Kenny and Mark float into the second-part of the Drowned World discussion with the first-ever Madonna “concert films” and a return to the “appropriation or appreciation” debate. Madonna’s geisha character returns to release her warrior self in a new narrative, Kenny shares the thrilling experience of the live version of “Frozen,” and the September 11th attack (and its aftermath) casts the remaining shows in a whole new light. Strap your aerial wires on and let’s go!