Welcome to episode five of "The a and the fist of fun. At ten.". This week, Rich & Stew are breathing a sigh of relief that they didn't get hit by the runaway Chinese satellite. Rich's theory for the Chinese invasion of Taiwan is, of course, that Taiwan make all the toys that go inside Kinder Eggs, and China wants all the toys without having to pay for the eggs. Stew wastes no time, however, in pointing out that Rich has ascribed his own motives for invading Taiwan - confusing them with those of the Chinese governments'. Rich collects Kinder Egg toys, you see, and he puts them all in a big glass cabinet in his house. He keeps the chocolate too. In his tummy. This week, Richard's been to the cinema, where he saw "Seven" which he was impressed by. Not least due to the fact that it made perfect sense on it's own - even though he hadn't seen one, two, three, four, five or six. Stew tries to tell him that the film is not part of a sequence, but Rich isn't listening. He goes on to tell of how much he enjoyed the film that he went looking for more in the series. He couldn't find many - just "10" & "2001", but by the time he's finished counting back from 2001 Rich & Stew are old and grey. They have beards. Peter Dibdin returns once more, charging twenty pounds a lesson & trying to teach all the stupid, none-driving idiots the Peter Dibdin Traffic light sequence song; "Red is the colour of the apple so fine - STOP, red and amber is the sunset in the evening time - GET READY, green is the frog all covered in slime - GO, amber is the sunrise in the morning time - STOP, UNLESS BREAKING WOULD BE MORE DANGEROUS THAN CONTINUING, and that is the order of the traffic lights sign." Of course, no-one can remember this - leading to plenty of Peter Dibdin insults. Returning to the Studio, RIch & Stew are discussing chart music. It's great the The Beatles are back in the charts, according to Rich. Stew, on the other hand, thinks it's great only if you like the idea of a bunc
Name | Type | Role | |
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Richard Herring | Writer | ||
Stewart Lee | Writer | ||
Nick Wood | Director |