Victoria traces the story of the first bohemians. She begins in post-revolutionary Paris, where poverty-stricken, garret-dwelling artists and writers gained a reputation for loose living, colourful clothing and wild, naked parties. They revelled in the absurd - for example, one legendarily took his pet lobster for walks in the park. Here the archetype of the bohemian was born, immortalised later in Puccini's opera La Bohème. But were they trailblazing creatives or irritating posers? And is living outrageously a necessary step towards producing great art? Victoria goes on to explore how bohemian subculture took root in Britain through the groundbreaking art, eccentricities and bad-boy behaviour of the Pre-Raphaelites. Dante Gabriel Rossetti cultivated his image as an oddball, keeping a menagerie including a much-loved wombat. He caused a scandal when he became obsessively entangled with Janey Morris, wife of his friend, the designer William Morris. Victoria learns how bohemianism evolved into the dandy pose of aesthetes such as playwright Oscar Wilde and artist Aubrey Beardsley, whose explicit drawings intrigued and shocked the public in equal measure. And she recounts how, most surprisingly, bohemian living found one of its greatest advocates in children's author Arthur Ransome who, long before Swallows and Amazons, wrote a whimsical traveller's guide to bohemian London. Victoria's historical journey is given added resonance through her probing, highly entertaining encounters with a range of illuminating modern bohemians, including Stephen Fry, artists Grayson Perry and Maggi Hambling, pop star-turned-vicar and broadcaster Richard Coles, writer Will Self and drag artist Jonny Woo.
The journey through bohemian history reaches the early 20th century, when the Bloomsbury Group and others were determined to challenge sexual taboos - sometimes in their work and often in their private lives. They threw off their inhibitions, and frequently their clothes, and set the tone for generations of bohemians who followed. But what did the pursuit of freedom do for these artists, their art, and the people around them? Victoria considers the very open relationships of the Bloomsbury set, famously known as 'a circle who lived in squares and loved in triangles'. She also visits Charleston, the rural love nest of painters Vanessa Bell and Duncan Grant. She explores the story of Edward Carpenter, the poet and proto-hippy who dared to campaign for gay liberation in Edwardian England, and examines the 'King of Bohemia', painter Augustus John, who was alleged to have sired at least 99 children - one of whom Victoria meets. This episode also features the Bright Young Things - the glamorous, party-loving bohemians of the Roaring Twenties, who provided the inspiration for photographer Cecil Beaton and writer Evelyn Waugh. Victoria discusses them with Stephen Fry, who directed the film of Waugh's novel Vile Bodies. She also uncovers the forgotten life of Nina Hamnett, a painter who spent too much time down the pub to fulfil her early promise. Finally she grapples with the truly shocking sexual conduct of one of the greatest English artists of the century, Eric Gill, whose actions for many embody the most unpalatable excesses of bohemian behaviour, living beyond any boundaries. Along the way Victoria also meets artists Grayson Perry and Maggi Hambling, and seeks the wisdom of the Rev Richard Coles and author Will Self.
Are we all bohemian now or are none of us? Just one of the questions Victoria discusses with a colourful array of modern-day bohemians in the final episode of her series exploring unconventional living. This time she runs the post-war gamut from artist, drinker and sexual masochist Francis Bacon to the modern-day, latte-sipping hipster. The birth of pop music and the sexual revolution spread bohemian values from an arty elite to ordinary folk in the suburbs. But were these watered down with mass take-up in the 1970s, becoming little more than a lifestyle choice, signalled perhaps by a taste for eccentric clothes, recreational drugs and a willingness to talk frankly about sex? Perhaps, Victoria wonders, it was punks who were the true bohemians of their day, because like their 19th-century French predecessors, they set out to shock. And she asks, were the new bohemians those who flamboyantly championed gay rights in the 1980s, then equally shocking to mainstream society? And what of today? Do today's artists and wannabe artists still identify with either the values or the pose of bohemians past? Or has the idea of the 'alternative' lifestyle, like everything else in our post-industrial culture, become a commodity to such an extent that the concept has been robbed of any value? Does a fine beard really signal a free spirit? Or is the life of the hipster worlds apart from those few daring individuals still determined to plough their own furrow? Victoria quizzes a range of entertaining and colourful interviewees over the course of the episode - hearing the hedonistic sexploits of artist Molly Parkin, uncovering the punk past of critic AA Gill, and asking former pop star-turned-vicar Richard Coles about his drug and sex-fuelled party years. She also talks to fine artists Grayson Perry and Maggi Hambling, drag artists Jonny Woo and the Virgin Xtravaganzah, poet John Cooper Clarke and writer Will Self. And she visits the squat where the self-styled 'Bohemians 4 Soh
