Hong Kong – a small place once hailed as the “Hollywood of the East”, is an idiosyncratic kingdom of film that has been forged gradually for over a century where order interweaves with chaos. Is it the result of miracles? Or is it brought about by circumstances? After going from boom to bust, how and where the Hong Kong film industry should advance? Is the path forward a way out or a dead end? How do Ann HUI who entered the film industry in the late 70s, and Derek KWOK who slipped into the business in 2000 during the “Cinematic Demise”, face the transformation of the film industry as well as the challenges of this new era?