In the final episode of Egypt, Jean-François Champollion has unlocked the ancient Egyptian hieroglyphs but, in doing so, faces opposition from the Church and a challenge to his own beliefs. The programme begins in 1815, when everyone in Europe has been infected with a fascination for Ancient Egypt. The King of France buys - at huge cost - a relief, removed from the ceiling of the temple of Dendera in Egypt. A number of experts believe this to be an ancient temple. There is much excitement about just how old it really is. If it was much older than 2,000 BC, it threatens the established chronology of the Bible. Jean-François Champollion is invited to give an opinion by one of the King's aides, the Duc de Blacas. This is the first test of his ability to understand hieroglyphs. Known as a free thinker, his presence makes the Church nervous. However, to everyone's surprise, Champollion declares, quite definitely, that the relief was made after the birth of Christ, due to the crude quality of its art and the existence of some hieroglyphs that spell the name of a Roman leader. It is the first dramatic and very public demonstration of Champollion's understanding of the hieroglyphs. In 1824 he is invited to Italy to see some of the world's greatest collections of Egyptian artefacts. While there, he discovers, to his delight, that he can read quite easily all the hieroglyphs he sees. He is also able to decipher ancient lists of Egyptian Pharaohs and parts of the book of the dead, describing the journey of the Pharaoh through the afterlife. He is the only person in the world who understands how to read hieroglyphs, but not everyone believes him. Jealous academics in Paris and elsewhere are waiting to disprove him. Now Champollion is desperate to test his skill in the temples and tombs of Ancient Egypt but, as a poor country boy, cannot fund his own voyage. The Church hears of Champollion's desire to travel to Egypt and they offer to support him
Name | Type | Role | |
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Tony Mulholland | Writer | ||
Jonanthan Rich | Writer | ||
Ferdinand Fairfax | Writer | ||
Ferdinand Fairfax | Director |