A fifty year old woman, scarred by a life of disillusionment and regret, returns to the place where she lived twenty years before, to rekindle happier memories. She meets a young woman, the daughter of the current owners of the property, who is on the point of abandoning her home – just as she did, all those years ago...
就像他在Fièvre流行的环境的火热研究,路易·德吕克的印象派电影的早期代表作,拉指数Femme德Nulle部分,几乎是不可能看到在巴黎罕见档案的预测之外。射击在自然的环境,并删除所有不是电影,德吕克的心理戏剧中的象征缪斯夏娃弗朗西斯是在实验“直接的风格。”在过去和现在,存储器,梦和现实之间的关系的引人入胜的研究,这一革命性的膜将是灵感连续制片人的源极,从弗朗索瓦特吕弗到亚伦雷奈。
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