In Arnhem Land in the remote tropical north of Australia, the Gurruwiwi family of the Yolngu Aboriginal people, reveal the world of the 'yidaki', a sacred instrument better known to outsiders as the didgeridoo.
Mama is one of the last traditional weavers from the South Seas island of Rurutu, French Polynesia and one of the last to make the 'taupoo', the traditional ceremonial hats woven from dried pandanus tree leaves. Taking five weeks to make, these hats were originally introduced to the island by British missionaries in the early 1800s. Now, they're worn to church and given as wedding gifts. But the knowledge of how to make them is dying out. For each hat, 30 or more long pandanus leaves have to be cut down, spliced together, hung, dried, rolled, sorted, dyed and bleached. And that's all before the weaving actually begins. Without a template or stitches or any thread, Mama almost magically weaves the dried leaves into a hat. Touching upon the island's Christian history, local myths and legends, and offering a unique sense of this island idyll in a moment of flux, this film is a rare visual treat and a chance to enjoy the last vestiges of an ancient tradition.
Maori master carver Logan Okiwi Shipgood crafts a beautiful 6ft tall 'pou' statue from native New Zealand timber. Logan explores the deep spiritual connection between Maori carvers and the objects they create, and the significance of his home - Rotorua - in the revival of Maori art and culture in the 20th century.
Indigenous Hawaiian artist Dalani Tanahy spends weeks painstakingly beating tree bark into a sheets of cloth-like fabric. This ancient Hawaiian artform known as 'kapa' was once the staple material of the islands. But after Captain Cook introduced cotton, and the Americans overthrew the Hawaiian monarchy, kapa-making completely disappeared. Dalani is one of a handful of dedicated practitioners who has spent her life bringing this artform back. Why? Because kapa-making has become integral to the nascent Hawaiian cultural nationalism that is taking hold in indigenous communities of Hawaii. Kapa-making has become a powerful source of pride and identity, but it's a lot of work. Trees have to be planted and tended, cut, stripped, and the bark beaten and fermented. Then sheets of bark are joined together to make a single sheet. Natural dyes and paints are printed on. And only then is the kapa ready to be worn. Dalani takes us through the process of making a piece of kapa from start to finish, and delivers her kapa to a dancer, who plans to use this kapa as a traditional 'hula' skirt. The film ends with an emotional performance at the Royal Palace in Honululu, Hawaii. A traditional 'hula' dance is performed, to honour Hawaii's last monarch, Queen Lilo'uokalani. Like the kapa itself, the Queen, rudely overthrown by Americans, has become a symbol of reborn Hawaiian identity.
