From a virtual studio, Giancarlo De Cataldo tackles a crime that has deeply troubled consciences, not only for the ferocity of the torturers, not only because the culprits were unsuspecting "boys from good families", or for that shot engraved in the collective memory that portrays Donatella Colasanti, swollen and covered in blood, re-emerging from the trunk of a 127 next to the lifeless body of Rosaria Lopez, in the Trieste neighborhood of Rome. The Circeo massacre is the judicial case that has changed the way of perceiving men's violence against women and the way of experiencing justice in cases of violence: next to the victim, who has become a symbol in spite of herself, the feminist movement invades the courtrooms, in a process that becomes socially relevant. The voice of women demands justice in a way that can no longer be ignored, both by judges and by society.