1991년 가을 크로아티아에서 전쟁이 벌어지자 음악가들은 전에 없이 강렬하게 대응했다. 바이올린 연주자, 탬부라 연주자부터 시작해 대중가수, 댄스가수, 로커와 펑크 가수에 이르기까지 말이다. 전쟁이 극에 달했던 첫 몇 달 만에 새로운 몇 백 곡이 탄생했고 그 중 많은 곡들이 전후까지 남아 있지 않지만, 이야기는 아직 끝나지 않았으며 알려지지 않았다.
Aircrafts, tanks, bombs, automatic rifles, media and propaganda were the Homeland War weaponry of choice. Nevertheless, the loudest were the songs. Ones used them to describe the nightmares that befell them, others to confirm their political loyalty. The national TV broadcaster considered music an important form of political 'fight', so they commissioned, financed, recorded and intensely broadcasted it. Even twenty years after the end of the Homeland War, its soundtrack still attracts attention and sparks emotions.In the late 1980s and early 1990s, patriotic music played an extremely important role in the political changes occurring in all the former Yugoslavian countries, especially in Croatia. In the first multi-party election after the Second World War, the Croatian Democratic Union (HDZ) beat the reformed communists with a great help from music, which in 1990 took an active part in boosting the national spirit
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