Agent Emma Banks looks at how the music business finds talent and creates superstars. She has worked with artists such as Katy Perry, Kanye West and Red Hot Chili Peppers and seen the fine line between success and failure, following the careers of hundreds of acts - from geniuses who never quite made it to megastars who conquered the world. The secret to success and stardom is an elusive formula of luck, timing and talent. But as Emma explores, it's also about the team behind the talent - the record execs, label bosses and A&R gurus who find, develop and make a star. From Motown's musical finishing school to Damon Dash's dogged promotion of Jay Z, the film offers a behind-the-scenes peek into the peaks and pitfalls of making a musical superstar. Contributors include Martha Reeves, Alex James, Clive Davis, Perry Farrell and Nona Hendryx. And we follow Emma as she works with new grime star Lady Leshurr.
Music promoter John Giddings takes us on an entertaining ride behind the stage lights to tell the story of how live performance has become a billion-pound industry. As the founder and promoter of the modern Isle of Wight festival and one of the world's biggest live promoters, John knows more than most how to put a show on the road. And how the world of live performance has changed. Where once bands would tour to promote an album, in the age of downloads and disappearing record sales, the live arena is a huge business. Bigger than ever before. For a genuine behind-the-scenes insight into the scale and logistics of the modern mega-tour, John takes us backstage at U2's latest stadium spectacular. We also join John behind the scenes at Isle of Wight 2017, the festival he runs and where Rod Stewart and Run DMC are among the big names on the line-up. But we also travel back to tell the story of the original Isle of Wight Festival, where a bunch of young promoters with big ideas persuaded Bob Dylan, The Who and Leonard Cohen to perform. A tale of unpaid artists, frantic last-minute negotiations and general mayhem, it was an event that transformed the music industry. And for a young John Giddings, who was in the audience, it was the beginning of a whole career. Along the way, some of the biggest names in rock and pop share their insights from life on the road and how the world of live performance has changed. Phil Collins reminisces about his youthful trips to the Marquee Club. Earth, Wind & Fire reveal the extraordinary planning that went into their theatrical stage shows. Stewart Copeland recalls The Police's pioneering international tours, including a memorable visit to India at the invitation of a local women's organisation, The Time and Talents Club. Melanie C talks of her nerves taking to the road with the Spice Girls, who unlike most touring bands had no real experience of live performance. And Alex James remembers the thrill of live performance but
Part three of this entertaining, behind-the-scenes series about how the music business works, explores the phenomenon of band reunions. With unique revelations, rare archive and backstage access to an impressive line-up of old favourites strutting their stuff once more, music PR legend Alan Edwards tells the story of why so many bands are getting back together, what happens when they do - and how it's changing the music business. Alan Edwards, who has looked after everyone from Prince to The Rolling Stones, from David Bowie to The Spice Girls, is our musical guide. He's been in the business long enough to see countless acts enjoy pop stardom, split up, fall out, only to re-emerge triumphant decades later, to the joy of their fans. Alan starts by telling the story of the UK's first revival concert which took place over 40 years ago at Wembley Stadium. Featuring some of the biggest acts from the birth of rock 'n' roll - Bill Haley and the Comets, Little Richard and Jerry Lee Lewis - the concert opened the eyes of promoters to the power of yesterday's hitmakers to reach an audience and make serious money. From there, Alan takes us on a musical journey through some of the biggest reunions of the last thirty years. Highlights include Glen Matlock, ex-bassist in The Sex Pistols who talks candidly about their 1996 reunion. Called the Filthy Lucre tour, Glen reveals how one section of the band had to travel on a separate tour bus just to keep the fragile band reunion on track so they could finish the tour. Alan also meets the three remaining members of Blondie, who tell him how they've navigated their reunion. Debbie Harry reveals how she didn't want to get back together with the band at first, had to be persuaded to do it, but then teared up when they first played together - 'when we put the band back together for the first time and everybody started playing I sort of teared up because, oh there really is that sound, that really does exist, we do have an ide
