Deewana - Ali Azmat Garaj Baras - Ali Azmat, Rahat Fateh Ali Khan Gallan - Ali Azmat Shaman Paiyan - Rahat Fateh Ali Khan Balama - Ali Azmat, Rahat Fateh Ali Khan Paheliyan - Mauj
I'm in Love (I'm a Believer) - Saba & Selina Sar Kiye - Strings Anjane - Strings Duur - Strings, Hussain Bakhsh Gullo & House Band Zinda - Strings Jam Session - Hussain Bakhsh Gullo & House Band
Janay Na Koi - Ali Zafar Chal Dil Meray - Ali Zafar Channo - Ali Zafar Rangeen - Ali Zafar My Happiness - Sajid & Zeeshan Allah Hu - Ali Zafar & Tufail Ahmed Ahsan Farooq
Percussion Jam - House Band Dildara - Rahat Fateh Ali Khan Flute Jam - Various Artists Mein Challa - Ali Azmat Garaj Baras - Ali Azmat, Rahat Fateh Ali Khan (rebroadcast) Dhaani - Strings, Hussain Bakhsh Gullo Sar Kiye - Strings Allah Hu - Ali Zafar, Tufail Ahmed Ahsan Farooq (rebroadcast)
Aik Alif by Sain Zahoor, and Noori Aj Latha Naeeo by Javed Bashir Jal Pari by Atif Aslam Khamaaj by Shafqat Amanat Ali Paimona by Zeb and Haniya Fans were welcomed back to a brand new season of Coke Studio on Sunday, June 14th where we started our journey with the acknowledgment of the power of individuals or 'Individuality' through musical collaborations and performances. Our first live session took you to the heart of a recording studio where Saeein Zahoor, Noori, Atif Aslam, Shafqat Amanat Ali, Javed Bashir and Zeb & Haniya were captured in their raw essence through unique behind the scenes moments as they looked to define and redefine traditional and contemporary paths of music. Episode one saw these featured artists collaborate with musicians such as Sadiq Sameer on Rabab, Assad Ahmed on guitar, Babar Khanna on dholak, Jaffer Zaidi on the keyboard, Javed Iqbal on Violin, Kamran "Mannu" Zafar on Bass, Louis "Gumby" Pinto on Drums, Natasha De Sousa as backing vocalist, Omran "Momo" Shafique on guitar, Saba Shabbir on backing vocals, Sikander on dholak, Waris Baloo and Zulfiq "Shazee" Ahmed Khan on multi percussions. With our artists, this seasons' first step into the musical expedition celebrates the individual being and our personal identities bringing to you sounds and expressions unique to each of the 25 artists collaborating aiming to inspire respect and appreciation of each artists' distinct flavour: Take Saeein Zahoor's collaboration with Noori for Ik Alif, Atif Aslam revamping Jal Pari with the house band, Javed Bashir paying tribute to the legendary Nusrat Fateh Ali Khan's Saab's through his version of Aaj Latha Naeeo, Shafqat Amanat Ali's new sound for Khamaaj and Zeb & Haniya's collaboration with Saddiq Sameer on Rabab for Paimona: This is where fusion and experimental music is possible. This is Coke Studio! Join us again in a fortnight, June 28th, as our journey continues and we see these individuals come together to create music in harmon
Aankhon Kay Sagar by Shafqat Amanat Ali Dastaan by Ali Zafar Janay Do by JoSH Kinara by Atif Aslam, and Riaz Ali Khan Toomba by Sain Zahoor June 28th 2009 witnessed the voyage into Episode 2 or HARMONY across 15 television channels and numerous radio stations nationwide. Back at the studio we looked to bring you music that is the bridge that connects people: To witness individuals coming together to create a common ground that is in harmony with itself and each other. We watched and heard Ali Zafar, returning as the most popular act from season one: His song 'Dastaan e Ishq', is inspired by Saeein Zahoor's classic Nachna Painda Hai, and although composed by Ali Zafar in collaboration with Baqir Abbas, is solidly rooted in traditional folk music. This performance by Ali Zafar is a musical and lyrical tribute to the diverse appeal and versatility of classic folk tunes and the great sufi poets of this region. Sharing his thoughts on guest musician Baqir Abbas, Ali Zafar says, "Baqir Abbas has always been a great support and a magical flute player. His participation brought much more than I had expected. If my set is appreciated and taken well by the audience I think I should be last person to give credit to." Our second session also welcomed JoSH to the platform with the Coke Studio house band in their soulful melody 'Jaaney Do'. In a sense, JoSH itself represents the quintessence of 'Harmony' with both Q and Rup representing two distinct cultures: they both draw upon the best of their backgrounds to make music that is indeed in accord with itself. 'Harmony' also introduced the unique pairing of classic maestro Riaz Ali Khan with contemporary star Atif Aslam in a brand new rendition of Atif's 'Kinara'. Behind the scenes Atif and Riaz Sahib were both very vocal in praise of one another and on stage the rapport is heart-warming. Flowing seamlessly from a contemporary melody to the legendary "Man Kunto Maula" and on to a smooth, transitional 'tarana' on
Bari Barsi by JoSH Chal Diyay by Zeb and Haniya, and Javed Bashir Jo Meray by Noori Wasta Pyar Da by Atif Aslam Yar Daddi by Ali Zafar “Music and musicians can never be limited by things as small as borders or ethnicities. Historically, music has always been a social equalizer. In Pakistan the problem is that there is no musical platform which is large enough to draw in musicians from various regions and traditions, and bring them together to produce music. Coke Studio has stepped in to provide this platform.” Zeb & Haniya The Coke Studio journey started this year with the acknowledgement of Individuality; as a tribute to the artists and musicians who each bring their own diverse and unique magic to the platform. With this acknowledgement came the awareness that, despite differences, working together and finding a common ground is possible. And through this period of Harmony came the recognition and realization of Equality. Coke Studio’s third episode, titled Equality to symbolize this aspect of the on-going journey, contained a surprising variety of musical genres. Ali Zafar performed Yaar Daddi; the famous Siraiki kafi immortalized by Ustaad Muhammad Juman of Sindh. Accompanied by Baqir Abbas on the flute and Ali Hamza on the Banjo, Ali Zafar, surprisingly, took to the harmonium. This timeless classic has been restyled on Coke Studio, with a strong flamenco influence, complete with rapid-strumming guitar passages and rhythmic claps. Although this rendition does feature contemporary and essentially western ingredients it retains the very soul and essence of indigenous folk and brings this gem of our musical inheritance to the forefront once again, to be enjoyed and cherished by yet another generation of music lovers. “This is the way Jo Meray was meant to be and this is the way we will perform it from now onwards” is what the Noori brothers say about their song at Coke Studio…Ali Hamza takes the lead once more with Jo Meray, with Ali Noo
Mai Ni Main by Atif Aslam Bulleya by Riaz Ali Khan Chup by Zeb and Haniya Saari Raat by Noori Mahi Ve by JoSH, and Shafqat Amanat Ali In the fourth studio session, Coke Studio took us through an exploration of the beauty of the human spirit and brought forth the positive energy of music as it lifted our spirits, touched our hearts and strengthened our emotional and spiritual bonds. Atif Aslam continued to showcase his versatility; from Billie Jean in the last episode to the classic Punjabi folk Kalam by Shah Hussain, Mai Ni Main in this season, Atif wears all his musical avatars with pride. Mai Ni Main is a resilient song which has been explored in the past by maestros ranging from Hamid Ali Bela to Reshma and now, Atif Aslam. The duo Zeb and Haniya brought to the studio perhaps their most recognisable song, ‘Chup’, after which their debut album is titled. The studio session treatment of this song sees both Haniya and Zeb share vocals to a retro musical feel with Omran Shafique working his way around his fret board to produce what he is best known for, groove. The ‘Spirit’ session highlighted another Baba Bulleh Shah poem, his eponymous ‘Bulleya’, sung by eastern classical musician Riaz Ali Khan, who hails from the Sham Chaurasia Gharana. As many may be aware, Bulleya has been released in the past by the likes of rock band Junoon and more recently, Rabbi Shergill. In his Coke Studio version of the song, Khan Sahib pays tribute to Bulleh Shah by composing his own melody in Raag Bhimpalasi, an evocative afternoon raag. The Noori brothers returned with guest musician and cousin Rakae Jamil on the Sitar to reinvent rock ballad Sari Raat, originally from their Peeli Patti album. Indeed this was a most unorthodox setting for the sitar and was in general, a challenging song to play. Ali Noor took the lead on power house vocals and Javed Iqbal stole the show with his staccato rock riff/solo on his violin at the end of this rock number.
Husn-e-Haqiqi by Arieb Azhar Titliyan by Strings Rona Chor Dia by Zeb and Haniya, and Javed Bashir Kuch Ajab Khail by Shafqat Amanat Ali Nahi Ray Nahi by Ali Zafar Kedaar by Noori Humain Kya Hua by Atif Aslam This season music lovers across the country saw and listened as individuals defined and redefined traditional and contemporary paths of music, enjoyed a diversity of musical styles achieving harmony in fusion, witnessed the bridging of barriers through equality, experienced the undeniable spiritual connectivity of music and with the finale, felt the unifying force of music and its power to bring individuals together. The Coke Studio journey completed its run on the 14 of August, with a special 90-minute Independence Day Episode titled "Unity" In episode five, Arieb Azhar brought Khwaja Ghulam Farid's powerful poetry to Coke Studio. This unique and gripping song, 'Husn-e-Haqiqi' featured on Arieb's first album, 'Wajj'. Translated as the 'beauty of truth', this spiritual anthem is compelling. As befitting the unorthodox chant-like musical structure of the song, the Coke Studio version is aptly simplistic - the visual treatment is also appropriately focussed, subtly enhancing the forceful impact of the lyrics and the skill and expressive, emotion of Arieb himself. 'Husn-e-Haqiqi' is simultaneously graceful, unrelenting and joyous. The evergreen Strings brought back their signature elegance to Coke Studio for a second season with their song, 'Tiitliyan'. This melancholic number is from their latest album, 'Koi Aanay Wala Hai'. Violinist, Javed Iqbal brought a soothing dimension to the song, complementing the vocals of both Bilal Maqsood and Faisal Kapadia. Zeb & Haniya returned with Javed Bashir to belt out their triumphant 'Rona Chor Diya' in style. This is yet another song from Zeb & Haniya's debut album 'Chup'. However, as with all the Coke Studio versions of Zeb & Haniya songs this one has also been transformed; Haniya is especially remarka
Na Raindee Hai by Arieb Azhar Ramooz-e-Ishiq by Abida Parveen Alif Allah by Arif Lohar and Meesha Shafi Yaadein by Karavan Bibi Sanam by Zeb and Haniya With the airing of our first episode on 06 June 2010, the Coke Studio journey picks up again. In the third season, the underlying theme is to discover the intricacies of the process of creation and evolution, and how it culminates in the realization of dreams and goals. The first episode centers on the reason for being — the reason behind embarking on any venture. That reason has range is taken into account as well: it can simply be ambition, an unrequited desire, devotion to a higher form, subliminal or overt. 'Reason' presents three Sufic pieces, each rendered in a different style, and two melodious pop-funk numbers. The first season opens with Arieb Azhar's recital of a twelfth century kalam penned by mystic Baba Bulleh Shah. 'Na Raindee Hai' with its lounge feel is an attempt to revive the tradition of poetry recitation. Sufic legacy is carried forth in the second track of the episode by none other than the iconic Abida Parveen with a kalam by Hazrat Baidam Shah Warsi titled 'Ramooz-e-Ishq'. Translated into Urdu, the performance has the both the Eastern and Western house band members involved yet very subtly. Arif Lohar and Meesha Shafi collaborate and surprise one and all with the chemistry between them in 'Alif Allah Chambay Di Booty'. The song is folksy yet funky, traditional yet modern – perfect fusion of two distinct identities. Musically, it retains its traditional rhythm but revamped with contemporary instruments. Breaking the Sufic line-up is Karavan, Pakistan’s premier and pioneering rockers. They deliver a melodious pop number ‘Yaadein’ with Omran Shafique joining them on the guitar Javed Iqbal on the violin and Jaffer Ali Zaidi on the keyboard. The last performancen the episode is Zeb & Haniya surprising us with another Dari track this season, 'Bibi Sanam Janem'. The house band goes
Aïcha by Amanat Ali Bolo Bolo by Entity Paradigm, song originally sung by Sajjad Ali Moomal Rano by Fakir Juman Shah Tann Dolay by Noori & Zeb and Haniya Naina Day Aakhay by Rizwan & Muazzam, song originally sung by Nusrat Fateh Ali Khan In the third season, the underlying theme is to discover the intricacies of the process of creation and evolution, and how it culminates in the realization of dreams and goals. While the first episode centered on reason as the source and origin of all creative endeavours, the second one focuses on the force behind attainment — Will. Indeed in the language of music, the passion to ensure realization is as important as its inception. The five tracks featured in Episode 2 – three distinct contemporary pop-acts, and two intense and unique performances by Pakistan's treasured indigenous artists – symbolize the range and depth of musical influences and inspirations available and Coke Studio's will to embrace this diversity in an ever-widening circle. Making his first appearance on the Coke Studio platform is the talented, young singer Amanat Ali with his rendition of ‘Aisha’. Originally written in French and since translated into 12 different languages, Amanat performs the first known Urdu version of this internationally popular track on Coke Studio. Taking the stage next are the Shah Jo Raag Fakirs, accompanied by their unique five-stringed traditional instrument dhamboora. Led by Fakir Juman Shah the Fakirs recreate the mystic aura of the Bhit Shah shrine with a profoundly emotive rendition of 'Moomal Rano' from the Shah Jo Risalo. A mutually inspired collaboration between Noori and Zeb & Haniya follows suit and is best described as a unique combination of tamed rebellion and serene sophistication. This light fusion track, ‘Tann Dolay’, showcases a range of distinct vocals with a signature Noori style music composition. Entity Paradigm maintains the momentum on the set next, with their funk-rock take on Saj
Pritam by Sanam Marvi Chori Chori by Meesha Shafi Mori Araj Suno by Tina Sani & Arieb Azhar Saltanat by Aunty Disco Project Nigah-e-Darwaishan by Abida Parveen With ‘Reason’ and ‘Will’, Coke Studio 2010 re-enforced that it is diverse and in the third session ‘Conception’ broadens its horizons even further. ‘Conception’ follows the natural course of evolution, and arrives at that third crucial stage when the combining of reason and will lead to an idea taking tangible form. The third episode once again features traditional Sufi works alongside contemporary poetry and singers. Sanam Marvi sets the tone of the third session ‘Conception’ with ‘Pritam’, a folk song from the deserts of Rajasthan that has been passed down through countless generations. Coke Studio brings ‘Pritam’ to the present time fusing Marvi’s strong and textured vocals with contemporary open-tuned guitars layered over an unmistakable folk groove. The second act is Meesha Shafi paying a tribute to the legendary folk singer Reshma with a rendition of the hugely popular ‘Chori Chori’. Re-emerging on Coke Studio, ‘Chori Chori’ is evolved, edgy, experimental, ambient and organic — all rolled into one. Third in the line-up is the versatile Tina Sani, the doyenne of contemporary ghazal singing. With Coke Studio 2010, Sani returns to a recording studio after a 16-year-long hiatus and is joined in ‘Mori Araj Suno’ by Arieb Azhar, who has etched his mark in poetry recitation this season. In line with its vision of promoting contemporary pop acts, ‘Conception’ features Aunty Disco Project with their original number ‘Sultanat’. Charged with an obvious zest for life and a passion for music, Aunty Disco Project belt out the high-energy ‘Sultanat’ in a performance that is cohesive, aggressive and appealingly sincere. ‘Conception’ ends with a performance by the iconic Abida Parveen, who sends the senses soaring with the passion of her convictions i
Hor Vi Neevan Ho by Noori Kaisay Mumkin Hai by Karvan Nazaar Eyle by Zeb and Haniya Haq Maujood by Sanam Marvi & Amanat Ali (dedicated to Sachal Sarmast) Mirza Sahibaan by Arif Lohar The Coke Studio philosophy for the season hurtles towards its final stages of attainment and achievement: 'Will' and 'Reason' led to 'Conception', and now following suit is the process taking an existence. ‘Form’, the fourth session, features folk music traditions of varied flavours, local and exotic, sedate and grandiose, with the only exception being the inclusion of a pop-rock number. Folk music has long survived across cultures as the art of story-telling has been intertwined with it and the pieces performed here each present a unique lore. Noori opens ‘Form’ with ‘Hor Vi Neevan Ho’, an evocative tribute to the legendary folk singer Hamid Ali Bela. Inspired from a rare, publicly unheard recording of Bela, the rendition sees the Noori boys (Ali Noor and Ali Hamza) collaborate with their mother Noor Zehra Kazim as she brings the unique music instrument sagar veena to the Coke Studio platform. In their purest rock avatar, Karavan delivers a thrilling ‘Kaisay Mumkin Hai’ next up. Acoustics are traded with electric guitars on this track, which Karavan is performing live for the first time along with backing vocalists. Re-affirming their repo for bringing in the flavors of exotic lands, Zeb & Haniya maintain the strong currents of folk music in this session with ‘Nazaar Eyle’. A folk story from Turkey, the song stands out for its mirroring of the rich heritage of subcontinent, derived from disparate cultures. Spontaneity, sweetness and verve are all thrown together as Amanat Ali and Sanam Marvi pair up in the fast-paced ‘Haq Maujood’. The kalam by Sachal Sarmast is set to a tune inspired from the traditional Sindhi dhamal rhythm and is unique for featuring a drum solo towards the finale. 'Form' concludes with a theatrical performance by Arif Lohar in
Soz-e-Ishq by Abida Parveen Jana Jogi De Naal by Rizwan & Muazzam Nawai Ney by Tina Sani Ae Wattan Ke by Amanat Ali Manazil-e-Sufi by Sanam Marvi In its fifth episode for 2010, Coke Studio’s annual voyage concludes with the spirit of ‘Realisation’. Coke Studio’s third edition revolved around the intricacies of inspiration, creation and evolution, and the process of discovery as the elements of reason, will and resolve come together to culminate in the Realisation of dreams and goals. The last episode ‘Realisation’ is an acknowledgment of this process. The episode features five distinct tracks, ranging from profoundly Sufic to movingly patriotic. Amanat Ali performs the patriotic anthem ‘Ae Wattan Kay Sajeelay Jawanon’, a tribute to the legendary Madam Noor Jehan. The pride and sincerity in performing this number is evident across the board during its entirety, and it is hard not to feel moved. Next, Tina Sani’s renders ‘Nawai Ney’, derived from Maulana Rumi’s ‘Masnavi’. She is accompanied by flautist Baqir Abbas, who returns to the sets of Coke Studio and brings the analogy to life with his soothing flute play. For her third performance in Coke Studio sessions, Sufi singer Sanam Marvi renders a Sachal Sarmast work ‘Manzil-e-Sufi’. Brilliantly unique, this improvisational track stands out not only for rhythm and melody but the incorporation of various modern influences. Abida Parveen’s indomitable presence and inimitable style is showcased a final time in this season of Coke Studio with ‘Soz-e-Ishq’. With her soulful strains, Parveen takes us into depths of Sufism and evokes passion, love and spirituality. Rizwan and Muazzam with their qawwal ensemble deliver another exhilarating Sufi number ‘Jana Jogi Dey Naal’, originally penned by mystic Baba Bulleh Shah. Just two weeks short of Pakistan’s 63rd birth anniversary, Coke Studio also brings special messages by artists featured in Coke Studio 2010. Do join us as
To Kia Hua - Bilal Khan Kuch Hai - Mizraab Daanah Pah Daanah - Akhtar Chanal Zahri & Komal Rizvi Ik Aarzu - Jal Sighra Aaween Saanwal Yaar - Sanam Marvi Now, on the fourth leg of this amazing journey, Coke Studio returns to reveal an ever-widening range of musical influences and styles, enhancing our perceptions and enriching our relationships with Music. Coke Studio’s first episode of the season reveals an interesting cross-section of musical diversity in Pakistan – presenting fresh interpretations of contemporary songs as well as timeless classics. Coke Studio draws audiences in with “To Kia Hua” by Bilal Khan. This deceptively simple melody undergoes a metamorphosis at Coke Studio, adapting smoothly to the Eastern groove provided by veteran House Band percussionist, Babar Ali Khanna on dholak. In a musical spiral of self-generating hope and optimism Bilal’s mellow voice rides gently on an undulating swell of rhythmic acoustic guitars, persuasively insisting that there is always a silver lining! The Episode gains momentum with Mizraab’s exhilarating “Kuch Hai”, replete with classic rock elements that have been fused at Coke Studio with a distinct Eastern flavor.“Kuch Hai” features Faraz Anwar’s heavy acoustic guitar riffs, matched by equally powerful alaaps or vocal interludes from qawwal Mannan and is richly embellished by Coke Studio backing-vocalists, Zoe and Rachel. The compelling punch of the darbuka, played by Mizraab percussionist Nasir Ahmed, amplifies the theatrical impact of the interplay to make for a truly enthralling experience. In a breath-taking change of direction, Coke Studio then unleashes a captivating collaboration - Balochi folk legend Akhtar Channal Zahri and contemporary pop songstress Komal Rizvi together in, “Daanah pe Daanah”. Originally written and composed by Zahri himself, the song fondly sings the praises of the province he hails from. Presenting an unconventional alliance, this Coke Stud
Kirkir Kirkir - Sajjad Ali Ni Oothaan Waale - Attaullah Khan Esakhelvi Nindiya Re - Kaavish Senraan Ra Baairya - Asif Hussain Samraat & Zoe Viccaji Kangna - Fareed Ayaz & Abu Muhammad Coke Studio’s second episode presents a whole new palette of genres and artists and conveys yet another kaleidoscopic view on the diversity of music in Pakistan. The Coke Studio journey continues with a selection of fusion songs that pay tribute to the unique and enduring traditions of classical, folk and qawwali music, side by side with modern compositions by popular contemporary artists. The episode opens with Sajjad Ali’s “Kirkir Kirkir”. An up-tempo and lively modern track, 'Kirkir' is guaranteed to provoke a smile. This is a fun number, with tongue-in-cheek lyrics truly typical of Sajjad Ali and a rambunctious jhol on the dholak that makes foot-tapping and head-bobbing all but irresistible. Changing gears smoothly, Coke Studio follows up with a traditional Rajasthani song: Senraan Ra Baairya” by Asif Hussain Samraat and Zoe Viccaji. Sung by the virtually unknown Asif Hussain Samraat, in an obscure dialect Marwari, this song combines the delicate subtlety of the light classical style of thumri with contemporary accompaniment. With Zoe Viccaji’s ambient vocals adding an ethereal dimension to the traditional composition this Coke Studio version of “Senraan Ra” is both evocative and intriguing. Folk legend Attaullah Khan Essakhelvi follows with a poignant rendition of “Ni Oothaan Waale”. In a true representation of the age-old folk tradition of storytelling through song, “Ni Oothaan Waale” recounts the tragic tale of mythical lovers Sassi and Punno. Coke Studio’s vibrant contemporary sound offsets the timeless magic of Esakhelvi’s voice to make “Ni Oothan Waale” a veritable treat. Kaavish is next on this episode of Coke Studio, with the sweet tranquility of their lowri “Nindiya Re”. Featuring minimalistic percussions and the feath
Baageshri - Instrumental - Mole Lamha - Bilal Khan Ith Naheen - Sanam Marvi Panchi - Jal featuring Quratulain Balouch Mundari - Ustaad Naseer-ud-din Saami Coke Studio journeys through time with episode three, presenting genres and artists that cover a cross section of music that is representative of generations of listeners. Through a set of performances it outlines a history – presenting samples of music that capture the essence of an era – from the diversity of music that defines the present to flavours from the recent history of contemporary music and on to the sounds that are a part of our heritage. Tracing the inspiration of some of today’s music back to an ancient source, the Episode begins with Mole’s “Baageshri” - an experimental fusion track that defies labeling by conventional genre. The band utilizes modern tools of technology side by side with familiar instruments both modern and traditional to achieve a sound that is uniquely fresh. Next, Sanam Marvi embraces the deeply spiritual poetry of Sachal Sarmast as she takes centre stage at Coke Studio with “Ith Naheen”. The musical arrangement has an ambient lounge feel and provides the perfect foil for this complex composition. The overall effect, crafted in the manner of a sound-scape, keeps the focus on Marvi as she projects the force of the powerful verses through her expression, diction and delivery. Episode 3 continues with Bilal Khan’s “Lamha” - a dark, brooding song that expresses, both lyrically and musically, an emotional response to loss. The pronounced dholak groove rises with the song’s emotional temperature, building up to a dhamaal-like fervor that remains appropriately unresolved to the end. Jal returns to Coke Studio in Episode 3 with an experimental version of “Panchi”, a popular song from Jal’s first album. The band collaborates with promising new singer Quratulain Baloch as they take a nostalgic trip down memory lane to Jal’s very first en
Mandh Waai - The Sketches Pyaar Naal - Attaullah Khan Esakhelvi Nar Bait - Akhtar Chanal Zahri Lambi Judaai - Komal Rizvi Rang Laaga - Sajjad Ali & Sanam Marvi Coke Studio’s Episode 4 offers audiences a series of musical excursions to various regions across the country. The selection represents not just a cross section of musical diversity – it reveals the cultural significance of music to an ethnic identity. The episode features songs in six regional languages: Sindhi, Balochi, Brahvi, Punjabi, Siraiki and Braj, in addition to Urdu. From obscure indigenous song-craft to the more widely recognizable genres of music, languages and dialects convey the spirit and essence of a region and express the unique cultural characteristics of a people. The Episode opens with the band, Sketches and their rendition of the “Mandh Waai”. This modern day tribute to the revered Sindhi poet, Shah Abdul Latif Bhittai faithfully adheres to the repetitive refrain aspect characteristic of Waai and keeps the focus on the poetry with the simplicity of its acoustic arrangement. The next song, “Pyaar Naal” by Attaullah Khan Esakhelvi epitomizes the eloquence of Siraiki as it cuts straight to the heart of matters. Coke Studio envelopes the essence of this romantic number, enhancing the mood through the appropriate choice of instruments including the accordion, played by House Band member Jaffer Zaidi and the mandolin by guest musician Amir Azhar. Next, Akhtar Chanal Zehri brings the vibrant rhythms of Balochistan to Coke Studio with “Nar Bait”, a traditional Brahvi folk song. This ancient indigenous style of music employs vocal accents in conjunction with percussive elements to enhance the rhythmic pattern of the groove. The House Band rises to the challenge and the outcome is inspired and unforced. Komal Rizvi returns to Coke Studio with a tribute to folk singer Reshma: “Lambi Judaai”. Coke Studio reinvents the popular classic by presenting the nostalgic
Beero Binjaro - Asif Hussain Samraat Mori Bangri - Fareed Ayaz & Abu Muhammad
Paisay Da Nasha - Bohemia Tum Kaho - SYMT Kamlee - Hadiqa Kiani Larsha Pekhawar Ta - Hamayoon Khan Charkha Nolakha - Qayaas feat. Atif Aslam
Pere Pavandi Saan - Mithu Tahir Khabaram Raseeda - Fareed Ayaz and Abu Muhammad Ishq Aap Bhe Awalla - Chakwal Group and Meesha Shafi Larho Mujhey - Bilal Khan Rabba Sacheya - Atif Aslam
Rung - Hadiqa Kiani Neray Aah - Overload and Rachel Viccaji Nindiya Ke Paar - Uzair Jaswal School Di Kitaab - Bohemia Taaray - Bilal Khan
Tora Bahraam Khaana - Hamayoon Khan Rung - Fareed Ayaz and Abu Muhammad Bolay - Uzair Jaswal Kandyaari Dhol Geet - Bohemia and Chakwal Group Dholna - Atif Aslam
Seher (Instrumental) - Farhan Rais Khan Wah Wah Jhulara - Chakwal Group Mahi - Overload Koi Labda - Symt feat. Sanam Marvi Dasht-e-Tanhai - Meesha Shafi
Khayaal - Umair Jaswal Babu Bhai - Ali Azmat Rabba Ho - Saieen Zahoor feat. Sanam Marvi
Ishq Di Booti - Abrar-ul-Haq Laage Re Nain - Ayesha Omer Tori Chab - Kalenin Burcu Muyam - Rustam Fateh Ali Khan and Sumru Agiryryen
Neer Bharan - Zara Madani feat. Muazzam Ali Khan Channa - Atif Aslam Yaar Vekho - Sanam Marvi Raat Gaey - Zoe Viccaji
Aamay Bhashaili Rey - Alamgir and Fariha Pervez Laila O Laila - Rostam Mirlashari Ishq Kinara - šskdar'a Gider Iken - Zoe Viccaji and Sumru Agiryryen Mahi Gal - Asad Abbas feat. Fariha Pervez
Allah Hu - Saieen Zahoor feat. Abrar Ul Haq Moray Naina - Zara Madani Miyan Ki Malhaar - Various Artists Sawaal - Kande Utte - Ali Azmat & Muazzam
Asrar - Sab Aakho Ali Ali Sajjad Ali - Tum Naraz Ho Niazi Brothers - Lai Beqadaran Naal Yaari Ustad Raees Khan and Abida Parveen - Mein Sufi Hoon
Komal Rizvi, Akhtar Chanal Zahri & Momin Durrani - Washmalay Humera Channa & Abbas Ali Khan - Phool Banro Zoheb Hassan - Chehra Javed Bashir - Charkha
Sunn ve Balori Akkh Waaliya - Meesha Shafi Nadiya - Jimmy Khan & Rahma Ali Jhoolay Lal - Sajjad Ali & Fariha Pervez Dost - Abida Parveen
Shakar Wandaan Re - ASRAR Ambwa Taley - Javed Bashir & Humera Channa Dheray Dheray - Zoheb Hassan Bone Shaker - Usman Riaz
Mujhe Baar Baar - Abbas Ali Khan Kheriyaan - Niazi Brothers Pehla Pyaar - Jimmy Khan Mitti Da Palwaan - Jawad Ahmed
Chaap Tilak - Abida Parveen & Rahat Fateh Ali Khan Descent to the Ocean Floor - Usman Riaz Yaad - Javed Bashir Jaana - Zoheb Hassan & Zoe Viccaji
Hans Dhuni - Ustad Raees Khan Suth Gaana - Sajjad Ali Za Sta Pasha Na Yam - Naseer & Shahab Pani Da Bulbula - Abrar-Ul-Haq
Jogi - Fariha Pervez feat. Muazzam Ali Khan Laili Jaan - Zeb & Haniya