Legendary and controversial series focused on conservative working stiff Archie Bunker fighting the tide of social change and dealing with flighty wife Edith, daughter Gloria and left-leaning son-in-law Michael Stivic.
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | January 1968 | May 2019 | 11 |
| Season 1 | January 1971 | April 1971 | 13 |
| Season 2 | September 1971 | March 1972 | 24 |
| Season 3 | September 1972 | March 1973 | 24 |
| Season 4 | September 1973 | March 1974 | 24 |
| Season 5 | September 1974 | March 1975 | 24 |
| Season 6 | September 1975 | March 1976 | 24 |
| Season 7 | September 1976 | March 1977 | 25 |
| Season 8 | October 1977 | March 1978 | 24 |
| Season 9 | September 1978 | April 1979 | 25 |
| Unassigned Episodes | 1 |
| Season | From | To | Episodes |
|---|---|---|---|
| All Seasons | |||
| Specials | 0 | ||
| Season 1 | January 1971 | April 1971 | 13 |
| Season 2 | September 1971 | March 1972 | 24 |
| Season 3 | September 1972 | March 1973 | 24 |
| Season 4 | September 1973 | March 1974 | 24 |
| Season 5 | September 1974 | March 1975 | 25 |
| Season 6 | September 1975 | March 1976 | 24 |
| Season 7 | September 1976 | March 1977 | 25 |
| Season 8 | October 1977 | March 1978 | 24 |
| Season 9 | September 1978 | April 1979 | 25 |
| Unassigned Episodes | 11 |
| Season | From | To | Episodes |
|---|---|---|---|
| Season 1 | 0 | ||
| Unassigned Episodes | 219 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Paul Bogart | 81 | 09/08/1975 - 04/08/1979 | |
| John Rich | 64 | 01/12/1971 - 02/16/1974 | |
| Don Nicholl | 29 | 02/23/1971 - 01/11/1975 | |
| Bob Lahendro | 22 | 10/07/1972 - 02/02/1974 | |
| Milt Josefsberg | 18 | 10/06/1975 - 02/04/1979 | |
| Bob Schiller | 18 | 10/09/1977 - 02/11/1979 | |
| Bob Weiskopf | 18 | 10/09/1977 - 02/11/1979 | |
| H. Wesley Kenney | 17 | 10/05/1974 - 03/08/1975 | |
| Norman Lear | 11 | 01/12/1971 - 09/15/1973 | |
| Phil Mishkin | 8 | 02/23/1971 - 11/18/1972 | |
| Irma Kalish | 5 | 11/13/1971 - 12/22/1973 | |
| Austin Kalish | 5 | 11/13/1971 - 12/22/1973 | |
| Michael Loman | 4 | 11/13/1976 - 01/22/1978 | |
| Erik Tarloff | 4 | 02/19/1977 - 12/25/1977 | |
| Barry Harmon | 3 | 11/02/1974 - 10/09/1977 | |
| Paul Wayne | 3 | 10/02/1971 - 09/22/1973 | |
| Alan J. Levitt | 3 | 11/20/1971 - 01/01/1972 | |
| Harve Brosten | 3 | 11/02/1974 - 10/09/1977 | |
| Stanley Ralph Ross | 3 | 01/26/1971 - 02/10/1973 | |
| Mort Lachman | 3 | 10/27/1976 - 02/25/1979 | |
| Lennie Weinrib | 2 | 12/04/1971 | |
| George Bloom | 2 | 09/16/1972 | |
| Norman Campbell | 2 | 09/16/1972 - 09/23/1972 | |
| Elias Davis | 2 | 02/12/1972 | |
| Dave Pollack | 2 | 02/12/1972 | |
| Ron Bloomberg | 2 | 01/08/1978 | |
| Paul Harrison | 2 | 12/04/1971 | |
| Michael Elias | 2 | 09/30/1972 | |
| Tom August | 1 | 11/06/1971 | |
| Bill Manhoff | 1 | 09/30/1972 | |
| Sam Greenbaum | 1 | 10/22/1978 | |
| Robert H. Livingston | 1 | 10/07/1972 | |
| Ed Haas | 1 | 12/11/1976 | |
| Walter Miller | 1 | 03/04/1979 | |
| Bob Livingston | 1 | 10/07/1972 | |
| Martin Cohan | 1 | 01/06/1973 | |
| Calvin Kelly | 1 | 10/27/1976 | |
| Wes Kenney | 1 | 01/18/1975 | |
| Helen August | 1 | 11/06/1971 | |
| Hal Cooper | 1 | 10/21/1972 | |
| Marion Zola | 1 | 12/11/1976 | |
| Jim Tisdale | 1 | 10/27/1976 |
| Name | Number of Episodes | Dates | |
|---|---|---|---|
| Larry Rhine | 36 | 09/22/1975 - 03/25/1979 | |
| Mel Tolkin | 36 | 10/27/1975 - 03/25/1979 | |
| Bernie West | 30 | 09/25/1971 - 01/11/1975 | |
| Michael Ross | 28 | 09/25/1971 - 01/11/1975 | |
| Lou Derman | 17 | 11/16/1974 - 03/08/1976 | |
| Bill Davenport | 13 | 11/16/1974 - 02/16/1976 | |
| Ben Starr | 11 | 12/08/1975 - 01/08/1978 | |
| Phil Sharp | 8 | 02/05/1978 - 02/04/1979 | |
| Rob Reiner | 7 | 02/23/1971 - 11/18/1972 | |
| Chuck Stewart | 6 | 10/06/1976 - 10/23/1977 | |
| Burt Styler | 5 | 02/09/1971 - 11/04/1972 | |
| Lee Kalcheim | 5 | 10/09/1971 - 09/29/1973 | |
| Phil Doran | 5 | 11/06/1976 - 02/26/1977 | |
| Douglas Arango | 5 | 11/06/1976 - 02/26/1977 | |
| Bryan Joseph | 4 | 02/23/1971 - 03/16/1971 | |
| Gordon Mitchell | 4 | 10/27/1973 - 01/18/1975 | |
| Lloyd Turner | 4 | 10/27/1973 - 01/18/1975 | |
| John Rappaport | 4 | 10/06/1973 - 11/17/1975 | |
| Patt Shea | 3 | 02/18/1979 - 04/08/1979 | |
| Harriet Weiss | 3 | 02/18/1979 - 04/08/1979 | |
| Lila Garrett | 2 | 09/30/1972 - 01/26/1974 | |
| Rod Parker | 2 | 03/04/1972 - 03/11/1972 | |
| Woody Kling | 2 | 03/09/1974 - 10/12/1974 | |
| Warren S. Murray | 2 | 01/22/1972 - 12/01/1973 | |
| Hal Kanter | 2 | 09/08/1975 - 09/15/1975 | |
| Jerry Mayer | 2 | 02/16/1971 - 04/06/1971 | |
| Bud Wiser | 2 | 02/02/1974 - 01/04/1975 | |
| Michael Morris | 2 | 11/24/1973 - 02/15/1975 | |
| Sam Locke | 2 | 10/21/1972 - 02/17/1973 | |
| William C. Rader, M.D. | 2 | 11/06/1977 - 11/13/1977 | |
| Olga Vallance | 2 | 10/21/1972 - 02/17/1973 | |
| Susan Harris | 2 | 03/09/1971 - 01/15/1972 | |
| Mickey Rose | 1 | 01/26/1974 | |
| Michael Rosst | 1 | 09/23/1972 | |
| David P. Harmon | 1 | 11/30/1974 | |
| Bob Arnott | 1 | 03/08/1975 | |
| Harriet Belkin | 1 | 10/19/1974 | |
| Vincent Bogert | 1 | 02/24/1973 | |
| Tina Pine | 1 | 02/05/1972 | |
| Roger Shulman | 1 | 12/14/1974 | |
| Fred Freiberger | 1 | 01/19/1971 | |
| Henry Garson | 1 | 01/29/1972 | |
| Norman Belkin | 1 | 10/19/1974 | |
| Jay Moriarty | 1 | 12/25/1976 | |
| Bill Dana | 1 | 02/19/1972 | |
| Susan Ware | 1 | 02/08/1975 | |
| Larry Rhive | 1 | 12/25/1977 | |
| Sandy Stern | 1 | 03/23/1971 | |
| Dennis Klein | 1 | 12/08/1973 | |
| Bill Richmond | 1 | 11/20/1976 | |
| Howard Storm | 1 | 01/12/1974 | |
| Mike Milligan | 1 | 12/25/1976 | |
| Ron Friedman | 1 | 12/07/1974 | |
| Dixie Brown Grossman | 1 | 10/26/1974 | |
| Don Nicho | 1 | 10/07/1972 | |
| Lee Erwin | 1 | 01/19/1971 | |
| Robert L. Goodwin | 1 | 03/09/1974 | |
| Paul Lichtman | 1 | 01/12/1974 | |
| Steve Zacharias | 1 | 01/08/1972 | |
| Nate Monaster | 1 | 10/01/1978 | |
| Lester Pine | 1 | 02/05/1972 | |
| John Baskin | 1 | 12/14/1974 | |
| Albert E. Lewin | 1 | 01/22/1978 | |
| Ray Taylor | 1 | 11/10/1973 | |
| Gene Perret | 1 | 11/20/1976 |
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A ranking of the most game-changing, side-splitting, tear-jerking, mind-blowing, world-building, genre-busting programs in television history, from the medium’s inception in the early 20th century through the ever-metastasizing era of Peak TV BY ALAN SEPINWALL
TV (The Book): Two Experts Pick the Greatest American Shows of All Time is a collection of essays written by television critics Alan Sepinwall and Matt Zoller Seitz. It was published in 2016. The main purpose of the book was to provide a canonical list of the top 100 greatest television programs in American history.
Mike Wallace and a vampire slayer? Letterman and Oprah? Andy Griffith and the Sopranos? On one list? What were we thinking? Simply put, the best of the best, from Day 1 to last night: quality, innovation and the ability to stay in our lives year after year after year. A touch of sentiment? Sure, but nostalgia alone couldn’t make the cut (sorry, Beav). And TV-movies, miniseries and specials will have to wait. These are the series we watched regularly — and will watch again. And again.
What's the best TV show of all time? Who knows? This poll is strictly about favorite shows, the programs people in Hollywood hold nearest to their hearts — that remind them of better times or speak to their inner child or inspire their creativity or just help them unwind after a crappy day at the studio — even if one or two of the programs listed here aren't exactly masterpieces of the medium.
From a pioneering variety show from the black-and-white days to two faves on now -- see our No. 1. To see EW's picks of the top 100 all-time greatest TV shows
So many golden ages, so much brilliance from which to choose. In culling from the "60 Greatest" lists we've compiled during our 60th-anniversary year, we shook things up, blending drama, comedy and other genres to salute the shows with the biggest cultural impact and most enduring influence. What will the next 60 years bring? We can't wait to find out.
The “TV 101” list honors classic, trailblazing series and miniseries, as well as current and critically acclaimed programs, from comedies and dramas to variety/talk and children’s programming. At their core, all of these wonderful series began with the words of the writers who created them and were sustained by the writers who joined their staffs or worked on individual episodes. “This list is not only a tribute to great TV, it is a dedication to all writers who devote their hearts and minds to advancing their craft.
IGN and some of our friends have decided the best in the world of TV.
A comprehensive list of all TV series seen and experienced throughout my life from early childhood to the present day. Usually full completion including all seasons, but at least a mandatory minimum of one full season. Will include live action and Western animation/cartoons, but exclude anime, which is on a separate list.
We are what we watch-and over the last half century, we've watched some pretty fabulous TV. From Mary to Jerry, from Tonight to Today, from the sublime (Prime Suspect) to the ridiculous (Gilligan's Island), EW recalls everything you need to know about 100 shows that tell us who we are.
The best shows are the ones that take advantage of the length that movies don't have and use the imagery that novels can't conjure. They can captivate big audiences and change their lives forever.
From time-capsule sitcoms to cutting-edge Peak-TV dramas — the definitive ranking of the game-changing small-screen classics
What makes a great television show? There may be as many types of excellence as there are excellent shows. Series can wow us with how broadly they changed society, from “Seinfeld” redefining American slang to “Mad Men” bearing all the hallmarks of an early-21st-century TV Golden Age to “The Oprah Winfrey Show” making daytime viewers feel part of a special club of millions. Or they can feel like closely held secrets, always ready to welcome curious viewers for the first time, like “The Leftovers” or “Enlightened.” They can bring together insights about a rapidly shifting society with humor that stands the test of time, like the shows created by Norman Lear, who died this month at age 101. And they can dazzle us with spectacle or entrance us with intimate character moments — or, if they’re “The Sopranos,” they can do both.
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