The Renaissance was succeeded by Mannerism, a style well illustrated by Parmigianino's distorted <em>Madonna of the Long Neck</em>. Some artists resisted the trend, notably Titian. Professor Kloss closes with a final look at three vastly different interpretations of The Last Supper: Castagno's version of 1447, Leonardo's of about 1498, and Tintoretto's startling vision of about 1594.