Diego is invited to present a one-man show at the Museum of Modern Art in New York City. The young museum has hosted just one other solo show, for the French modernist, Henri Matisse. For Diego, the invitation is the greatest honor of his career. The exhibition draws critical acclaim and the largest crowds the museum has ever had. On opening night, Diego is flooded with adoring American fans, while Frida stands silently at his side. In 1932, no one could imagine that Frida’s paintings will one day hang beside Diego’s in this museum — and command a higher price. But first, she has to paint. Just a few months later, another near death experience will send her back to her canvas. And this time, Diego will temporarily put aside his own ambitions to clear the path for Frida to work.