Meet your new instructor: Neil Gaiman, one of the most prolific storytellers of our time. In his first lesson, Neil explains why he loves to teach and how he wants to encourage you to tell stories that matter.
One of the central tools of literature is using the “lie” of a made-up story to tell a human truth. Neil shows you how to make your story’s world—no matter how outlandish—feel real to readers.
Neil believes that even old stories can be approached from new angles. Learn how to create your own “compost heap” of inspiration and how to draw from your experiences to make a story uniquely your own.
Your writer’s voice is what makes it possible for someone to pick up a page of text and recognize that you wrote it. Learn how to develop your voice and how to overcome the fear of making mistakes.
Every story has a big idea. Learn how to find a big idea that’s meaningful to you, as well as how to create conflict and compelling stakes for your characters.
Neil uses his young adult fantasy novel, The Graveyard Book, to illustrate how character motivations serve as the essential building blocks of a compelling plot.
Using “March Tale” as an example, Neil shows you how to expand your narrative by creating conflict for your protagonist and how to bring your story to a satisfying climax.
Learn Neil’s philosophy of worldbuilding, including how to create compelling and believable settings for your novel, and how to avoid the common pitfalls many inexperienced writers make.
Neil shares his techniques to liven up descriptive prose, including cold opens, withholding information, finding emotional weight, and choosing memorable details.
Neil shows how he uses humor in his work. He includes a close look at his novel Anansi Boys to illustrate his personal techniques such as “sherbet lemons” and “figgins.”
Readers’ expectations are intrinsically tied to genre. Neil explains how an understanding of your story’s genre can help you provide delightful surprises to your audience.
Writers don’t need to shy away from comics just because they’re not illustrators. Neil demonstrates his process of plotting and scripting a comic, using an award-winning issue of Sandman as an example.
Every writer faces times when they’re stuck. Neil talks about some of the difficulties of the writing life and gives ideas about how to get through them.
In his rules for writers, Neil talks about striking the right balance between humility and confidence, as well as the need to stay organized and devoted to daily work.
Neil concludes with a deeply personal discussion of the responsibilities that people who create art have to their audience and what this means for humans as a whole.