Opening in black and white with a puzzlingly self-aware narrated scene of ''Love Torn Within a Dream'' producer Paulo Branco welcoming the cast at a celebratory ceremony, the film quickly establishes (with the help of an illustrated configuration upon a chalkboard, one that explicitly references the theories of Ramon Lull’s ''De Arte Combinatoria'', one of Ruiz’s ongoing artistic preoccupations) that there are nine stories that will weave in and out of each other throughout the film: The Meditations, The Robber Mirror, Twenty Two Rings, The Healing Painting, The Discussion, The Pirate’s Treasure, The Prophetic Site, The Castle of Dreams, and The Traveling Companion. Through overlapping threads and exchanged objects, these nine stories form some supposed twelve in total, though the situation becomes increasingly jumbled and less clear as the film goes on. A handful of actors portray different characters across storylines and centuries – Lucrezia, the nun-turned mystical nymph is played by the same woman (Elsa Zylberstein) who portrays modern-day Jessica who interacts with Paul, a student disturbed by a website foretelling his future. Paul is played by the same actor (Melvil Poupaud) who plays the troubled young Catholic who discovers he is Jewish, while many pirates and thieves, corpses and even the devil exchange actors in less pronounced roles throughout the film.
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