Judd For the Defense. Clinton Judd was a high-priced, high powered criminal attorney modeled along the lines of such real-life legal superstars as F. Lee Bailey and Percy Foreman. Based in Houston, Texas, he traveled all over the U.S. defending wealthy tycoons. Carl Betz won an Emmy and Golden Globe in 1968 for outstanding dramatic actor in this role. Even with this accolade, the show lasted only one more season, ending in 1969.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | January 1969 | 1 | |
| Season 1 | September 1967 | March 1968 | 26 |
| Season 2 | September 1968 | March 1969 | 24 |
| Unassigned Episodes | 0 |
| Season | From | To | Episodes |
|---|---|---|---|
| Unassigned Episodes | 51 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | 0 | ||
| Unassigned Episodes | 51 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Leo Penn | 9 | 10/06/1967 - 03/14/1969 | |
| Boris Sagal | 6 | 09/29/1967 - 01/03/1969 | |
| Alex March | 4 | 10/20/1967 - 03/01/1968 | |
| John Erman | 3 | 10/13/1967 - 01/31/1969 | |
| George McCowan | 2 | 03/08/1968 - 03/15/1968 | |
| William Hale | 2 | 10/27/1967 - 12/08/1967 | |
| John Llewellyn Moxey | 2 | 10/04/1968 - 11/01/1968 | |
| Paul Monash | 2 | 09/08/1967 - 11/03/1967 | |
| Richard Colla | 2 | 09/20/1968 - 10/25/1968 | |
| Robert Butler | 2 | 09/22/1967 - 11/03/1967 | |
| Lamont Johnson | 2 | 10/11/1968 - 11/08/1968 | |
| Alexander Singer | 1 | 10/18/1968 | |
| Charles S. Dubin | 1 | 03/07/1969 | |
| Larry Peerce | 1 | 02/23/1968 | |
| Ralph Senensky | 1 | 11/17/1967 | |
| Les Pine | 1 | 01/17/1969 | |
| Lawrence Louis Goldman | 1 | 11/10/1967 | |
| Gerald Mayer | 1 | 01/05/1968 | |
| David Davidson | 1 | 10/27/1967 | |
| Michael Caffey | 1 | 12/01/1967 | |
| Walter Grauman | 1 | 09/27/1968 | |
| Jud Taylor | 1 | 12/13/1968 | |
| Seymour Robbie | 1 | 09/15/1967 | |
| Jack Jacobs | 1 | 11/10/1967 | |
| Harvey Hart | 1 | 09/08/1967 | |
| Christian Nyby | 1 | 02/16/1968 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| William Kelley | 3 | 09/27/1968 - 02/28/1969 | |
| John W. Bloch | 3 | 02/16/1968 - 12/27/1968 | |
| James M. Miller | 2 | 01/05/1968 - 10/25/1968 | |
| E. Arthur Kean | 2 | 01/10/1969 - 02/07/1969 | |
| Harold Gast | 2 | 09/08/1967 - 01/24/1969 | |
| Sheldon Stark | 2 | 10/06/1967 - 11/10/1967 | |
| Norman Borisoff | 1 | 03/08/1968 | |
| Robert Lewin | 1 | 11/01/1968 | |
| Meyer Dolinsky | 1 | 10/13/1967 | |
| Mel Goldberg | 1 | 11/08/1968 | |
| Gerry Day | 1 | 12/01/1967 | |
| Saul Levitt | 1 | 09/15/1967 | |
| Stanford Whitmore | 1 | 10/27/1967 | |
| William Froug | 1 | 10/20/1967 | |
| Ellis Kadison | 1 | 09/22/1967 | |
| Leo Lieberman | 1 | 10/13/1967 | |
| Leon Tokatyan | 1 | 09/08/1967 | |
| Halsted Welles | 1 | 09/29/1967 | |
| Franklin Barton | 1 | 03/15/1968 | |
| Arthur Singer | 1 | 11/08/1968 | |
| Joel Kane | 1 | 09/22/1967 | |
| Irving Gaynor Neiman | 1 | 10/27/1967 | |
| Tina Pine | 1 | 01/17/1969 | |
| Barry Oringer | 1 | 12/13/1968 | |
| Roger H. Lewis | 1 | 01/17/1969 |
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A legal drama is a genre of film and television that generally focuses on narratives regarding legal practice and the justice system. The American Film Institute (AFI) defines "courtroom drama" as a genre of film in which a system of justice plays a critical role in the film's narrative. Legal dramas have also followed the lives of the fictional attorneys, defendants, plaintiffs, or other persons related to the practice of law present in television show or film. Legal drama is distinct from police crime drama or detective fiction, which typically focus on police officers or detectives investigating and solving crimes. The focal point of legal dramas, more often, are events occurring within a courtroom, but may include any phases of legal procedure, such as jury deliberations or work done at law firms. Some legal dramas fictionalize real cases that have been litigated, such as the play-turned-movie, Inherit the Wind, which fictionalized the Scopes Monkey Trial. As a genre, the term "legal drama" is typically applied to television shows and films, whereas legal thrillers typically refer to novels and plays.
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