Director Zoya Laktionova talks about her 2 months of experience abroad in a state of two realities. Her documentary essay interacts with two landscapes in the same space of the video work. The work uses archival family photos of the artist and texts written in the first weeks of the war. The work absorbs one landscape into another, but it is difficult to understand what kind of landscape this act carries out.
full-scale war and forced evacuation force the director to find herself between two worlds: in one, the city of her childhood and people are destroyed, in the other, nothing happens, but any landscape
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| Name | |
|---|---|
| Zoya Laktionova |
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