A quatorze ans, Louis XIV sait qu'il règnera un jour mais sait aussi que l'on fera tout pour l'empêcher de gouverner. Il en est complexe. Par la danse, où le jeune roi excelle, et grâce à la musique qu'il compose pour lui, Lully le révèle à lui-même puis au monde. Louis devient le Roi-Soleil. Lully et Molière sont les grands ordonnateurs de la magie de son règne. Mais Lully aime le roi d'un amour fou et platonique et croit que celui-ci ne peut se passer de lui. Son aveuglement le perdra et Lully, apres Molière, basculera dans la nuit.
Lully (Boris Terral) starts to gain the favour of the 14-year-old King Louis in 1653 by giving him specially designed shoes for ''Ballet de la Nuit''. His subsequent rise draws hostility from the old cadres of the court, particularly the royal composer Cambert (Johan Leysen). However, following Cardinal Mazarin's death, Louis (Benoît Magimel) installs himself in full power as the king in 1661 and he is now at stake with the religious establishment created and controlled by his mother Anne of Austria (Colette Emmanuelle) at the Palais-Royal. On the other hand, Lully's animosity with Cambert comes to a novel dimension after Cambert's mistress Madeleine Lambert (Cécile Bois), the daughter of Michel Lambert, marries Lully in 1662. Lully and another Palace of Versailles favourite Molière (Tchéky Karyo) are keen to further disarm the old court but they get to understand their limits when conflict becomes more manifest at events such as staging (and consequent ban) of ''Tartuffe'' in 1664. Meanwhile, the passing years bring an end to Lully's position as the king's dance teacher and choreographer and he also has to face the emotional tensions growing with his wife's niece Julie (Claire Keim), which will culminate at the gala of Cambert's ''Pomone (opera)'' in 1671.
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