrets to some of their most successful records, from the writing and the recording to the tours and the tensions. With contributions from an impressive array of music industry legends including 10cc's band manager Harvey Lisberg, lyricist Sir Tim Rice, broadcaster Paul Gambaccini, legendary producer Trevor Horn, Stewart Copeland (the Police), Graham Nash (the Hollies) and Dan Gillespie Sells (the Feeling), not only does this film highlight the diversity of these four brilliant musicians' songwriting talent, but it also delves into the influence they had, as well as the politics beneath their acrimonious split in 1976, at the height of their fame.
In 1975, the Bay City Rollers were on the brink of global superstardom. The most successful chart act in the UK with a unique look and sound were about to become the biggest thing since the Beatles. Featuring interviews with Les McKeown and other members of the classic Bay City Roller line-up, and using previously unseen footage shot by members of the band and its entourage, this is the tale of five lads from Edinburgh who became the world's first international teen idols and turned the whole world tartan.
To mark the 40th anniversary of Bohemian Rhapsody, this documentary digs deep into archive to tell the story of Queen as it follows their journey from a struggling band gigging at pubs and colleges to the moment they captured the UK's hearts and minds with what was to become one of - if not the - greatest song of all time. Queen's formative years have never been explored in such detail. With a wealth of unseen interviews, recently unearthed rushes of Queen's first ever video and outtakes from the recording sessions of Bohemian Rhapsody itself, this is the unique story of early Queen, told by the band themselves. This documentary completes the final part of the trilogy alongside Days of Our Lives and Freddie Mercury: The Great Pretender. It's simple. It's real. It's raw. It's what happened.
Before Bruce Springsteen became a global superstar in the '80s with Born in the USA, he and the E Street Band released the 1980 double album The River and then began a tour that celebrated its combination of haunted ballads and joyous rock'n'roll to great acclaim. In this film Springsteen gives a first-hand account of the events and aesthetic behind the writing of The River, performing a number of the key songs on acoustic guitar. A unique account of one of the great rock 'n' roll statements, in which Springsteen explores his working-class roots and the ties that bind.
Bruce Springsteen and the E Street Band in concert delivering a raucous celebration of rock 'n' roll on The River tour of 1980. Filmed on November 5 at the former ASU Activity Center (now Wells Fargo Arena) in Tempe, part of metropolitan Phoenix, Arizona in front of an enthusiastic 10,000-strong audience. Starting with the album's meditative title track, the concert opens up into a celebratory stomp culminating in that E Street Band staple Jungleland, and taking in rock 'n' roll anthems from The River including Hungry Heart, Cadillac Ranch and You Can Look (But You'd Better Not Touch).
Biography of iconic rock balladeer Roy Orbison told through his own voice, casting new light on the triumphs and tragedies that beset his career. Using previously unseen performances, home movies and interviews with many who have never spoken before, the film reveals Orbison's remote Texas childhood, his battles to get his voice heard, and how he created lasting hits like Only the Lonely and Crying. The film follows Roy's rollercoaster life, often reflected in the dark lyrics of his songs, from success to rejection to rediscovery in the 80s with the Traveling Wilburys supergroup. It uncovers the man behind the shades, including interviews with his sons, many close friends and collaborators like Jeff Lynne, T Bone Burnett, Bobby Goldsboro and Marianne Faithfull.
Three British bands defined the British Invasion of 1964 which changed America. The Beatles, the Rolling Stones and the Dave Clark Five. Fifty years later this film tells the story of the Dave Clark Five, their emergence from working-class Tottenham, their unique sound, their close friendship, their self-managed business philosophy and the youthful exuberance with which they captured the USA. Testifying to the lasting impact of the band and what made them unique in an era of brilliant, game-changing creativity, Dave Clark's two-hour documentary features newly-filmed interviews with Sir Paul McCartney, Sir Elton John, Sir Ian McKellen, Stevie Wonder, Sharon and Ozzy Osbourne, Bruce Springsteen, Steven van Zandt of the E Street Band, Gene Simmons of Kiss, Whoopi Goldberg, Dionne Warwick and Twiggy. Interwoven throughout, boyhood fan Tom Hanks's inspirational and moving speech at the DC5's Rock & Roll Hall of Fame induction ceremony in 2008 explains what five guys from north London and the Tottenham Sound meant to Hanks's generation. As well as barnstorming live and TV performances by the DC5, the film weaves archive interviews with band members alongside extraordinary footage of the DC5 on tour and in the studio and also features rare TV footage from the legendary Ready Steady Go! series, where the DC5's fellow pop pioneers the Beatles, the Rolling Stones, the Who, Dusty Springfield, Stevie Wonder, the Supremes, Martha Reeves and the Vandellas, Marvin Gaye and Otis Redding highlight a time of unparalleled excitement and innovation. This film captures the youth, innocence and zany zest of the swinging 60s and the Dave Clark Five's driving role in those years. And beyond the 60s? Unseen archive interviews and performances with Sir Laurence Olivier and Freddie Mercury feature among the rare footage telling the story of TIME, the spectacular, innovative and visionary rock musical with which producer and entrepreneur Dave Clark reinvented London's live music th
Pioneering the journey from rhythm and blues to funk, James Brown forever changed the face of American music. Mr Dynamite follows the story of Brown as he escaped his impoverished southern roots to become the biggest name in soul music and one of the most important music talents of the 20th century. This captivating film utilises never-before-seen concert footage, interviews with Brown from a variety of sources and recent insights from band members and others who knew the singer to tell the remarkable story of the supremely gifted and enormously influential American musical icon. Mick Jagger is among those who recall his magnetic showmanship - first catching Brown's act from the balcony of the Apollo Theatre in Harlem, only to have Brown steal the spotlight when they performed on the same Los Angeles television show. Beyond musical talent, the film documents how Brown played a pivotal role in the civil rights movement, whilst later endorsing Richard Nixon, whose politics chimed with his own entrepreneurship.
A unique concert staged at the Royal Festival Hall celebrating the music of the legendary songwriter and performer Burt Bacharach. Some of Burt's most famous songs are performed by a stellar line-up of artists including Alfie Boe, Sophie Ellis-Bextor, Shaun Escoffery, Rebecca Ferguson, Justin Hayward, Michael Kiwanuka, Laura Mvula and Joss Stone. Burt himself also performs accompanied by his band. During the concert Burt chats to Michael Grade about the art of songwriting and shares the stories behind some of his best-loved hits.
Tom Service takes a cinematic journey through Russia on the trail of the wondrous yet melancholic melodies of Russian giant Sergei Rachmaninoff. A celebration of a composer's musical triumph over critical adversity and Soviet terror, with performances and contributions from Vladimir Ashkenazy, Denis Matsuev, Steven Isserlis, Stephen Hough, Vladimir Jurowski, Lucy Parham and James Rhodes.
A special programme on the life and music of David Bowie, presented by Jeremy Vine. Bowie was one of the most influential musicians of his time, constantly re-inventing his persona and sound, from the 1960s hippy of Space Oddity, through Ziggy Stardust and the Thin White Duke to his later incarnation as a soulful rocker.
Tom Service presents 40 years of great BBC archive featuring the French composer, conductor and musical icon Pierre Boulez, who died on 5th January 2016 at the age of 90. Opinionated and challenging, Boulez transformed the way that musicians and audiences all over the world think about contemporary music. With orchestras including the BBC Symphony, he rehearses and performs Debussy, Stravinsky and Bartok, as well as a selection of his own extraordinary compositions. Boulez's relationship with the BBC began in the 1960s and blossomed during his years as chief conductor of the BBC Symphony Orchestra - leaving a vivid legacy in the BBC's TV archive.
It was 1985. Guns N' Roses were soon to be known as the last mammoth rock entity to come out of LA after selling over 100 million albums. Jon Brewer brings alive never-before-seen video footage of Guns N' Roses in their earliest days as a fledgling band, filmed and meticulously archived over the years by their close friend. They became known as 'the most dangerous band in the world' and retained the title for reasons this film portrays, via interviews with band members and those who were there on, and off, tour. Venture down seedy Sunset Strip to the Whiskey, the Rainbow and the Roxy, all known as 'the Jungle'.
A film about the sound of Australian rock and the emergence of one of the world's greatest rock bands - AC/DC, or Acca Dacca as they are known in Australia, and the legendary music company, Albert Music (Alberts) that helped launched them on to the global rock scene. Through the 1960s, 70s and 80s, Alberts created a house of hits in Australia that literally changed the sound of Australian popular music. It started with the Easybeats and their international hit Friday On My Mind back in the 60s. In the 1970s when Australia was in the midst of a deep recession, a rough and ready pub rock sound emerged, characterised by bands like Rose Tattoo who were promoted by family-run company, Alberts. The raw power and fat guitar sound that characterised Aussie rock was pioneered by the Alberts and took Australia and the world by storm. The sound of Aussie rock really exploded when the Alberts, a well-to-do family from the Sydney suburbs, joined forces with the Youngs, a Glasgow family who had emigrated to Australia. The result was AC/DC. The documentary tells the story of how brothers Angus and Malcolm Young were produced by their older brother George and fellow Easybeats member Harry Vanda. Vanda and Young produced the band at Albert Studios and they were soon joined by the wild and charismatic lead singer Bon Scott. Head of Alberts was Ted Albert - a quietly confident risk taker. He backed AC/DC for many years with rock-solid conviction when their type of music and fashion seemed completely at odds with a UK and US music scene dominated by punk. Then, in 1980, AC/DC's Back in Black album was a massive success around the world and the rest is history. The film retraces the band's explosion in popularity, the relentless touring and the tragic death of Bon Scott. Even after Bon's death, and with the addition of Brian Johnson, the band went from strength to strength and remain hugely popular and one of the world's most legendary bands. Today, the Albert family r
David Owen Norris takes us on a journey through 60 years of BBC archive to showcase some of the greatest names in the history of the piano. From the groundbreaking BBC studio recitals of Benno Moiseiwitsch, Solomon and Myra Hess in the 1950s, through the legendary concerts of Vladimir Horowitz and Arthur Rubinstein to more recent performances including Alfred Brendel, Mitsuko Uchida and Stephen Hough, David celebrates some of the greatest players in a pianistic tradition which goes back to Franz Liszt in the 19th century. Filmed at the Cobbe Collection, Hatchlands Park.
Violinist Nicola Benedetti explores 60 years of BBC archive to celebrate the world of the violin and its most outstanding performers. From Nathan Milstein, Mischa Elman and Isaac Stern to Yehudi Menuhin, Itzhak Perlman and Nigel Kennedy, Nicola gives us a violinist's perspective on what makes a great performance in a tradition which stretches back to the 19th-century virtuoso Paganini. Filmed at the Royal Academy of Music Museum, London.
Fifty years of performances from guitarist John Williams that takes in classical masterworks, the prog rock of Sky and comedy with Eric Sykes, as well as duets with Julian Bream.
This extraordinary documentary brings to life the paradox of Janis Joplin - both insecure and brazen, with interviews from old band members, unseen audio and video, plus readings from Janis's letters home to her parents. It offers new understanding of a bright, complex woman whose surprising rise and sudden demise changed music forever. Janis Joplin is one of the most revered singers of all time. She thrilled millions of listeners with her powerful, soulful voice and blazed new creative trails before her death in 1971 at the age of 27. The film includes some of her most iconic performances which embodied the musical and cultural revolution of the 1960s. Yet her onstage bravado and uninhibited sexual persona hid hurt and insecurity stemming from her childhood in conservative Texas. On relocating to San Francisco and discovering the blues, Janis found an outlet for her loneliness and fell into a community that would embrace and celebrate her talent.
In this personal journey through his formative years in south Wales in the 1950s, Tom Jones takes us on a trip through the decade of his childhood and adolescence, the years that shaped his ambition, his talent and his tastes and that witnessed an explosion of popular culture and the sweeping aside of the old order. Television, the movies, the radio and - most importantly - the music of the first rock 'n' roll years give us a unique insight into both the country and the decade that would shape Tom's talent and, in the 60s, make him a star. Tom Jones's 1950s in Pontypridd are told first hand by the man himself as he travels back to his birthplace. Tom's take on the decade is amplified and explored by a Greek chorus of contributors who share their account of their 50s. Joan Bakewell, Katherine Whitehorn and Michele Hanson share their experiences both as women and from differing class backgrounds, historians Alwyn Turner, Martin Johnes, Francis Beckett and Tony Russell draw the social and political landscape of a rapidly changing decade, while musicians Bruce Welch, Clem Cattini, Marty Wilde and Tom McGuinness talk of how that decade began their musical journeys and changed their lives forever, all illustrated by a rich seam of archive that captures a decade we mostly saw in black and white. The result is a rich mix of humour, confession and reflection - all brought to life by Tom Jones himself, our guide through the lives and times of a young generation struggling to find its own voice.
Documentary which celebrates, over the period covering the end of the 1950s and the beginning of the 60s, the phenomenon of the Everly Brothers, arguably the greatest harmony duo the world has witnessed, who directly influenced the greatest and most successful bands of the 60s and 70s - the Beatles, the Stones, the Beach Boys and Simon & Garfunkel to name but a few. Don and Phil Everly's love of music began as children, encouraged by their father Ike. Little Donnie and Baby Boy Phil sang on Ike's early-morning radio shows in Iowa. After leaving school, the brothers moved to Nashville where, under the wing of Ike Everly's friend, the highly talented musician Chet Atkins, Don and Phil signed with Cadence Records. They exploded onto the music scene in 1957 with Bye Bye Love, written by Boudleaux and Felice Bryant. After Bye Bye Love came other hits, notably Wake Up Little Susie, followed by the worldwide smash hit All I Have to Do Is Dream and a long string of other great songs which also became hits. By 1960, however, the brothers were lured away from Cadence to Warner Bros with a $1,000,000 contract. Their biggest hit followed, the self-penned Cathy's Clown, which sold 8 million copies. Remaining at Warner Bros for most of the 60s, they had further success with Walk Right Back, So Sad and the King/Greenfield-penned track Crying in the Rain.
Documentary which recounts the story of Billy Fury and the birth of British popular music. His first album, The Sound of Fury (released in 1960), has become a landmark record in British rock 'n' roll history. Born in Liverpool during the Second World War, Ronnie Wycherley became an overnight sensation in 1958 when he was asked to go on stage and sing a couple of his self-penned songs by showbiz impresario Larry Parnes. Ronnie's knees shook with nerves, but over 2,000 screaming girls welcomed the new star of British rock 'n' roll and the headline in the local newspaper the following day was 'Dingle boy with a hot guitar'. With more Top 40 hits than the Beatles during the 1960s, Billy Fury's major hits included Halfway to Paradise, Wondrous Place, Jealousy, Last Night Was Made For Love and many more. Aged just 42, Billy died of heart failure after a recording session. But his fans have never forgotten him, and every year on the anniversary of his death they gather to pay their tributes at Mill Hill cemetery. Lord Puttnam sums up Fury's contribution to modern music in the programme by saying that, 'without Billy Fury, I honestly don't think the Beatles would have happened'.
A previously unreleased full-length concert film of country music's first bona-fide supergroup - Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson - recorded live at Nassau Coliseum, Uniondale, New York, March 14 1990. Featuring many of the classics they recorded together and the greatest songs they recorded in their solo careers, including Highwayman, Sunday Morning Coming Down, Folsom Prison Blues, Mammas Don't Let Your Babies Grow Up to Be Cowboys, Always On My Mind, Me and Bobby McGee, Desperados Waiting for a Train, Are You Sure Hank Done It This Way, Silver Stallion and many more.
On the eve of Stevie Wonder's headline set at Hyde Park performing his classic album Songs in the Key of Life, this compilation celebrates over 50 years of covers of his classic songbook filmed at BBC studio shows over the years. Featuring Cilla Black, Jimmy Helms, Dionne Warwick, the Osmonds, India Arie, James Morrison and a storming performance of Ed Sheeran with Jools and his Rhythm & Blues Orchestra taking on Master Blaster (Jammin') on Hootenanny. Expect a special emphasis on Wonder's bank of classic ballads which include Isn't She Lovely, Love's in Need of Love Today, For Once in My Life, You Are the Sunshine of My Life and many more.
Film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution, revealing two artists on a permanent quest for creativity, independence and freedom. Between fiction and reality, magic and secret, future and reinvention, theatricality and humility, The Robots have built a unique world. The film combines rare archive footage as well as exclusive interviews with their closest collaborators who talk about their work with Daft Punk, including Pharrell Williams, Giorgio Moroder, Nile Rodgers and Michel Gondry.
One record company has been a constant presence in popular music throughout our lives. EMI brought the Beatles to the world and in every decade since has been instrumental in producing some of Britain's most celebrated and enduring music. But behind the success lay a very British institution often at odds with the music it released. It had to come to terms with psychedelia, face punk head on and find huge sums of money to feed the excesses of the 1980s. Interviews with EMI artists including members of Queen, Pink Floyd, the Sex Pistols and Pet Shop Boys reveal how their demands for more and more control ultimately led to drastic changes at EMI. Former EMI employees share the gossip and goings-on in an industry infamous for its extravagance. The British music industry is world renowned. It has produced decades of memorable music that has reached all corners of the globe. EMI has always been at the forefront and has left an indelible mark on our culture forever.
The story of the creation of Massive Attack's debut album, Blue Lines, which was released 25 years ago, to critical acclaim and commercial success. How the city of Bristol found a musical identity it could claim as its own - told by the people who were there.
British pop star Boy George recalls, revisits and assesses how the 1970s moulded the person and artist he has become. This is his musical, social and sexual coming of age when he discovered the power of his own sexuality before setting about turning that persona into a pop star. Set against a backdrop of social discord, disenfranchisement and sexual repression, the seventies was also conversely the decade that revelled in colour and creative chaos, giving the world glam rock, disco and punk, and the young George O'Dowd was at the birth of them all. The documentary includes contributions from contemporaries like Martin Degville (Sigue Sigue Sputnik), Andy Polaris (Animal Nightlife), DJ Princess Julia and pop star Marilyn. This is, as George said, 'the last ever bonkers decade', and it totally and completely shaped him.
Documentary in which director and DJ Don Letts looks at a very particular and very provocative British subculture - skinhead. He explores how skinhead has become associated with street fighting, trouble on the football terraces and violent racism in the public consciousness in Britain and around the world, but reveals that its origins lie in a cultural coming together that could not be further from its tarnished image. Don shows in fascinating detail how the roots of skinhead are in a brilliant cultural collision between the young white working-class kids and their Jamaican counterparts in British inner cities, a moment of multicultural harmony. He traces the history of skinhead from the late 60s to the present, looking at the music and styles of skinhead from the reggae-influenced ska to the punk-influenced Oi. Throughout Don meets people who were committed members of various skinhead scenes, and he considers the conflicts and the contradictions that skinhead has attracted over five decades.
Pink Floyd released their first single in 1967, and as their popularity around the world grew, they increasingly travelled outside the UK to perform live shows and make TV appearances. After The Dark Side of the Moon became a global smash, the band concentrated on the creative freedom of live performance, leaving the world of TV behind, but now, after painstaking research, tapes of those early historic appearances have been tracked down and compiled into a fascinating hour of early Pink Floyd. With frontman Syd Barrett, they perform Astronomy Domine and Jugband Blues, and after Syd's departure, Roger Waters, David Gilmour, Richard Wright and Nick Mason can be seen playing a full range of their eclectic material, from out and out pop in It Would Be So Nice, through instrumental improvisations, collaboration with choir and orchestra on Atom Heart Mother and enduring rock material like Wot's...Uh, The Deal. Beginnings 1967-1972 tracks the fascinating gestation of one of the world's most creative and heralded groups in the less well-known period that preceded the triumphs of The Dark Side of the Moon, Wish You Were Here and The Wall.
One of the most commercially successful acts of all time, UB40 enjoyed decades of huge success, selling over 70 million records with global hits including Red Red Wine, Can't Help Falling in Love and I Got You Babe. But stardom and fame came at a price and the band found themselves victims of their own success; bankrupt and penniless. Featuring newly filmed interviews with Ali Campbell, Robin Campbell, Astro, Brian Travers, Mickey Virtue and Jimmy Brown, the band recount their phenomenal rise to fame and speak with candour on their ongoing dispute that has split a family and a band, as they continue to tour as two separate groups - both using the name UB40.
West Side Story is one of the best-loved musicals of all time. A modern-day Romeo and Juliet, its timeless story and exhilarating dance and music continue to excite audiences around the globe. Songs such as Maria, Somewhere, Tonight and America have all become some of the biggest hits in showbusiness. And yet, West Side Story had an uneasy birth and was even turned away by producers when it was first put together in the 1950s by Leonard Bernstein, Stephen Sondheim, Jerome Robbins and Arthur Laurents. Now, as the world prepares to celebrate the 60th anniversary of West Side Story in 2017, dancer Bruno Tonioli and broadcaster Suzy Klein go in search of the true stories behind the inception of this classic show. For the first time on television, they hear first-hand from those involved in the show when it opened on Broadway in September 1957, including Sondheim himself, producer Hal Prince and original cast members from both show and movie, including Chita Rivera Carol Lawrence and Rita Moreno. With the BBC Symphony Orchestra and specially cast singers, we re-live some of the wonderful music and, in the company of Suzy and Bruno, we discover how West Side Story placed the 1950s phenomena of racial tension and teenage gangs centre stage to create a hit that changed musical theatre forever.
The last two years have seen Nile Rodgers launched back into the limelight following the massive success of Daft Punk's single Get Lucky, his distinctive guitar work helping the French dance music duo to one of their biggest hits. This 2013 documentary has been brought up to date to tell the story of his work with Daft Punk and how his band Chic has been introduced to a brand new audience. As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the 70s, as disco took the world by storm. But the music that had made Chic would also break them, thanks to the 'Disco Sucks' backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer, helping create some of the biggest hits of the '80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. The ever-charismatic Rogers contributes an engaging and often frank interview to tell the tale of how, born to beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco's most successful artists. In the '70s and '80s he lived the party lifestyle thanks to his success with Chic and as one of the music industry's hottest producers. Drugs and alcohol would become part of everyday life for Nile, contributing in part to the break-up of Chic in the early '80s. The band would reform in the mid '90s, but their return was quickly marked by tragedy with the death of Nile's long-time friend and musical partner Bernard Edwards in 1996. The film recounts a captivating and moving story of a man who has been making hit music for nearly four decades and has found himself back in the limelight once again.
In the 1970s, Jamaica came alive to the sounds of roots reggae. British rapper, poet and political commentator Akala tells the story of this golden period in the island's musical history, a time when a small group of musicians took songs of Rastafari, revolution and hope to the international stage. Growing up in London, Akala's family immersed him in roots reggae from an early age so he has a very personal connection to the culture. It has informed his own songwriting, poetry and political worldview, but it's an upbringing that he now feels he's taken for granted. In this documentary, Akala sets out to find out more about the music that has had such an impact on his life. He begins by exploring the music's origins in Jamaica, where it offered hope to ordinary people at a time when poverty, political violence and turmoil were ravaging the island. Artists like Bob Marley, Big Youth and Burning Spear began to write about suffering and salvation through Rastafari in their songs. Akala unpicks how all of this evolved. Back in the UK, Akala reveals how the Jamaican artists and our own British roots reggae bands like Steel Pulse became a cultural lifeline for young black people who were experiencing racism and rejection in their own country. He shows how roots reggae also related to a wider audience, its revolutionary message connecting with an increasingly marginalised UK youth.
There was nothing predictable about David Bowie - everything was designed to intrigue, to challenge, to defy all expectations. But perhaps no period in David BowieΓÇÖs extraordinary career raised more fascination, more surprise, and more questions, than the last five years. This film - to be broadcast on the night before what would have been BowieΓÇÖs 70th birthday - is an intimate portrait of one of the defining artists of our time, told by the people who knew him best: his friends and artistic collaborators. It follows the widely acclaimed film David Bowie: Five Years, first broadcast on BBC Two in 2013. It takes a detailed look at BowieΓÇÖs last albums The Next Day and Blackstar, and his play Lazarus. Through the prism of this last work the film shows how, in his final five years, Bowie not only began producing music again but returned to the core and defining themes of his career. These were artistic rebirth, a shedding of skins, a quest for a different palette to express the same big ideas - dissonance, alienation, otherness - the human condition. The film explores how Bowie was a far more consistent artist than many interpretations of his career would have us believe, by tracing the core themes from his final works through his incredible back catalogue. Viewers will see Major Tom reflected in Blackstar; Diamond Dogs in the play Lazarus; and Fame in the song The Stars (Are Out Tonight). BowieΓÇÖs urge to communicate feelings of spirituality, alienation and fame underpin his greatest works, from the 1960s to 2016. This is what lies at the heart of his success and appeal, music that deals with what it means to be human in a way that goes far beyond the normal palette of a rock star. This film is not a comprehensive overview of his entire career, but an in-depth exploration of its pivotal moments and a look at how the themes, the narrative, the approach are consistent - it is simply the palette that changes. It features every key me
Evolutionary biologist Professor Armand Leroi believes data science can transform the pop world. He gathers a team of scientists and researchers to analyse over 50 years of UK chart music. Can algorithms find the secret to pop success? When the results are in, Armand teams up with hit producer Trevor Horn. Using machine-learning techniques, Armand and Trevor try to take a song by unsigned artist Nike Jemiyo and turn it into a potential chart-topper. Armand also takes a scientific look at pop evolution. He hunts for the major revolutions in his historic chart data, looking for those artists who transformed the musical landscape. The outcomes are fascinating and surprising, though fans of the Fab Four may not be pleased with the results. As Armand puts it, the hallmark of The Beatles is 'average.' Finally, by teaming up with BBC research and development, Armand finds out if his algorithms can discover the stars of the future. Can he predict which of thousands of demo tracks uploaded to BBC Introducing is most likely to be a hit without listening to a note? This is a clash of science and culture and a unique experiment with no guarantee of success. How will the artists react to the scientist intruding on their turf? And will Armand succeed in finding a secret science of pop?
Former Spice Girl Geri Horner looks back on the 1990s and reflects on her own incredible journey from working-class Watford girl to international superstar. She describes it as a decade of hope and opportunity that gave young people the freedom to be themselves and break down barriers. Set against a backdrop of great political and social change, the 1990s was also a decade which saw a homegrown cultural revolution. The music and art scenes exploded, and suddenly Britain was the place to be. Britpop and girl power conquered the charts, and Geri herself became the iconic face of Cool Britannia in her famous Union Jack dress. But fame didn't arrive until the mid-1990s for Geri, and she reflects on the key events that shaped her life before becoming part of one of the most successful girl bands of all time. She talks movingly about her close friendship with her pop idol pin-up George Michael and recalls how supportive he was when she left the Spice Girls and embarked on her solo career.
Dazzling duets from four decades of BBC entertainment, from Parkinson to the Proms. Whether it's pianos or banjos, violins or voices, kora, erhu or harmonica, this is a journey full of striking partnerships and extraordinary combinations. Oscar Peterson, Larry Adler, Ballake Sissoko, Kiri Te Kanawa, Nigel Kennedy and Bela Fleck are just some of the featured artists bringing us a musical feast, full of fun and surprises.
Documentary following the rise of The Shires, the first British country group to have a top ten album in the pop charts, and the band to have spearheaded today's interest in country music in the UK. The programme follows Ben and Crissie both as they launch their second album My Universe and on a working trip to Nashville, where they are signed by leading country label Big Machine. They play the Bluebird, the legendary club where the performances from the TV series Nashville are filmed, and meet with Scott Borchetta, who discovered Taylor Swift. Interviews include Scott Borchetta, Ben Earle and Crissie Rhodes of The Shires, sisters Catherine and Lizzy of Ward Thomas and Thomas Rhett, a rising star of American country music who mixes country with funk, pop and rock
He was lanky, he wore glasses and he sang as if permanently battling hiccups. Aesthetically, Buddy Holly might have been the most unlikely looking rock 'n' roll star of the 1950s. But he was, after Elvis Presley, unquestionably the most influential. It was an all-too-brief career that lasted barely 18 months from That'll Be The Day topping the Billboard charts to the plane crash in February 1959 in Iowa that took Holly's life. That day was immortalised in Don McLean's 1971 song American Pie, and has become known as 'the day the music died'. This film tells the story of Buddy Holly's tragically short life and career through interviews with those who knew him and worked with him. This combined with contributions from music fans paints a picture of an artist who changed music. Rock 'n' roll started with Elvis, but pop music started with Buddy Holly and The Crickets.
Sharon Osbourne presents the story of pop deals through the decades. From Little Richard's half a cent a record to Robbie Williams's £80m deal via notorious bad deals for The Beatles, The Small Faces, The Animals and NWA and great deals for Led Zep, The Police and Moby, Sharon gets the inside story from those still chasing royalties and those who took on the music biz and won. With The Small Faces, Eric Burdon, The Police, Moby, NWA, Charles Connor (Little Richard's drummer), Art Rupe (aged 99, who signed Little Richard), Pamela Des Barres, Tim Clark (Robbie Williams's manager)
Fifty years ago this week, on 1 June, 1967, an album was released that changed music history - The Beatles' Sgt Pepper's Lonely Hearts Club Band. In this film, composer Howard Goodall explores just why this album is still seen as so innovative, so revolutionary and so influential. With the help of outtakes and studio conversations between the band, never heard before outside of Abbey Road, Howard gets under the bonnet of Sgt Pepper. He takes the music apart and reassembles it, to show us how it works - and makes surprising connections with the music of the last 1,000 years to do so. Sgt Pepper came about as a result of a watershed in The Beatles' career. In August 1966, sick of the screaming mayhem of live shows, they'd taken what was then seen as the career-ending decision to stop touring altogether. Instead, beginning that December, they immersed themselves in Abbey Road with their creative partner, producer George Martin, for an unprecedented five months. What they produced didn't need to be recreated live on stage. The Beatles took full advantage of this freedom, turning the studio from a place where a band went to capture its live sound, as quickly as possible, into an audio laboratory, a creative launch-pad. As Howard shows, they and George Martin and his team constructed the album sound by sound, layer by layer - a formula that became the norm for just about every rock act who followed. In June 1967, after what amounted to a press blackout about what they'd been up to, Sgt Pepper's Lonely Hearts Club Band was released. It was a sensation, immediately becoming the soundtrack to the Summer of Love - and one of the best-selling, most critically lauded albums of all time. It confirmed that a 'pop music' album could be an art form, not just a collection of three-minute singles. It's regularly been voted one of the most important and influential records ever released. In this film, Howard Goodall shows that it is the sheer ambition of Sgt Pepper - in its c
In 1987, two brothers from Auctermuchty in Fife released an album called 'This Is the Story'. Featuring songs such as 'Letter From America', the album propelled The Proclaimers and the Scottish accent into the charts. Superfan David Tennant talks to Craig and Charlie Reid about 30 years in the business which has taken them from playing small pubs and clubs across Scotland to become one of the nation's most iconic bands.
Film shining a spotlight on the untold story of The Sidemen, the musicians behind some of the greatest artists of all time. The Sidemen are the forgotten 'guns for hire' that changed musical history. Featuring interviews with Mick Jagger, Billy Joel and Keith Richards, this film takes viewers from the 1960s to today, via global stars such as Prince, David Bowie, The Rolling Stones and Beyonce.
This intimate biography, narrated in Marc Bolan's own words, marks the 70th anniversary of his birth and the 40th of his death. The film traces Bolan's remarkable journey from Hackney's own 'king of the mods' to Tyrannosaurus Rex, as he evolved into the artist known as 'the hippie with a knife up his sleeve'. With the dawn of the '70s and the breakup of The Beatles, Bolan became the gender-bending glam rocker whose band T. Rex revitalised the British music scene. But director Jeremy Marre - incorporating unseen movies shot by record producer Tony Visconti and Marc Bolan himself - reveals a far more complex and driven figure whose life was tragically cut short, aged 29. Featuring those who were closest to Marc, his friends, colleagues, family, partner Gloria Jones and producer Tony Visconti.
In the 1980s a new generation of pirate radio stations exploded on to Britain's FM airwaves. Unlike their seafaring swinging 60s forerunners, these pirates broadcast from London's estates and tower blocks to create a platform for black music in an era when it was shut out by legal radio and ignored by the mainstream music industry. In the ensuing game of cat and mouse which played out on the rooftops of inner-city London across a whole decade, these rebel DJs used legal loopholes and technical trickery to stay one step ahead of the DTI enforcers who were tasked with bringing them down. And as their popularity grew they spearheaded a cultural movement bringing Britain's first multicultural generation together under the banner of black music and club culture. Presented by Rodney P, whose own career as a rapper would not have been possible without the lifeblood of pirate radio airplay, this film also presents an alternative history of Britain in the 1980s - a time of entrepreneurialism and social upheaval - with archive and music that celebrates a very different side of Thatcher's Britain. Featuring interviews with DJs, station owners and DTI enforcers - as well as some of the engineers who were the secret weapon in the pirate arsenal - this is the untold story of how Britain's greatest generation of pirate radio broadcasters changed the soundtrack of modern Britain forever.
Behind-the-scenes archive documentary following Queen's Freddie Mercury, Brian May, Roger Taylor and John Deacon as they record their sixth album News of the World and embark on a groundbreaking tour of North America. By 1977, Queen had become a major headlining act in the UK, releasing chart-topping albums and singles as well as playing sell-out concerts in all the country's major venues. However, they were facing an increasingly hostile music press, who had a new favourite in punk and had turned against the elaborate, multi-layered recording techniques that had become the hallmark of the band's previous albums. But an unfazed Queen had their sights set on greater things. As the band announced plans to record their next album, the expectation was it would be another production extravaganza, but Freddie, Brian, Roger and John already had other ideas. News of the World showcased them at their most raw, simple and best, returning to their roots as a live act. With a self-imposed limit on studio time and produced entirely on their own for the first time, this stripped-back album took the fans and press by surprise and demonstrated Queen's ability to transcend fashions. It was to prove a seminal moment in the band's history. At the time, BBC music presenter Bob Harris was given exclusive and extensive access to the band to cover this period. Conducting insightful interviews with all four band members as well as filming them at work in the studio as they were planning and rehearsing their forthcoming North American Tour, and then following them as they performed across the US, Bob captured a band attempting to replicate their huge domestic success on the global stage. Curiously, the documentary he set out to make was never completed, and the footage lay unused in the archive until now. To mark the 40th anniversary of the release of the News of the World album, the footage has now been carefully restored and revisited to compile this hour-long portrait of a grou
John Travolta and Barry Gibb star in Saturday Night Fever - The Ultimate Disco Movie, with Bruno Tonioli. This documentary celebrates the fortieth anniversary of the 1977 blockbuster dance movie, and sees Strictly Come Dancing's Bruno, who was a young dancer in New York in 1977, walk us through the steps that made the movie legendary. He also revisits the streets of New York where the film was shot and looks back at the success of a film that gave everyone disco fever. Travolta, Gibb and other members of the cast and crew give gripping accounts of supreme success against a backdrop of setbacks and unexpected twists and turns. Bruno unpacks the skill, athleticism and dedication of Travolta, whose incandescent performance prompted a disco dance craze. We also hear about the potent influence of impresario Robert Stigwood, whose faith in Travolta and a group who had hit a glitch in their career - The Bee Gees, proved visionary. With clips from the original movie as well as astonishing access to those involved and rarely seen on-location archive, this programme retells the nail-biting evolution of a groundbreaking US film that originated in the work of a British journalist, saw a director fired, suffered mafia threats, filmed guerrilla style on the streets of Brooklyn, had a newcomer cast, benefited from disco hits written in a weekend and delivered a white suit and a performance from the man who wore it that have gone down in history. Other interviewees include actors Karen Lynn Gorney, Donna Pesco, Joseph Cali and Paul Pape, producer Kevin McCormick, former head of RSO records Bill Oakes, writer Nik Cohn, director John Badham, dance instructor Denney Terrio, costume designer Patricia von Brandenstein and location manager Lloyd Kaufman.
A portrait of Amy Winehouse the artist threaded together from extracts from interviews she gave to the BBC for a variety of documentary projects including the Jazz and Soul Britannia series on FOUR, much of which material is previously unbroadcast, blended with performances from across her career, including some which are also previously unbroadcast and unseen. Winehouse had a strong relationship with many parts of the BBC from when she launched herself as an artist back in 2004. In her short musical career, the north London native changed the landscape of modern pop culture, won countless awards, achieved critical acclaim and garnered global success before tragically dying at the tender age of 27. On the eve of the release of Asif Kapadia's Amy documentary film which explores Winehouse's life and death, here is an exploration of her music and her influences in her own words. Consisting of performances and interviews entirely from the BBC archives, this film celebrates Amy's music, her influences, her challenges as an artist and her eternal brutal honesty in her own words. Featuring exclusive unseen and rarely seen songs from her triple platinum selling album Frank and revered Grammy-winning album Back to Black, the programme pays homage to the tattooed rebellious rock 'n' roll-spirited songstress who wrote smart, sad, soulful and original pop songs that became instant classics and inspired a generation.
Roy Orbison died 29 years ago but he's hardly forgotten. As one of rock 'n' roll's pioneers he achieved superstar status in the 60s, writing and releasing a series of smash singles such as Oh, Pretty Woman, Only the Lonely, In Dreams and Crying. But while his professional life was full of triumph, Roy suffered terrible misfortune in his personal life, losing his wife and two of his children in successive tragedies, rebuilding his life by relying on his music to distract him from desolation. Roy's legacy as a beloved rock legend and a devoted father is revealed through intimate interviews with Roy's three surviving sons, featuring previously unseen home videos as Alex, Roy Jnr and Wesley Orbison discuss the immense talent and fierce determination that provided the driving force behind their father's incredible success and the dedication to Roy's family that helped create a strong spiritual base to escape the pressures of the rock 'n' roll lifestyle. This is the personal story of the relationship between three children and their father; a father who died when they were young, and who they have reconnected with and come to understand through embracing his life's work. It is not often that one gets to understand the person who is the music phenomenon, but in this film about relationships, family, love, loss and affirmation, we get to see the man behind the ever-present dark sunglasses and brooding loner persona, witnessing his struggle with personal demons, and ultimately redemption and acknowledgement from his peers.
The widely accepted Elvis narrative is that the Vegas period was the nadir of his career, but this film argues that Elvis reached his peak both as a singer and performer in the first few years of his Vegas period. He became, in those short years, the greatest performer on earth. The film tracks this five-year renaissance with some of his key musical and artistic collaborators of the period, including the creator of his most memorable jumpsuits, to celebrate the greatest pop reinvention of all time.
Supersonic, the award-winning feature documentary, tells the phenomenal story of iconic band Oasis - in their own words. Featuring extensive unseen archive, the film charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving account shines a light on one of the most genre- and generation-defining British bands that has ever existed, and features footage of new interviews with Noel and Liam Gallagher, their mother and members of the band and road crew.
Big Gold Dream is the everyday story of how a group of disaffected youth in search of the only fun in town went on to change the world. High on theory and with only cheek, cheek bones and cheap guitars to get them through between dole cheques, they took a set of hand-me-down reference points plundered from books, TV and subtitled films, created a scene and transformed it into art. As was typical of the times, entryism was in and subversion was from within, but like all great movements, it was never going to last. Except everything you hear today, tomorrow and knocked into the middle of next week started here. Indie-Disco, Art-Rock and Difficult Fun are all in the mix. Big Gold Dream is as much about now as then. Featuring contributions from Bob Last, Alan McGee, Peter Hook, Eugene Kelly, Norman Blake, Martyn Ware, Malcom Ross, Douglas Hart and Davey Henderson.
The full story behind the iconic song, featuring Brian May and Roger Taylor's return to Rockfield Studios, where they rerecord the guitar and drum parts, and tell the story of how the song came together. Narrated by Richard E Grant, the documentary includes exclusive rare recordings of Freddie Mercury performing the song in studio, Queen's first ever TV performance and the making of the video, as well as interviews with Mercury's friends and family, The Darkness and Bjorn Ulvaeus from Abba.
Clarke Peters, the writer of Five Guys Named Moe and actor in the likes of The Wire and Three Billboards, explores the origins, development and modern significance of a great American vernacular art form he has loved since a child - tap dancing. From 17th-century accounts of the dances performed by African slaves on American soil to celebrated 19th-century dance-offs and contests between Irish and African-American dancers, through to the troubled Hollywood heyday of tap dancing in the 1930s and 40s when black dancers were routinely excluded from the film roles their talent deserved.
With exclusive access, Duran Duran open up about their extraordinary career and talk candidly about the highs and lows they have endured together over four long decades. This is the band at their most relaxed, intimate and honest. The film spends time with John at his LA home, Simon pays a visit to his former choir master, Roger goes back to where it all started in Birmingham, and Nick dusts off some of the 10,000 fashion items that the band have meticulously catalogued and collected over the course of their career. Features fellow singer Boy George, fan and record producer Mark Ronson, friend, fan and supermodel Cindy Crawford and Highlander film director Russell Mulcahy.
The story of how grime rose from the council estates of east London to become the most important British musical movement since punk. Through personal encounters with key pioneers from the last four decades of British black music, Rodney P, the 'godfather of British rap', discovers that the success of grime rests upon previous generations of artists and learns that grime can only be truly understood when viewed as part of a broader social narrative and ever-evolving musical culture that goes back to the 1980s. As the first generation of British-born black youth came of age in the 1970s and 1980s, the natural medium for their artistic expression was the sound system culture brought over from Jamaica by their parents and grandparents. The first major breakthrough in the evolution of a home-grown sound came in the 1980, when young reggae MCs started telling their stories in a blend of patois and cockney, reflecting the mixed multicultural environments of the British inner cities they lived in. When Rodney became a rapper, the new sound of the streets was American hip-hop. Today it would be unthinkable for a grime artist to adopt an American twang, but back then when Rodney's crew London Posse started rapping in their own London accents, it was a breakthrough. In the early 90s, reggae toasting, British accents and sped-up hip-hop beats came together for the first uniquely British black music genre - jungle. And as the decade wore on, UK garage reflected the aspirations and optimism of Blair's cool Britannia, but it was never a platform for stories of struggle and hardship, and for the new generation of kids growing up on the council estates of east London, a harder sound was needed. Made on phones in bedroom studios, a new, sparser and more aggressive sound emerged. Spread via pirate radio stations and promoted by underground DVDs, London at the turn of the millennium saw the arrival of a new, grimier sound. Almost 20 years on from those beginnings, grime ho
Former Scissor Sisters singer Ana Matronic along with Martyn Ware, who was in both The Human League and Heaven 17, reveal a playlist packed with disco classics and more. Each song is hand-picked, and as they watch the performances, they reveal the reasons behind their choices. Discover why the Scissor Sisters owe a debt to Boney M, and how Martyn Ware helped revive the career of a singing icon. From Donna Summer to the Doctor Who theme tune and The Temptations to Tina Turner, their playlist holds dance-along gems interwoven with candid stories.
New Order's Stephen Morris and Gillian Gilbert unpack a playlist of electro, pop and new wave classics spanning four decades. Stephen and Gillian have been married for 24 years and have been in New Order together for even longer, but they still manage to surprise one another with their musical tastes. While Stephen declares Captain Beefheart an early influence, Gillian confesses her teenage love for a disco classic. During an hour of top tunes, Stephen also reveals the moment he was mistaken for Stevie Wonder, and Gillian recalls how her Dad was a fan of punk. From Kraftwerk to Can, David Bowie to Kate Bush, Magazine to Grace Jones and many more, this stellar playlist by Stephen and Gillian is brimming with iconic performances.
DJ and broadcaster Cerys Matthews and acclaimed blues photographer Val Wilmer select their favourite blues musicians, several of whom Val has met and photographed. As they view their selection, they reveal the reasons behind their choices. Discover why Muddy Waters is their master of mojo, and how Val rescued Jimi Hendrix from some over-eager fans. From Howlin' Wolf to John Lee Hooker, Sister Rosetta Tharpe to Peggy Lee and many more, their playlist is packed with classic blues and punctuated with great stories. Blues and Beyond offers new insights on both the subject and the narrators, as well as providing a heady nostalgic hit of the very best in blues music, from the intimate to the epic.
On Sunday 25 June 2000, David Bowie closed Glastonbury with a two-hour performance. Only half an hour or so of that stunning set was broadcast on BBC television that night at Bowie's insistence. At the time, the BBC were heavily criticised for coming off Bowie after broadcasting the first five songs of the set live and only returning for a couple of encore songs at the end of the show. Fortunately the cameras kept rolling and captured the whole set. This programme features an hour of highlights from that performance, including such previously unbroadcast hits as Ashes to Ashes, Starman and Let's Dance. Bowie was returning to the festival for the first time since 1971. His star was not in the ascendant after the Tin Machine era and such 90s solo albums as Outside, Earthling and Hours. But from the moment he walked out on the Pyramid Stage, resplendent in an Alexander McQueen frock coat with his hair in Hunky Dory mode, and launched into Wild is the Wind, it was clear that he had decided to embrace and fully restate both his catalogue and his legend. Arguably it was Bowie's greatest live performance since the 70s. After a heart attack in June 2004 while at the end of the 110-plus dates of A Reality Tour, Bowie never played live with a band again. His final stage performance was at a private Aids benefit show with pianist Mike Garson in 2006.
Happy Mondays frontman Shaun Ryder and Creation Records boss Alan McGee reveal a selection of their all-time favourite tracks. From first jobs to private jets, longtime friends Ryder and McGee unpack the songs that formed the soundtrack to their lives. In an hour of eclectic tunes, Shaun Ryder also discovers his lost Top of the Pops appearance and Alan McGee declares an alternative Scottish national anthem. Theirs is a blistering playlist of indie, punk and ska classics from Buzzcocks to The Specials, Junior Murvin to Marc Bolan, Orange Juice to Underworld and many more.
DJ Trevor Nelson and singer-songwriter Corinne Bailey Rae present their ultimate soundtrack in an hour of classic and contemporary soul and R&B gems. As they watch their selection, they reveal the reasons behind their choices. From childhood favourites such as The Jackson 5 and Gladys Knight to inspirational tracks from Prince, Mary J Blige, Stevie Wonder and Marvin Gaye, this is a playlist to satisfy any soul fan.
Beverley Knight and James Morrison select their all-time favourite vocalists in a playlist packed with some of the world's greatest singers. They celebrate incredible voices and track their influence in an hour of astonishing archive performances. James picks Tina Turner's epic Proud Mary rendition as one of his all-time greats, and Beverley introduces him to Big Mama Thornton - a woman who taught Elvis a thing a two. What's it like to sing with your 'idol of idols'? Beverley reveals how she felt when this opportunity presented itself. Experience the raw stadium rock vocal of Steve Tyler and the soaring acoustic purity of Eva Cassidy; the intensity of Otis Redding and the passion of Prince. Whitney Houston sings live to an audience of millions, and Sir Tom Jones returns to the green grass of Wales to deliver one of his classic hits. Finally a pitch-perfect George Michael serves to blow the roof off Wembley stadium in this feelgood hour of dazzling show-stoppers.
David Rodigan's unlikely career as a reggae broadcaster and DJ has developed in parallel with the evolution of Jamaican music in the UK. His passion and his profession have given him a privileged, insiders' view of the UK's love affair with Jamaican music that began in the 1950s. His constant championing of it has afforded him national treasure status with generations of British Jamaicans and all lovers of reggae music. This is a film about the career of David Rodigan but it's also a window through which to see a wider human story about social change in the UK: a story of immigration and integration, and music's role within it. The beginning of his career conjures up a forgotten era when reggae was reviled by liberal, hippyish music fans because of its association with skinheads. At one point, his fellow students agreed to share a house with him only if Rodigan agreed not to play reggae. Instead, he would haunt London's specialist record shops and sneak out to Jamaican clubs alone. His break first came on BBC Radio London, where his knowledge and infectious enthusiasm won him the gig. Since that first break, he's had shows on Capital, Kiss and now BBC Radio 1Xtra and BBC Radio 2. In the 80s, his radio show became such a Sunday lunchtime fixture in London's West Indian households that it was colloquially known as 'rice 'n' peas'. Bob Marley personally chose Rodigan's show to play out the world exclusive of Could You Be Loved. As well as being a DJ, Rodigan also began to 'soundclash' on a global stage. This musical competition where crew members from opposing sound systems pit their skills against each other involves the playing of records in turn, with the crowd ultimately deciding who has 'killed' the other crew, by playing the better chosen track. But standard versions of tracks don't cut it in a clash, where the true currency is 'dubplates' - versions of tracks recut, often by the original artist, with lyrics changed to praise the playing crew or diss
This candid biography explores the life of David Cassidy, the 70s pop idol and TV star. The film includes never-before-heard audio interviews with David from 1976 and a raw and poignantly filmed final recording session shortly before his death. Cassidy's role as singer Keith Partridge in the 1970s sitcom The Partridge Family brought fame and fortune and made him a global teen sensation. David Cassidy: The Last Session tells the inside story of his explosive rise to fame, his conflicted relationships with his father and his own celebrity, and the legacy he left behind.
British singer-songwriter duo Crissie Rhodes and Ben Earle form the award-winning country act The Shires. Their ultimate soundtrack ranges from Dolly Parton to Shania Twain. Each song is handpicked and as they watch the performances they reveal the reasons behind their choices. They kick off with the Queen of Country, Dolly Parton, and her iconic track Jolene. Following that comes legendary singer Patsy Cline, and for Crissie it brings back memories of singing along to Crazy with her grandmother. Ben then picks country pop crossover Shania Twain, whose That Don't Impress Me Much certainly made its mark on him. But Ben also likes his country classics and plumps for Glen Campbell's legendary Wichita Lineman. It's not only the stalwarts of the Great Country Songbook - they also make room for the edgy Americana roots music of critically acclaimed duo The Civil Wars and their spine-tingling live appearance on Later.
The programme shows Primal Scream's Bobby Gillespie's fascination with music from an early age, listening to the sounds of Elvis and Aretha Franklin before graduating to punk. He talks about his passion for music and how to keep creativity on the right track. In the early 90s the UK music scene was changing - with Oasis and Blur emerging, this alternative rock band was recording in Memphis but suddenly sounded out of step with the music scene. As the documentary reveals, nine songs were recorded for the band's 1994 album Give Out But Don't Give Up, including Jailbird, Rocks, and Cry Myself Blind, but the album that was released, after further mixes were made to make the new album more contemporary, was not the mix Primal Scream wanted. In the film Bobby Gillespie talks candidly about how this process led him to question his own judgement and that for many years the experience left him feeling that he had failed himself and his audience. With exclusive, previously unreleased footage of behind-the-scenes studio sessions, this is the story of how the original mixtapes of the album were rediscovered in a basement by Andrew Innes, Primal Scream's rhythm guitarist. The sessions recorded by the band in Memphis with the legendary record producer Tom Dowd, along with the Muscle Shoals Rhythm Section musicians Roger Hawkins, drums, and David Hood, bass, did not make the light of day, because some of the mixes were not suitable in the musical climate at the time. Bobby and Andrew go back to Memphis 25 years later to revisit Ardent Studios, where the band first recorded the original album, and meet some of the musicians and engineers involved in the process. It gives Bobby the chance to remaster the album he had originally envisaged all those years ago. The film has new interviews with Bobby, Andrew, David and Jeff Powell, the original engineer, giving their own, unique perspectives of the events of more than 20 years ago. Plus, there are archive interviews with the Me
Well-known fans celebrate Stevie Wonder and his music by selecting some of his best-loved songs. Wonder is one of the dominant figures in American music, a multi-faceted genius whose music has permeated popular culture, and he is not short of celebrity fans. His musical achievements are lauded in this anthology of his greatest hits. Contributors include actor Martin Freeman, singers Alexander O'Neal, James Morrison, Beverley Knight and Corinne Bailey Rae, New Order's Gillian Gilbert and Stephen Morris, DJs Ana Matronic, Trevor Nelson and Norman Jay, Heaven's 17's Glenn Gregory and Martyn Ware, journalist Sian Pattenden and presenter Emma Dabiri.
Barbra Streisand grew up in working class Brooklyn, dreaming of escape from her tough childhood. A stellar student, she resisted the pressure to go to college as her sights were firmly set on Broadway. She was determined to become an actress and landed her first role aged 16, but it was two years later, when she started to sing, that her career took off. Subverting stereotypes and breaking glass ceilings, this programme looks at her rise to stardom and the remarkable achievements of her early career.
ocumentary exploring the music of rock band Roxy Music, who have a good claim to be one of the UK's most influential bands. Led by charismatic front man Bryan Ferry, their striking style and great songs won them an army of fans who would go on to make their own mark in the world of music. In this celebration of the music of both Bryan Ferry and Roxy Music, insights and anecdotes are provided by household names from Sadie Frost to Glenn Gregory & Martyn Ware, Gaz Coombes, New Order's Stephen Morris and Gillian Gilbert, Shaun Ryder and Alan McGee, Ana Matronic and more. Formed in 1971, Roxy Music was the brain child of art student Bryan Ferry. His advert in Melody Maker gathered the initial line-up which included guitarist Phil Manzanera, saxophonist Andy Mackay, keyboard player Brian Eno and drummer Paul Thompson. Pioneers of glam, their outlandish fashion sense, songwriting and pioneering use of electronics created a glorious package. Punk, New Wave and New Romantic music owe a huge debt to Bryan and Roxy Music. Style is one thing, but the substance was reflected in a catalogue of classic songs - combined they create an enduring legacy which is celebrated in a golden hour of their greatest hits.
In the 1980s, Bros were one of the biggest bands in the world... for 15 minutes. Having sold out stadiums around the world, they were the youngest to this day to play Wembley, and their Push album went to number one in over 20 countries, selling 10 million copies worldwide. The rise and fall of Bros was meteoric. This film charts twins Matt and Luke Goss's reunion 28 years on, after they had hardly spoken and not played together since their split. With an incredibly fractured relationship and only three weeks to go until sell-out gigs at The O2 London, will they be able to put their history aside and come together as brothers to play the show of their lives? A raw and emotional look into the aftermath of fame and the reconnection between two twins torn apart by their past.
This tribute pays respect to the voice and life of Aretha Franklin who died on Thursday at 76. The daughter of legendary preacher C.L. Franklin who hailed from the same Deep South as many of the blues legends, Aretha was raised in Detroit where her father preached at the New Bethel Baptist Church and where she grew up singing gospel. She had two children in her early teens, signed to Columbia in 1960 and her career ignited when she signed to Atlantic in 1967. Global hits such as I Say A Little Prayer and Respect then quickly established her as The Queen of Soul while her majestic delivery and regal presence made her an iconic figure in the emerging Civil Rights movement. Aretha enjoyed renewed success in the 1980s when collaborating with Luther Vandross, cameoing in The Blues Brothers and then duetting with the likes of Annie Lennox and George Michael. Franklin was the first female artist to be inducted into the Rock & Roll Hall of Fame in 1987 and has sold over 75 million records. As recently as 2015 she stunned audiences at the with her extraordinary performance of (You Make Me Feel Like) A Natural Woman in front of President Barack Obama and its co-writer Carole King at the Kennedy Center. Contributors include Sir Tom Jones, Beverly Knight, Clarke Peters and Trevor Nelson.
For many people, musicians and fans alike, Jeff Beck is the greatest ever British guitarist. For more than 50 years he has blazed an uncompromising trail across the musical landscape. Always an innovator, never a follower, Jeff has steadfastly refused to pander to the demands of the record industry. This maverick attitude required some difficult career decisions; he left The Yardbirds at the height of their popularity, deserted his own group days before their billed appearance at Woodstock and often shifted his attention to his other great passion of building hot rods rather than continuing a tour or returning to the studio. Jeff's adventurous spirit led him to embrace a wide range of musical styles and he is one of a handful of artists who have transcended and redefined the limitations of their instrument, be it the Fender Telecaster, Esquire, Strat or Gibson Les Paul. He pioneered the use of feedback on record and his ability to capture the zeitgeist made The Yardbirds forerunners of psychedelic blues. With The Jeff Beck Group and the album Truth, he nurtured two of rock music's finest performers, Rod Stewart and Ronnie Wood, and gave birth to a sound that would later mutate into heavy metal. He turned even the loss of Rod Stewart to his advantage by almost single-handedly inventing the guitar instrumental album with the release of Blow By Blow, which embraced the influences of Jan Hammer and John McLaughlin whilst developing a sound that was uniquely his own. Moving forward Jeff continued to push the envelope, amassing a fantastic body of work spanning many musical genres whilst constantly developing and evolving his inimitable approach and technique. This film tells Jeff's story from his earliest days growing up in Wallington, Surrey with his homemade guitars, teenage friendship with Jimmy Page and the influences of guitarists such as Les Paul, Cliff Gallup and James Burton. With essential tracks from throughout his career it follows his journey from ar
Fellow musicians, journalists and fans celebrate Fleetwood Mac with a selection of their best-loved songs. Fleetwood Mac are the great survivors of British and American rock music. For more than fifty years they’ve overcome break-ups and breakdowns to become one of the most successful bands of all time. They have sold over 100 million records worldwide, with their 1977 smash Rumours accounting for nearly half of those sales. They have endured, like all great bands, because of the complimentary talents of its members. From Peter Green to Christine McVie, Stevie Nicks and Lindsay Buckingham, it has contained some extraordinary songwriters. With brilliant musicians on all instruments, the band has been able to turn the songs into commercial gold. Above all the tough determination of the two men who gave the band their name has seen Fleetwood Mac through thick and thin. Fleetwood fan Edith Bowman provides a narrative overview alongside other celebrity fans, who all pay tribute to the band in this hit-filled hour. Contributors include KT Tunstall, Travis’s frontman Fran Healy, Toyah Willcox, Sian Pattenden and Emma Dabiri.
Interviews and archive footage weave together performances from a concert at the Royal Festival Hall celebrating the songs and artistry of the folk-blues troubadour Bert Jansch.
This is the David Bowie story you don’t know. The story of how David Robert Jones became David Bowie, how David Bowie became Ziggy Stardust and how Ziggy became immortal, changing the musical landscape as he did so. The story that finally makes sense of one of the greatest icons of the 20th and 21st centuries. Part three of Francis Whately’s Bowie trilogy.
Flat Pack Pop: Sweden’s Music Miracle charts the remarkable rise of Sweden as a global music superpower. Journalist James Ballardie explores the uniquely Swedish songwriting formula created by record producer Denniz Pop, discovering how the biggest chart hits of the last 30 years have been inspired by the myths and legends of this Land of the Midnight Sun. In the 1990s, an elite band of unlikely entrepreneur songwriters and producers became responsible for the most dramatic revolution in music since Elvis first shook his hips. What started out as an experiment on the Stockholm underground club scene soon blossomed into an entire genre of its own. These unlikely heroes of bubblegum pop surfed the wave of the dot.com boom, launching the careers of Britney Spears, the Backstreet Boys, Westlife and many, many more. Hundreds of millions of record sales later, today they have a combined net worth of many billions. Featuring interviews with key Swedish songwriters, plus producers and artists including Katy Perry, Justin Timberlake, Ace of Base and Robyn, James’s search for the real lever-pullers behind today’s top tunes takes him from the icy streets of Stockholm to the barren plains of Kronoberg. But why should Sweden – of all places – have become such a hotbed for hot tracks? Some say it’s the terrible weather and long months of darkness that created the perfect environment for Swedes to refine their craft. Others praise the stellar state-funded musical education programmes promoted by the socialist governments of the 60s and 70s. A Swedish love for simplistic melodies – harking back to the medieval cattle-herding calls that form the basis of Swedish folk music – is also a key weapon in the Swedish musical juggernaut’s arsenal. Perhaps most impressive of all about Sweden’s musical miracle is the sheer duration of its success - with a streak of hits that has lasted longer than any of the classic songwriting factories that have defined pop h
2018 marked the 40th anniversary of Soft Cell, one of the most colourful and charismatic bands in the history of popular music. To celebrate this landmark, singer Marc Almond and musician Dave Ball reunited for an emotional, sold-out, farewell concert at London’s O2 Arena that September. With unprecedented access to Marc and Dave, this film follows the build-up to that gig and provides an intimate retrospective portrait of one of our greatest bands and most iconic singers. It shows rehearsals and preparations for the O2 show and footage from the actual concert itself, woven in with period archive and music videos. The film covers Marc’s formative years growing up in Southport and Dave’s in nearby Blackpool and how the two met as art students at Leeds Polytechnic in the late 1970s. We filmed Marc and Dave in The Fenton pub in Leeds, where they went as students, and they perform an early Soft Cell song, A Man Could Get Lost, on Dave’s original keyboards especially for the BBC Four audience at The Warehouse Club where the band did their first-ever paid gig. Soft Cell burned brightly between 1981 and 1984, after their gritty but stunning cover version of Tainted Love became a massive hit, the best-selling single in the UK of 1981 and a number one hit in 15 other countries, including the USA. Dave plays from the master tapes of that era-defining song for us. But Soft Cell were always more interested in using their success to subvert the mainstream than in becoming pop stars, as they tell us in relation to Marc’s groundbreaking, androgynous debut on Top of the Pops. It was the beginning of a controversial career that deliberately defied and flouted convention. Soft Cell were influenced as much by punk as by Northern Soul and Kraftwerk, and refused to be pigeonholed by anyone, bringing a punk ethos to synth-pop while busting taboos along the way. In their heyday, even while refusing to compromise on their musical vision, the pair produced numerous top
Ardal O'Hanlon looks at what started the showband era in Ireland, the people involved, and how it came to an end in the 1980s.
They defined music and popular culture like no other band ever will. But how did The Beatles make the journey from Merseyside teenagers to international pop stars in the 1960s? The Beatles: Made on Merseyside recounts how American rock ‘n’ roll and rhythm and blues dragged post-war Liverpool into one of the most vibrant music cities ever with the Mersey Sound. Featuring unique archive and revealing interviews from those involved in the early years of The Beatles in Liverpool and Hamburg, we discover the story of The Beatles’ previous band formations and why it took so long for them to achieve success. From school bands to colleges, Hamburg to The Cavern Club, The Beatles moved from skiffle to rock ‘n’ roll before creating their unique sound.
In January 1956, a new pop phenomenon appeared in the UK charts: a British artist playing a guitar. His name was Lonnie Donegan and the song he sang was Rock Island Line. Donegan’s rough-and-ready style was at odds with the polished crooners who dominated the charts. He played the guitar in a way that sounded like anyone could do it. Rock Island Line sounded like nothing else on the radio and it inspired a generation of British youths to pick up guitars and begin a journey that would take them to the top of the American charts. Rock Island Line, the biggest hit of the skiffle craze, spoke directly to a generation of British teenagers who had grown up during post-war rationing. Within 18 months of its release, sales of acoustic guitars in the UK had rocketed from 5,000 to over 250,000 a year. The song began its life in the 1920s as a jingle in the workshops of the Rock Island Line railroad in Little Rock, Arkansas. In 1933, John A Lomax visited Cummins Prison Farm, south of Little Rock, collecting work songs for the Library of Congress. On the day of the recording, a group of eight prisoners, led by Kelly Pace, came up to Lomax’s mic and sang Rock Island Line. Lomax’s driver was the African-American musician who became the celebrated folk singer Lead Belly. He was so impressed that he learned the tune, added verses and made it a staple of his own repertoire. In the late 1940s, young music fans in the UK began to seek out recordings from the early years of jazz, becoming obsessed with the New Orleans style (known as Trad Jazz) that favoured collective interaction over the prevailing emphasis on soloists. Blowing on their instruments very hard, they found that their lips were numb after half an hour. So as to not lose their audience, they put down their instruments and picked up guitars, a double bass and a washboard. These ‘breakdown sessions’ were initiated by Ken Colyer, a trumpet player who sought out his heroes in New Orleans. Because he w
Woody Guthrie is one of America’s legendary songwriters. A voice of the people, he wrote hard-hitting lyrics for a hard-hit nation. His is a tale of survival, creativity and reinvention. He is proof that there is always potential for change and even in 2019, more than fifty years after his death, he is challenging Donald Trump from beyond the grave. With enormous influence on successive generations of musicians like Bob Dylan, Bruce Springsteen, Joan Baez and Billy Bragg, this film proves he has a true place in 21st-century culture.
John Lee Hooker was one of the greatest bluesmen of the 20th century. Born into poverty and racial segregation, he lived through a monumental time in American history. This is the story of a cultural icon, and his far-reaching impact on popular music, told in his own words and those of his family and closest collaborators. Interviews with Keith Richards, Van Morrison, Carlos Santana, Bonnie Raitt and Robert Cray tell how an illiterate man from the rural and impoverished backwaters of the Mississippi Delta influenced their own musical journey. We reveal his part in bringing the Blues to a new generation of young British musicians and how, in turn, those musicians introduced young, mainstream Americans to their own cultural heritage. His is an astonishing tale of survival and creativity, ingenuity and reinvention - of a man who became a superstar against extraordinary odds. It is also the story of modern America, portrayed through the incredible and touching journey of a singer-songwriter who has left an indelible mark on today’s music.
A 90-minute feature film that drills into the soul of this extraordinary, magical Island and releases the story of 3,000 years of Ibizan history. Julien Temple’s iconic trademark style sends its audience on the ultimate, emotionally exhilarating and groundbreaking time-travel ride through the psyche of this jewel of the Mediterranean. This is a story of extremes and the fight for the very soul of the White Island. A story of sensuality, hedonism, spirituality, ancient ways of life and new ways of living. An island, despite wave after wave of brutal occupation, whose free spirit of tolerance and acceptance of others has somehow managed to survive, absorbing, welcoming and sheltering people and cultures from around the Mediterranean and the world beyond. Ibiza’s bohemian heart now faces its strongest challenge yet: to continue to beat strongly in the face of the ever-growing annual invasion of wealthy socialites and the gentrification of the island in the name of progress. The film re-enacts, with cameo Hollywood performances, forgotten epic moments in the history of the island. From irresistible sirens who seduced and shipwrecked Odysseus with their honeyed songs to the Carthaginians, Romans, Vikings and Moors; from the refugees of Franco's civil war to the McCarthy blacklists of Hollywood; from the early hippy beat paradise of the 1950s to the pan-European free zone that is Ibiza today; from the sexual rites of the Phoenician love goddess Tanit to disco sunrises at super-clubs like Pacha, Space, Amnesia and DC-10, Ibiza has always been out there on the frontier of human experience. This island has seen it all and so will our audience. Adopted home of Orson Welles, Errol Flynn, Denholm Elliott, Sid Vicious, Joni Mitchell, Robert Plant, Terry-Thomas, master forger Elmyr de Hory, convicted fraudster Clifford Irving and, of course Elle, Naomi and Kate, Ibiza has always proved irresistible to celebrities on the run from themselves. Today’s residents includ
For three days in August 1969, half a million people from all walks of life converged on a small dairy farm in upstate New York. They came to hear the concert of their lives, but most experienced something far more profound: a moment that came to define a cultural revolution. This documentary tells the story of the lead-up to those three historic days, through the voices of those who were there and the music of the time. It includes extraordinary moments from the concert itself, iconic images of both performers and festival goers, and tells how this groundbreaking event, pulled off right at the last minute, nearly ended in disaster and put the ideals of the counterculture to the test.
The compelling story of the Chins - the Chinese-Jamaican family behind Studio 17 established above Randy’s Records at 17 North Parade in downtown Kingston. Randy’s Records was founded in the late 1950s by Vincent Chin and his wife Pat, who began by selling used records in a tiny shop. As Jamaican independence approached in 1962, Vincent Chin had the inspired idea of producing a record to capitalise on the excitement of the time. He approached the popular Trinidadian singer Lord Creator and produced Independent Jamaica. Jamaica was in the mood for celebrating its independence, and the song was an instant hit. Creator then went on to record Kingston Town, which became a huge hit for UB40 in the 1980s. The success of Independent Jamaica enabled the Randy’s shop to expand and add a studio of its own, known as Studio 17. Studio 17 was where Vincent Chin and later his son Clive Chin as well as many other legendary Jamaican producers would create new tracks. Throughout the 60s and 70s many of the world’s most famous reggae artists recorded there, including Bob Marley and the Wailers, Peter Tosh, Gregory Isaacs, Dennis Brown, John Holt, Lee 'Scratch' Perry, Horace Andy, Alton Ellis, Carl Malcolm, Jimmy London, Augustus Pablo, Ken Boothe, Delroy Wilson and many more. Pat, who became known as Miss Pat, played the test pressings in the shop downstairs to gauge customers’ reactions, which helped her decide which tracks to release. Her instinctive decisions helped Randy’s become the major outlet for homegrown music in Jamaica. In the late 70s, political turmoil in Jamaica prompted the Chins to leave for New York, abandoning the studio and record shop. They successfully founded VP Records, (V for Vincent, P for Pat), the world’s largest independent reggae label. Now in her 80s, Pat still lives and works in New York: an extraordinary woman who today mentors the latest risqué dancehall acts on the VP label. When the Chin family left for New York, some
First transmitted in 1972, B.B. King is filmed at a recording session at Command Studios, Piccadilly, London during the sessions that led to the 'B.B. King in London' album. The blues legend talks about himself and the guitarists who have inspired him, including Django Reinhardt, Charlie Christian and T-Bone Walker.
