An artistic cinema director is under pressure from his producer to use two commercial actors as the main actors of his film. The director thinks that these two are the worst choices possible, but if he wants to make his film, he needs to get them close to their characters and this is not an easy thing to do.
Un rico inversor pone a un director artístico bajo presión para hacer una película policial con dos actores comerciales. El director cree que son las peores opciones para la película, pero para prepararlos para los papeles, consigue la ayuda de un oficial de policía.
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