José María Nunes是60年代西班牙新浪潮电影运动中“巴塞罗那学派”的代表人物之一。在当年的西班牙新电影中，由CARLOS SAURA为首的“马德里学派”和来自加泰罗尼亚的“巴塞罗那学派”是最主要的两个门派。而相对于行事保守的马德里人来说，加泰罗尼亚人更富有想象力，他们在电影形式的探索和实验上要比“马德里学派”走得更远。José María Nunes、Gonzalo Suarez和Pere Portabella都来自“巴塞罗那学派”，大部分人都毕业于著名的巴塞罗那电影学校。
The film has no clear plot. It deals with the reactions of an older man and a young woman to the news stories that occur in 1968: the May student protests, Vietnam, Biafra. It is scattered, apparently disconnected. The characters find themselves in illogical situations: in a train cemetery, in a ruined house where some young people edit a journal. There is no sound of steps, and doors, when opened or closed, make no sound.
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