The story of the Queen of Sheba appears in religious texts sacred to Jews, Christians, and Muslims. Described in the Bible as simply a Queen of the East, modern scholars believe she came from the Kingdom of Axum in Ethiopia, the Kingdom of Saba in Yemen, or both. Their main clue is that she brought bales of incense with her as a gift; frankincense only grows in these two areas. Both countries claim her as theirs. Given that they are separated by only 25 kilometers of water, both could be right. In these tales the Queen of Sheba is a seeker of truth and wisdom and she has heard that King Solomon of Israel is a very wise man. She travels on camel to Jerusalem to meet him and test his knowledge with questions and riddles. With her she brings frankincense, myrrh, gold and precious jewels. King Solomon has heard of Sheba and her great kingdom. He has also heard that she has a strange feature, a left foot that is cloven like that of a goat and a hairy leg. Eager to see if the story is true, he has the floor of his court polished until it is like glass. When the Queen of Sheba walks across the floor, Solomon sees the reflection of her cloven foot. Right in front of his eyes, it transforms and becomes normal. The Queen of Sheba tests Solomon's wisdom, asking him many questions and giving him riddles to solve. He answers to her satisfaction and then he teaches her about his god Yahweh and she becomes a follower. This is how some Ethiopians believe Christianity came to their county. The Queen agrees to stay with King Solomon as a guest. An unmarried woman, she warns the King not to touch her. He replies that in exchange she should not take anything of his. He has tricked her, however. In the middle of her first night she is thirsty and she takes a glass of water. He confronts her and tells her that by breaking her agreement she has released him from his. They spend the night together and when she returns home from his kingdom, she is pregnant with a son. She r
The darker the age, the more desperate we are for illumination. This is certainly true of the tale of Shangri-La, which differs from other myths in that it's a largely modern story. In 1933, British novelist James Hilton published Lost Horizon, which became an instant hit with the public. It follows the fortunes of a group of Western travellers whose aeroplane crashes in the remote, unexplored part of the Himalayas that we now know as Tibet. The group find themselves in an earthly paradise, where materialism, modern cynicism - and the threat of war - are unknown. Despite its modernity as a popular myth, the notion of an earthly paradise beyond the Himalayas had been known to Western scholars for centuries.
King Arthur, a 5th-century Celtic monarch who battled invading Anglo-Saxons, first appears in a history of Britain written in 830. The story was expanded in the 12th-century by Geoffrey of Monmouth, who most modern historians regard as primarily a writer of fiction. The Tudors popularized Arthur further, as did the Victorians. Hollywood producers had a soft spot for Arthur. The musical, Camelot (1967), starring Richard Harris and Vanessa Redgrave, cashed in on an Arthurian revival sparked by claims that Arthur's seat was a hilltop fort at South Cadbury, Somerset. More recently, King Arthur (2004), with Clive Owen and Keira Knightley, attempted a more realistic portrayal of the legend. But the most popular version has to be Monty Python and the Holy Grail (1975). Silliness can endure, too.
Ancient Greek storytellers came up with several versions of the Jason myth but they all shared a central theme. Jason and his heroic warriors must travel across uncharted waters (the modern Black Sea) to secure a golden ram's fleece with mystical powers. Possession of this fleece will enable Jason to regain control of a kingdom his father once ruled. The first tales featuring Jason appeared around 800 BC but they were set 500 years earlier. The most famous version was written by Apollonius of Rhodes, during the 3rd century BC. Jason and the Argonauts (1963) is pure Hollywood. The screenplay takes as many liberties with the Greek myth as the original myth-makers took with Greek history. Todd Armstrong as Jason doesn't set the world alight but the special effects from stop-motion genius Ray Harryhausen are the best of their kind.
